Based on the bestseller by Marion Zimmer Bradley It tells the story of the women behind King Arthur; including his mother, Igraine; his half-sister, Morgaine; his aunt Viviane, the Lady of ... See full summary »
In LA's Fairfax district, where ethnic groups abound, four households celebrate Thanksgiving amidst family tensions. In the Nguyen family, the children's acculturation and immigrant parents... See full summary »
A failed novelist's inability to pay the bills strains relations with his wife and leads him to work at an escort service where he becomes entwined with a wealthy woman whose husband is a successful writer.
The story opens with a deadly sarin attack in London. NSC counter-terrorism director Maren Jackson (Margulies) enlists FBI agent Max Canary (McDermott) and CIA Middle Eastern analyst Raza Michaels (Marek) to aid in the investigation. Acton Sandman (Skerritt), CIA deputy director of counter-terrorism, oversees the clandestine operation on foreign soil. Also on the task force is Emily Tuthill (Redgrave), director of operations for Britain's MI6; and Derek Jennings (Hill), MI5 senior director of counter-terrorism. Written by
The aerial shot of the CIA headquarters is stock footage from The Bourne Identity (2002). The establishing shot of the CIA headquarters entrance gate is from Spy Game (2001), and is in fact a location in England, not the real CIA headquarters. See more »
You have caught me, so I am a dead man
You're only as dead as you wanna be, really, aren't you? so why don't you put the pin back in that thing and hand it over to the officer over there?
[assassin hesitates, then throws grenade]
Grenade! Get the grenade!
[as assassin flees]
Drop the grenade! Drop the grenade!
[assassin pulls another grenade, Jennings leaps on him, shoves the grenade under the assassin and it detonates]
Now you're a dead man.
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Writers' overworked imaginations almost ruined a well-made subject.
What a pity to write in all that long distance control of on-the-spot special forces operations via voice and monitor. Can you imagine hard-arsed Delta and SAS troopers taking direct orders from pushy females watching monitors from several thousand miles away? Especially females that keep on falling in love with their operatives all over the place? And Julie Margulies was straight out of a Hollywood daytime soap
the bitch-maneater, on top of the job, ruthless, uncompromising...
Hair never out of place, cute hats, purposeful big-shoulders walk. Puhlease! And why superimpose dozens of subtitles without giving viewers time enough to actually read them. There's a rule about this and it's based on basic intelligence: subtitles are there to be read - if you don't want to give enough time to read them, then simply refrain from using them at all. Who was the brain behind this? Despite all, The Grid was very well made and deserved something a whole lot better in the acting and directorial department. Shame.
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