A vampire named Saya, who is part of covert government agency that hunts and destroys demons in a post-WWII Japan, is inserted in a military school to discover which one of her classmates is a demon in disguise.
The inhabitants of Antonio Island, off the coast of Oregon, are about to unveil a statue honoring the four men (Castle, Wayne, Williams and Malone) who founded their town in 1871. Nick ... See full summary »
In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.
Four young men who belong to a supernatural legacy are forced to battle a fifth power long thought to have died out. Another great force they must contend with is the jealousy and suspicion that threatens to tear them apart.
The snoopy reporter Sadie Blake is called by her nerd colleague Ethan Mills that has deciphered a code and found an address in Koreatown from information of the Goth Tricia Rawlins about a bloody cult. Sadie does not give attention to Ethan, but when she sees on the front page of the news that Tricia has been found dead in a dumpster in Koreatown, she decides to visit the address. She finds an abandoned house with a gruesome basement full of blood and she immediately drives to Ethan's apartment. She finds the place in a complete mess and is abducted by a stranger and taken to Bishop, who wants to know what Tricia has told her. Then, Bishop and his mate Eve kill Sadie and they have a necrophilic threesome with her body. Later, Sadie awakes in the freezer of the morgue and sooner she realizes that she is a vampire and promises revenge to her sire. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Written by Jonathan Hylander, Raymond Gurrola, Sean Johnson and Joseph Hylander
Performed by E>K>U>K
Published by JWCT Songs
Courtesy of Pulse Recording
by arrangement with format See more »
Rising from out of the ashes of the theatrical version...
It pleases me to report that RISE works brilliantly in its original 122-minute version. The use of non-linear storytelling is handled masterfully by writer and director Sebastian Gutierrez, and along with the beautifully lush cinematography of John Toll, these devices go a long way in giving the film an edge that most other horror films can only dream of. But then, RISE is so much more than a "mere" horror film, as it is just as heavily rooted in gritty film noir and hard boiled revenge thrillers like KISS ME DEADLY and POINT BLANK, and Gutierrez effortlessly mixes these different genres into one helluva potent cocktail. He is also greatly helped in making this sell by Lucy Liu, as her acting in this film is completely off the chart. This is without a doubt the finest and most daring performance she has ever given, and the raw emotion she dishes out in certain scenes is nothing short of astounding. So... in the cinematic tradition of vampire films like THE HUNGER, NEAR DARK, and THE ADDICTION, Sebastian Gutierrez's RISE is most definitely a worthy addition to the list.
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