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Steve Niles (screenplay) and
Stuart Beattie (screenplay) ...
(more)
19 October 2007 (USA) more
They're Coming!
After an Alaskan town is plunged into darkness for a month, it is attacked by a bloodthirsty gang of vampires. full summary | full synopsis
9 nominations more
Slade Signs As Eclipse Director
(From WENN. 23 April 2009, 12:15 AM, PDT)
Box Office, Where Is Thy Sting?
(From Studio Briefing - Film News. 13 November 2007)
Best Vampire Movie in Over a Decade more (457 total)
Directed by | |||
| David Slade | |||
Writing credits(WGA) | ||
| Steve Niles | (screenplay) and | |
| Stuart Beattie | (screenplay) and | |
| Brian Nelson | (screenplay) | |
| Steve Niles | (comic) and | |
| Ben Templesmith | (comic) | |
Produced by | |||
| Ted Adams | .... | co-producer | |
| Joseph Drake | .... | executive producer (as Joe Drake) | |
| Aubrey Henderson | .... | executive producer | |
| Nathan Kahane | .... | executive producer | |
| Sam Raimi | .... | producer | |
| Mike Richardson | .... | executive producer | |
| Chloe Smith | .... | co-producer | |
| Robert G. Tapert | .... | producer (as Rob Tapert) | |
Original Music by | |||
| Brian Reitzell | |||
Cinematography by | |||
| Jo Willems | (director of photography) | ||
Film Editing by | |||
| Art Jones | |||
Casting by | |||
| Mary Vernieu | |||
Production Design by | |||
| Paul D. Austerberry | (as Paul Denham Austerberry) | ||
Art Direction by | |||
| Nigel Churcher | |||
| Mark Robins | |||
Set Decoration by | |||
| Jaro Dick | |||
Costume Design by | |||
| Jane Holland | |||
Makeup Department | |||
| Gino Acevedo | .... | special makeup effects supervisor | |
| Anita Aggrey | .... | hair stylist | |
| Anita Aggrey | .... | makeup artist | |
| Michele Barber | .... | on-set prosthetics technician | |
| Jeff Flitton | .... | on-set prosthetics technician | |
| Bill Hunt | .... | on-set prosthetics technician | |
| Vanessa Hurley | .... | hair supervisor: second unit | |
| Vanessa Hurley | .... | makeup supervisor: second unit | |
| Gareth J. Jensen | .... | on-set prosthetics technician | |
| Mark Knight | .... | on set prosthetics coordinator: second unit | |
| Michael Krehl | .... | hair stylist: Josh Hartnett | |
| Michael Krehl | .... | makeup artist: Josh Hartnett | |
| Davina Lamont | .... | on-set prosthetics supervising coordinator | |
| Natasha Lees | .... | on-set prosthetics technician | |
| Jacqui Leung | .... | key hair stylist: second unit | |
| Jacqui Leung | .... | key makeup artist: second unit | |
| Maya Lewis | .... | hair stylist | |
| Maya Lewis | .... | makeup artist | |
| Samantha Lyttle | .... | on-set prosthetics technician | |
| Jane O'Kane | .... | hair designer | |
| Jane O'Kane | .... | makeup designer | |
| Hayley Oliver | .... | on-set prosthetics technician | |
| Sarah Rubano | .... | on-set prosthetics technician | |
| Vinnie Smith | .... | key hair supervisor | |
| Vinnie Smith | .... | key makeup supervisor | |
| Georgia Lockhart-Adams | .... | additional hair stylist (uncredited) | |
| Georgia Lockhart-Adams | .... | additional makeup artist (uncredited) | |
| Cristina Patterson Ceret | .... | contact lens coordinator/painter (uncredited) | |
| Lauren Steward | .... | assistant makeup artist (uncredited) | |
Art Department | |||
| John Allan | .... | location construction | |
| Francis Asquith | .... | labor foreman | |
| Matt Austin | .... | stand-by props | |
| Robert Bavin | .... | assistant art director (as Rob Bavin) | |
| Zach Becroft | .... | art director: second unit | |
| Milton Candish | .... | leadman | |
| Nick Connor | .... | set designer | |
| Matt Cornelius | .... | property master | |
| Ron Denny | .... | labor foreman | |
| Simon Elsley | .... | set designer | |
| Fraser Harvey | .... | construction manager | |
| Brendan Heffernan | .... | illustrator | |
| Jimmy Kouratouras | .... | head painter | |
| Greg Long | .... | stand-by carpenter | |
| Ross McGarva | .... | art director: second unit | |
| Laurie Meleisea | .... | head painter | |
| Roger Murray | .... | lead props | |
| Birgitta Nilsson | .... | art department coordinator | |
| Anton Parsons | .... | set dresser | |
| Kate Pilot | .... | on-set dresser | |
| Paul Radford | .... | key scenic | |
| Giles Smith | .... | key scenic | |
| Nigel Tweed | .... | picture car coordinator | |
| Megan Vertelle | .... | lead buyer | |
| Darren Wilcock | .... | head carpenter | |
| Genevieve Cooper | .... | stand-by painter (uncredited) | |
| Dimitri Frost | .... | model maker (uncredited) | |
| Brendan Heffernan | .... | stand-by art assistant (uncredited) | |
| Joe Hitchcock | .... | art department assistant (uncredited) | |
| Steven Key | .... | carpenter (uncredited) | |
| Sue Mercer | .... | graphic artist (uncredited) | |
| Karin Reinink | .... | props buyer (uncredited) | |
| Aaron Sims | .... | concept artist (uncredited) | |
| Mark Stephen | .... | assistant art director (uncredited) | |
| Rose Worley | .... | art runner (uncredited) | |
Sound Department | |||
| Neil Aldridge | .... | assistant dialogue editor | |
| Ray Beentjes | .... | supervising dialogue editor | |
| Gethin Creagh | .... | sound re-recording mixer | |
| Melanie Graham | .... | sound effects editor | |
| Michael Hedges | .... | sound re-recording mixer | |
| Matthew Lambourn | .... | sound effects editor | |
| Howard London | .... | adr mixer | |
| David Madigan | .... | production sound mixer | |
| Robyn McFarlane | .... | foley mixer | |
| Polly McKinnon | .... | adr editor | |
| Carolyn McLaughlin | .... | foley artist | |
| Tim Prebble | .... | sound designer | |
| Tim Prebble | .... | supervising sound editor | |
| Jamie Roden | .... | adr mixer | |
| Morgan Samuel | .... | assistant dialogue editor | |
| Matt Stutter | .... | foley editor | |
| Matt Stutter | .... | sound effects editor | |
| Hugo Tichborne | .... | boom operator | |
| Chris Todd | .... | dialogue editor | |
| David Vranken | .... | assistant sound effects editor | |
| Neil Aldridge | .... | adr recordist (uncredited) | |
| Buster Flaws | .... | mix assistant (uncredited) | |
Special Effects by | |||
| Phil Addenbrook | .... | snow workshop senior technician (as Phil Addenbrooke) | |
| Gunner Ashford | .... | armourer | |
| Kristian Beazley | .... | special effects technician (as Christian Beazley) | |
| Shaun Bolton | .... | workshop technician: Weta Workshop | |
| Steven Boyle | .... | workshop technician: Weta Workshop (as Steve Boyle) | |
| Duncan Brown | .... | workshop technician: Weta Workshop | |
| Mike Cahill | .... | special effects floor supervisor: second unit | |
| Sourisak Chanpaseuth | .... | workshop technician: Weta Workshop | |
| Tim Christensen | .... | special effects technician | |
| Dean Clarke | .... | special effects snow supervisor | |
| Mary Connolly | .... | production manager: Weta Workshop | |
| Bryce Curtis | .... | workshop technician: Weta Workshop | |
| Marion Davey | .... | production manager: Weta Workshop | |
| Jabin Dickins | .... | senior special effects technician | |
| Joe Donnolley | .... | workshop technician: Weta Workshop | |
| Joe Dunckley | .... | special effects technician | |
| Jason Durey | .... | special effects supervisor | |
| Ryk Fortuna | .... | workshop technician: Weta Workshop | |
| Oliver Gee | .... | special effects technician: second unit | |
| Simon Gossoff | .... | workshop technician: Weta Workshop | |
| Ben Hawker | .... | workshop technician: Weta Workshop | |
| Gary Hunt | .... | workshop technician: Weta Workshop | |
| Dave Irons | .... | workshop technician: Weta Workshop | |
| Niko Kaye | .... | workshop technician: Weta Workshop | |
| Callum Linegard | .... | workshop technician: Weta Workshop | |
| Pietro Marson | .... | workshop technician: Weta Workshop | |
| Nick Mathews | .... | special effects technician: second unit | |
| Gareth McGone | .... | workshop supervisor: Weta Workshop | |
| Kevin McTurk | .... | special effects makeup: Weta Workshop | |
| David Menos | .... | workshop technician: Weta Workshop | |
| Gayle Munro | .... | senior production manager: Weta Workshop | |
| Les Nairn | .... | workshop technician: Weta Workshop | |
| Hauk Olafsson | .... | special effects technician | |
| Dan Oliver | .... | special effects floor supervisor | |
| Steven Plant | .... | special effects technician | |
| Frances Richardson | .... | workshop technician: Weta Workshop | |
| Tania Rodger | .... | workshop manager: Weta Workshop | |
| Richard Schuler | .... | special effects technician | |
| Eden Small | .... | workshop technician: Weta Workshop | |
| Kat Stephens | .... | special effects coordinator | |
| Emily Sturrock | .... | workshop technician: Weta Workshop | |
| Richard Taylor | .... | designer: Weta Workshop | |
| Richard Taylor | .... | effects supervisor: Weta Workshop | |
| Greg Tozer | .... | workshop technician: Weta Workshop | |
| Michael Wallace | .... | workshop technician: Weta Workshop | |
| Tim Watson | .... | special effects technician: second unit | |
| Jonathan Wilson | .... | special effects assistant | |
| Steve Yardley | .... | special effects technician | |
Visual Effects by | |||
| Hovig Alahaidoyan | .... | visual effects artist | |
| Malcolm Angell | .... | match mover | |
| Malcolm Angell | .... | visual effects surveyor | |
| Dan Ashton | .... | film scanning and recording technician: Weta Digital | |
| Mia Askew | .... | assistant texture painter: Weta Digital | |
| Sindharmawan Bachtiar | .... | production engineer | |
| Peter Baustaedter | .... | matte painter: Weta Digital | |
| Stuart Bedford | .... | digital vampire effects: Digipost (as Stu Bedford) | |
| Paula Bell | .... | senior digital paint artist | |
| John-Michael Bills | .... | digital compositor (as John Bills) | |
| Lucy Bokey | .... | visual effects coordinator | |
| Nick Booth | .... | scanning and recording supervisor: Weta Digital | |
| Fernando Borges-Pacheco | .... | creature technical director: Weta Digital | |
| Adam Bradley | .... | roto/paint artist: Weta Digital | |
| Lee Bramwell | .... | camera department supervisor: Weta Digital | |
| Kristie Breslin | .... | creatures department manager: Weta Digital (as Kristie Breslin Husson) | |
| Julian Bryant | .... | on-set visual effects supervisor | |
| Sam Bui | .... | senior effects technical director | |
| Matthew Bullock | .... | digital modeller: Weta Digital | |
| Joerg W. Bungert | .... | digital colourist: Weta Digital (as Joerg Bungert) | |
| Paul Campion | .... | texture painter | |
| Cedric Canlas | .... | digital modeler | |
| Nick Cattell | .... | matte artist | |
| Lars Cawley | .... | digital artist: PVPVFX | |
| Clifford Chan | .... | digital artist: PVPVFX | |
| Peter Connelly | .... | compositor | |
| Rob Conn | .... | digital effects artist: Weta Digital | |
| J. Todd Constantine | .... | matchmove artist: Weta Digital | |
| Shane Cooper | .... | visual effects software engineer | |
| Daniel James Cox | .... | digital matte artist: Weta Digital (as Daniel Cox) | |
| Jim Croasdale | .... | senior paint artist | |
| Steve Cronin | .... | digital compositor | |
| Matt Cunningham | .... | visual effects asset manager: Digipost | |
| Paul Dickson | .... | digital vampire effects: Digipost | |
| Hugo Dominguez | .... | senior roto/paint artist: Weta Digital | |
| Rebecca Downes | .... | visual effects producer | |
| Samuel Edwards | .... | render wrangler | |
| Sam Eli | .... | senior effects technical director: Weta Digital | |
| John Ellis | .... | trainee compositor: Weta Digital | |
| Jessica Fernandes | .... | digital models department manager: Weta Digital | |
| Jochen Fitzherbert | .... | visual effects editor | |
| Kristina Flach | .... | lighting department manager: Weta Digital | |
| Greg Flannagan | .... | visual effects compositor: Digipost | |
| Kim Fogelberg | .... | digital vampire effects: Digipost | |
| Abigail Gee | .... | digital artist: PVPVFX | |
| Kenneth Gimpelson | .... | digital effects artist | |
| Kenneth Gimpelson | .... | lighting technical director: Weta Digital (as Kenneth C. Gimpelson) | |
| Christian Haley | .... | matte painter: Weta Digital | |
| Quentin Hema | .... | digital paint and rotoscoping supervisor | |
| Sean Heuston | .... | digital compositor: Weta Digital | |
| Tim Hey | .... | compositor: Weta Digital (as Timothy Hey) | |
| Richard Hopkins | .... | matchmover | |
| David Houghton-Williams | .... | compositing supervisor: Weta Digital (as David Houghton) | |
| Sandy Houston | .... | paint and rotoscope supervisor: Weta Digital | |
| Danny Jones | .... | senior roto/paint artist | |
| Stephen Karl | .... | digital artist: PVPVFX | |
| David Kenyon | .... | visual effects compositor: Digipost | |
| Melanie Langlotz | .... | visual effects assist: Digipost | |
| Gary Laurie | .... | camera technical director: Weta Digital | |
| Kim Lavery | .... | effects line producer: Weta Digital | |
| Jacob Leaf | .... | digital artist: PVPVFX | |
| David Lee | .... | digital compositor | |
| Dan Lemmon | .... | visual effects supervisor | |
| Anita Levering | .... | digital vampire effects: Digipost | |
| Nicky Liddell | .... | visual effects compositor: Digipost | |
| Garry Little | .... | post production manager: Digipost | |
| Lance Lones | .... | pipeline supervisor: Weta Digital | |
| Zoe Lord | .... | roto artist | |
| Charlie McClellan | .... | visual effects supervisor | |
| Steve McGee | .... | digital compositor | |
| Steve McGillen | .... | digital compositor | |
| Keith Miller | .... | lead technical director: Weta Digital | |
| Seth F. Miller | .... | digital paint artist: Weta Digital | |
| Saki Mitchell | .... | senior compositor | |
| Kaori Miyazawa | .... | modeler: Weta Digital | |
| Marcella Monti | .... | visual effects producer: Digipost (as Marcella Massa Monti) | |
| Eileen Moran | .... | visual effects executive producer: Weta Digital | |
| Jean-Francois Morissette | .... | matchmover | |
| Benn Morrison | .... | visual effects asset manager: Digipost | |
| Matt Mueller | .... | senior camera technical director: Weta Digital | |
| Yvonne Muinde | .... | matte painter: Weta Digital | |
| Gayle Munro | .... | compositing manager | |
| Alfred Mürrle | .... | lead compositor: Weta Digital | |
| Sergei Nevshupov | .... | shader technical director: Weta Digital | |
| Wolfgang Niedermeier | .... | senior camera technical director: Weta Digital | |
| Stephen Nixon | .... | visual effects coordinator | |
| Mark Norrie | .... | technical director: Weta Digital | |
| John Norris | .... | business affairs: The Aaron Sims Company | |
| Keven Norris | .... | texture painter: Weta Digital | |
| James Ogle | .... | lead digital modeler: Weta Digital | |
| Todd O'Sullivan | .... | matte painter: Weta Digital | |
| David Owen | .... | rotoscope artist | |
| Jesse Parkhill | .... | digital vampire effects: Digipost | |
| Dana Peters | .... | CG supervisor: creatures, Weta Digital | |
| Carol Petrie | .... | digital artist: PVPVFX | |
| Emrys Plaisted | .... | visual effects | |
| George Port | .... | visual effects supervisor: PRPVFX | |
| Niklas Preston | .... | modeler: Weta Digital | |
| Lucas Putnam | .... | visual effects editor | |
| Jennah Rasmussen | .... | textures coordinator: Weta Digital | |
| Paul Redican | .... | digital compositor | |
| Eric Reynolds | .... | senior animator: Weta Digital | |
| George Ritchie | .... | digital artist: PVPVFX | |
| Stephen Roucher | .... | scanning and recording technician: Weta Digital | |
| Karim Sahai | .... | compositor: Weta Digital | |
| James Schoning | .... | visual effects compositor: Digipost | |
| Hamish Schumacher | .... | digital compositor: Weta Digital LTD | |
| Jaeil Seo | .... | matte painter | |
| Adam Shand | .... | code operations manager | |
| Amy Shand | .... | visual effects coordinator | |
| John Sheils | .... | CG supervisor | |
| Evan Shipard | .... | concept artist: Weta Digital | |
| Gershom Sissing | .... | modeler: Weta Digital | |
| Pierre Soyanna | .... | texture painter: Weta Digital | |
| Albrecht Steinmetz | .... | senior camera technical director: Weta Digital | |
| Matsune Suzuki | .... | modeler: Weta Digital | |
| Charles Tait | .... | compositor: Weta Digital | |
| Sandy Taylor | .... | camera department manager: Weta Digital | |
| Jon Thorsen | .... | digital artist: PVPVFX | |
| Denis Trutanic | .... | camera technical director: Weta Digital | |
| Phil Van Der Reyden | .... | digital paint artist | |
| Robert Vignone | .... | modeler: Weta Digital | |
| Katy Wakefield | .... | visual effects compositor: Digipost | |
| Sean Noel Walker | .... | lighting technical director | |
| Fiona Webb | .... | visual effects producer: Digipost | |
| Roger Wens | .... | creature technical director: Weta Digital | |
| Matt Westbrooke | .... | visual effects compositor: Digipost | |
| Pania Williams | .... | digital artist: PVPVFX | |
| Pete Williams | .... | digital imaging manager: Weta Digital | |
| Roger Wong | .... | creature technical director: Weta Digital | |
| Clare Woodford-Robinson | .... | digital modeler: terrain, Weta Digital | |
| Marzena Zareba | .... | matchmover: Weta Digital | |
| Rainer Zöttl | .... | modeler: Weta Digital | |
| Nicholas Gaul | .... | digital modeler: Weta Digital (uncredited) | |
Casting Department | |||
| Venus Kanani | .... | casting associate | |
| Liz Mullane | .... | casting: New Zealand | |
Costume and Wardrobe Department | |||
| Tracey Brister | .... | assistant costumer | |
| Jenette Buffett | .... | pattern cutter | |
| Carolyn M. Fenton | .... | costume extras supervisor (as Carolyn Fenton) | |
| Emma Harre | .... | costume dresser | |
| Sarah Jones | .... | costumer: second unit | |
| Melody Newton | .... | costumer: second unit | |
| Jenny Rushton | .... | costumer | |
| Jaindra Watson | .... | costume supervisor | |
| Joan Wilson | .... | costumer | |
| James Rogers | .... | costume dyer/breakdown (uncredited) | |
Editorial Department | |||
| Patrick J. Barry | .... | assistant editor | |
| Clare Burlinson | .... | digital intermediate colorist | |
| Paul Covington | .... | second editor | |
| Marama Killen | .... | editorial trainee | |
| James Meikle | .... | assistant editor | |
| Shanon Moratti | .... | digital intermediate editor | |
| Rose-Ellen Saunders | .... | dailies telecine assistant | |
| Adam Scott | .... | digital intermediate supervisor | |
| Nicola Spencer | .... | first assistant editor | |
Music Department | |||
| Reggie Hamilton | .... | score performer | |
| Richard Jory | .... | music editor | |
| Richard Jory | .... | score engineer | |
| Abel Korzeniowski | .... | musician | |
| Stephen Krause | .... | score mixer | |
| Dave Lavita | .... | musician | |
| Justin Meldal-Johnsen | .... | score performer | |
| Brian Reitzell | .... | music supervisor | |
| Tim Rutili | .... | musician | |
Rated R for strong horror violence and language.
113 min
2.35 : 1 more
Dolby Digital | SDDS | DTS
Ireland:16 | Australia:MA (re-rating on appeal) | Australia:R (original rating) | Singapore:R21 | Canada:13+ (Quebec) | Canada:18A (Alberta/British Columbia/Manitoba/Ontario) | USA:R (certificate #42767) | Germany:18 | Netherlands:16 | Singapore:M18 (edited for re-rating) | Finland:K-18 | Hong Kong:IIB | Taiwan:R-18 | Malaysia:18SG | Philippines:R-13 (cut) | Norway:18 | South Korea:18 | France:-12 | Sweden:15 | Italy:VM14 | New Zealand:R16 | UK:15 (original rating) | UK:18 (DVD rating) | Portugal:M/16 | Argentina:16 | Brazil:18 | Chile:14 | Ireland:18 (DVD rating) | Japan:R-15
Nearly half of the cast is Kiwi or Australian, partially because the film was shot in New Zealand. more
Continuity: In the first scene where Eben walks into the sheriff's office and takes off his hat, his hair goes from sticking up to well combed to sticking up again. more
[first lines]
Sheriff Eben Oleson:
Strange.
more
Featured in "Siskel & Ebert & the Movies: (2007-10-20)" (2007) more
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As night begins to fall for a thirty day spell over a small Alaskan outpost village, a motley crew of vampires comes waltzing in for a feast in David Slade's adaptation of the graphic novel, "30 Days of Night." Ever since "Interview with the Vampire" vampires have been depicted in films as something hip, cool, and sexy. Recently the idea of becoming a vampire is like making a fashion statement or becoming a Scientologist. In "30 Days of Night" the vampires are nameless, cunning, animal-like bloodsuckers and far from mindless zombies (which have been more popular of late). Finally, vampires are restored to film as monsters to be feared and not as some sympathetic and alluring subculture.
The film grabs you from its opening shot of a man walking through a desolate snow covered landscape away from an ominous boat docked in the ice and never lets go. Director Slade wisely avoids many of the seizure-inducing trappings of recent horror films. Sure, there are the prerequisite quick-cuts in the intimate scenes of carnage, but there are also haunting wide-angled shots and one expertly staged bird's-eye-view crane shot when the vampires first begin dragging people out of their houses into the street. While successfully adapting some of the great imagery from the graphic novel, Slade is fully aware that this is still a film and shies away from CGI and overly-stylized lighting and effects that would detract from the sense of realism necessary in a far-fetched horror film such as this.
Slade also makes good use of his cast. Danny Huston is perfectly creepy as the vampires' leader. Josh Hartnett, who is typically miscast and emotionless, actually fits well the role of a wooden Sheriff of a remote Alaskan town. Ben Foster, who always overacts, is used effectively here in a bit role as an over-the-top Reinfield-like character who ushers the vampires' arrival in town. Melissa George is pretty and sympathetic as Hartnett's estranged wife. Like many serious horror films of recent memory ("Dawn of the Dead" or "The Descent") the film attempts some character development that is often "emo" but never overplays its hand.
Aside from being better directed and better acted than your run-of-the-mill horror flick, "30 Days of Night" is also fantastically gory. Decaptation aficionados will especially rejoice. Refreshing, too, is the way it takes its gore and action dead seriously. There are no silly one-liners or graphic sight gags. The characters are deeply affected by what they witness and what they have to do to survive. This is pure horror, and it's relentless.
Yes, there are some missteps with the film's pacing and some huge leaps of logic in the amount of time that passes between events. However, for the shear originality of its central conceit, the intensity of the gore, and the haunting quality of many of its signature shots, David Slade's "30 Days of Night" is the most exhilarating horror film since Danny Boyle's original "28 Days Later" and the best vampire film since Francis Ford Coppola delivered "Bram Stoker's Dracula" back in 1992.