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The story opens with a deadly sarin attack in London. NSC counter-terrorism director Maren Jackson (Margulies) enlists FBI agent Max Canary (McDermott) and CIA Middle Eastern analyst Raza Michaels (Marek) to aid in the investigation. Acton Sandman (Skerritt), CIA deputy director of counter-terrorism, oversees the clandestine operation on foreign soil. Also on the task force is Emily Tuthill (Redgrave), director of operations for Britain's MI6; and Derek Jennings (Hill), MI5 senior director of counter-terrorism. Written by
The aerial shot of the CIA headquarters is stock footage from The Bourne Identity (2002). The establishing shot of the CIA headquarters entrance gate is from Spy Game (2001), and is in fact a location in England, not the real CIA headquarters. See more »
You have caught me, so I am a dead man
You're only as dead as you wanna be, really, aren't you? so why don't you put the pin back in that thing and hand it over to the officer over there?
[assassin hesitates, then throws grenade]
Grenade! Get the grenade!
[as assassin flees]
Drop the grenade! Drop the grenade!
[assassin pulls another grenade, Jennings leaps on him, shoves the grenade under the assassin and it detonates]
Now you're a dead man.
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A nominal overview of 21 century international terrorism
"The Grid" (we never really know to what the title refers) is a 6x45 min miniseries action/drama about international terrorism. The bad guys are a rogue terror cell operating out of Yemen, deploying operatives to the UK and the US where they are to attack with sarin nerve gas. The good guys are a joint task force of Brits and US Federal agents who are out to stop the bad guys. The film leapfrogs incessantly from Yemen to London to Washington to Saudi Arabia to Chicago, etc. globe trotting in a surprisingly well orchestrated conglomeration of good vs evil Muslims, interagency wrangling, boyish suicide bombers, covert ops, murder, love, and much more given this US/UK co-op's budgetary constraints. On the upside, "The Grid" gets busy and stays busy sufficient to engross and make some of the obvious histrionics easily overlooked as it provides an acceptable overview of the amorphous nature of terrorist cells and the international agency cooperation required to effectively cope with this 21 century threat. On the downside the film is difficult to follow at times, somewhat disjointed in an effort to be all things to all people, pushes the believability envelope occasionally, and is generally too pat to be real. Overall, "The Grid" is an acceptable miniseries worth a look for those who can commit to a 4.5 hour small screen watch. Those who enjoy this miniseries should also check out "Traffic (2004)". (B-)
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