Michael Newman (Sandler) is a hard working family man, who must please his boss (Hasselhoff), in order to get promoted. Problem is he gets less time with his family, and wishes for a remote in which he can control his life. This soon comes true for Newman, when he meets Morty (Walken), a crazy sales clerk, who has the ultimate remote. A remote in which he can do anything, including muting, skipping and dubbing his life. He finds this to be the opportunity in which he can not only skip every argument, but also skip to his promotion. He sees this as a good idea, until the remote goes horribly wrong. Written by
The futuristic car that Michael Newman drives to his house when he first realizes he is CEO of the Company, is the Cadillac Sixteen, a concept car that was unveiled in 2003. See more »
When the kids and Donna come downstairs to find that Michael has bought the kids new bikes, the green box for Donna is seen behind Michael on a small table without a bow. In the next shot, when Michael is giving the box to Donna, it has a bow. See more »
[trying to convince him to let the project be procrastinated so he can go camping]
Three days? Couldn't I have a little more time for this project?
Michael, our clients are Japanese. They can't wait for their fish to cook.
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This movie is dedicated to my mom and dad, and to all our parents who never thought twice about putting their family first. And to my wife and daughter, thanks for making it so easy for me to do the same. See more »
What a pleasant surprise "Click" turned out to be! Based on the trailer, one can assume that Adam Sandler, playing Michael Newman in his latest movie, has made a movie that is just like Adam Sandler's last movie... and Adam Sandler's movie before that... and the one before that... i.e., the comedy at which you groan, shake your head, say "what the...", and yet can't help from laughing out loud. That's what you get in the first hour of this film. That hour is also as much as the trailer shows, and for good reason.
Director Frank Coraci, who also worked with Adam Sandler in directing The Waterboy and The Wedding Singer, makes excellent use of a technique that should be taken advantage of more often by more directors. He sets us up in the aforementioned first hour of the movie for laughs, and manages to do this quite a few times, and not just with the moments seen in the trailer like other comedies. And, based on one's presupposed knowledge of the typical Adam Sandler movie, one expects there to be a spiral out of control for Michael, a realization of the "right thing to do" and everything to end happily with a monologue and one final punchline, all while remaining light-hearted and humorous. However, having this expectation makes the power and the drama of the movie's second hour so much more heartfelt and emotional. This drama never comes off as forced or unnecessary, because the pacing of the transition between the two utterly different tempos is perfect. Steve Koren and Mark O'Keefe, the co-writers of this movie, used a similar technique in "Bruce Almighty", and it worked very effectively there, as well.
There's not much to be said about the ending without the possibility of spoiling it for someone, but suffice to say it accomplishes what it needs to accomplish without making you feel like you've just been cheated.
Far and away the best movie I've seen all year; likely one of the best I have or will seen for many, many years. There's so much more to see in this movie than what the trailer offers. See it... you won't regret it.
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