As the reappearance of 4,400 missing persons on a single day confounds the global community, federal agents on the case slowly discover the ways in which the victims have been changed.
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Nominated for 3 Primetime Emmys. Another 1 win & 10 nominations. See more awards »
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Cast

Series cast summary:
...
 Tom Baldwin (43 episodes, 2004-2007)
...
 Diana Skouris / ... (43 episodes, 2004-2007)
...
 Shawn Farrell / ... (43 episodes, 2004-2007)
...
 Maia Rutledge / ... (43 episodes, 2004-2007)
...
 Kyle Baldwin (35 episodes, 2004-2007)
...
 Richard Tyler (32 episodes, 2004-2007)
...
 Marco Pacella (32 episodes, 2004-2007)
...
 Jordan Collier (28 episodes, 2004-2007)
...
 Isabelle Tyler (25 episodes, 2006-2007)
...
 Nina Jarvis (23 episodes, 2005-2006)
...
 Jed Garrity (21 episodes, 2005-2007)
...
 Lily Moore Tyler / ... (20 episodes, 2004-2007)
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Storyline

The pilot begins with a ball of light sailing towards Earth, but rather than the expected catastrophic event, thousands of returned abductees are left with no memory of their otherworldly experiences. Each has been gone anywhere from a few months to several decades, but hasn't aged a day. These are the stories of the 4400 abductees after they are returned to Earth. The show follows two NSA agents who are trying to figure out what happened and why. Some of those returned have been affected in mysterious ways with certain abilities, both good and bad. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Over the past 50 years, thousands of people disappeared. This July, they're back See more »


Certificate:

TV-14 | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

Release Date:

11 July 2004 (USA)  »

Also Known As:

4400  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Dolby 5.1)

Color:

Aspect Ratio:

16:9
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Did You Know?

Trivia

Because of it being the first major science-fiction miniseries since 'Steven Spielberg''s Taken (2002), and because of its nearly opposite premise, it is jokingly renamed by sci-fans as "Put Back". See more »

Goofs

In the pilot episode, Lily and Richard talk in a coffee shop. At one point, a TransLink trolley bus passes by the window. TransLink is the public transit authority of Vancouver, where this was filmed. See more »

Quotes

Dr. Max Hudson: If I start to go crazy can you... take care of me?... In the back of the head!
Diana Skouris: You won't even see it coming... Dr. Hudson?
Dr. Max Hudson: I just gave you permission to blow my head off. You can call me Max.
See more »

Connections

Referenced in Watchman Video Broadcast: The Comic Con: Part 4 (2013) See more »

Soundtracks

A Place in Time
(Theme)
Written by Stephen Phillips, & Tim P.
Performed by Amanda Abizaid
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

I'm looking forward to the continuation of the story in the next series
31 August 2004 | by (Not the same planet as the first person (obviously!)) – See all my reviews

I actually quite enjoyed the first series. I was compelled to watch through to the final episode to see the characters story arc's develop.

Yes there are the typical Sci-fi clichés (maybe 4400 by the time the show is finished?). But I would say that this is a Sci-fi show and not a Sci-fact show, and by it's very nature it's a work of fiction, thus real world science doesn't really matter or nessecarily apply.

The scene the first post was alluding to was (I'm sure) not intended to be a dazzling display of the script writers grasp of near and outer orbital rocket science, but a characterization of both the governmental paranoia and hopeless desperation that humans can exhibit when faced with seemingly futile situations.

Personally, I don't think the acting is too bad, yes it does smack of countless other Sci-fi shows and draws heavily on many common themes running through all Sci-fi series, but what shows don't? There is little originality in Sci-fi these days, but the premise of this show is at least relatively unexplored.

How many shows do you know that effectively try to portray the multitude of challenges that face abductees when they try to re-integrate into a society that seemingly doesn't want them, can't understand them or are jealous of them?

Comparisons are inevitable, but when you're subconsciously thinking "Mulder and Scully" or "Rouge and Wolverine" while you are watching supposedly new characters then as a script writer you've got to try to distance yourself from what could easily be considered as stereotypes. This is probably my greatest (and only real) criticism.

If the script writers were just a little less derivative, and a bit more adventurous then I think we have a winner.

P.S. Oh, and they need to stop the re-caps at the start of every darn episode, the fast forward button on my Tivo's getting worn out as it is.

Mqark.


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