IMDb > Dear Pillow (2004)

Dear Pillow (2004) More at IMDbPro »


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2 wins & 1 nomination See more »
User Reviews:
We all need to see Dear Pillow and really reflect... See more (9 total) »


  (in credits order)
Rusty Kelley ... Wes
Gary Chason ... Dusty

Viviane Vives ... Lorna
Cory Criswell ... Dad

John Erler ... Nick
Isabel Martin ... Checkout Girl

Brian McGuire ... Checkout Boy

Elle Klein ... Bank Teller

Alex Holdridge ... Hotel Waiter

David Zellner ... Phone Man #1 (voice)
Patrick Million ... Phone Man #2 (voice)
Kent Adamson ... Phone Man #3 (voice)
rest of cast listed alphabetically:
Karen Skloss ... Nick's Wife

Directed by
Bryan Poyser 
Writing credits
(in alphabetical order)
Bryan Poyser 

Produced by
Carla Campbell .... line producer
Russell Kane .... associate producer
T.E. Kolenda .... associate producer
Duncan Montgomery .... associate producer
Ken Murphy .... executive producer
Jacob Vaughan .... producer
Viviane Vives .... associate producer
Original Music by
Jeff McLaughlin 
Cinematography by
Jacob Vaughan 
Film Editing by
Jacob Vaughan 
Production Design by
Leslie Milligan 
Production Management
Alka Bhanot .... post-production manager
Sound Department
Tom Hammond .... sound re-recording mixer
Justin Hennard .... sound editor
Martin McCreadie .... sound recordist
Tim Young .... sound editor
Camera and Electrical Department
Suzy Philley .... still photographer
Editorial Department
Kyle Henry .... additional editor
Other crew
Duncan Montgomery .... legal representation
Alfred Cervantes .... special thanks

Production CompaniesDistributors

Additional Details

Also Known As:
USA:85 min
Filming Locations:

Did You Know?

Revealing mistakes: The 16mm porn film played is double perf., but has a soundtrack. Only single perf. 16mm film can have a soundtrack.See more »


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1 out of 3 people found the following review useful.
We all need to see Dear Pillow and really reflect..., 29 November 2007
Author: Adam Donaghey from United States

What I really liked about Dear Pillow is Bryan's sincere look at the dirty, perverse aspect of it that we like to hide underneath our beds. Where do we draw the line between the sensual and the perverse? Is there a point at which we've become far too enthralled with the process of pornography itself and not so much with sexuality? I really think Bryan's film is especially important currently, due to all the sexual outlets currently available. Like a voyeur, Dear Pillow peeps into that seedy world we'd all just as soon leave in the closet or under the mattress.

Dear Pillow also features Bryan's shorts, Grammy's and Pleasureland.

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