| Adam Plotch | ... | Adam Zarrasky | |
| Talia Rubel | ... | Lily Zarrasky | |
| Diane Spodarek | ... | Krista Zarrasky | |
| Jeff Pucillo | ... | Nick | |
| Limor Shopen | ... | Monica Zaister | |
| Stu Richel | ... | Bill Harris | |
| Leila J. Babson | ... | Doris, the baglady | |
| Mariana Moratona | ... | Drunk woman | |
| Stephanie Sloane | ... | Laura Zaister | |
| Sarah Brensinger | ... | Alice | |
| Peter Brensinger | ... | Evil boy | |
| Ed Band | ... | Priest | |
| Stephanie Wang | ... | Reporter#2 | |
| Paul De Sousa | ... | Bar manager | |
| rest of cast listed alphabetically: | |||
| Ilanit Benjamin | ... | Girl by the sea | |
| Andrea Brizzi | ... | Vasil Zarrasky | |
| Anna Cody | ... | Reporter#3 | |
| Miguel Coyula | ... | Man at the zoo | |
| Milan Coyula | ... | Baby on TV | |
| Suzana Dejkanovic | ... | Mother on TV | |
| Kira Goldstein | ... | Reporter#1 | |
| James Hollands | ... | William Zaister | |
| Joelle Levine | ... | Reporter#4 | |
| Aaron Olivo | ... | Waiter | |
| Ruby Pucillo | ... | Baby | |
| Wendy Pucillo | ... | Mother | |
| Nestor Vázquez | ... | Dancer | |
Directed by | |||
| Miguel Coyula | |||
Writing credits(in alphabetical order) | ||
| Miguel Coyula | writer | |
Produced by | |||
| Miguel Coyula | .... | producer | |
| Suzana Dejkanovic | .... | executive producer | |
| Steve Pieczenik | .... | executive producer | |
| Adam Plotch | .... | executive producer | |
Original Music by | |||
| Miguel Coyula | |||
Cinematography by | |||
| Miguel Coyula | |||
Film Editing by | |||
| Miguel Coyula | |||
Sound Department | |||
| Miguel Coyula | .... | sound mixer | |
| Miguel Coyula | .... | sound | |
Special Effects by | |||
| Miguel Coyula | .... | special effects | |
| Jose Manuel Cruz Irzaga | .... | special effects crew | |
| Fernando Morlans | .... | special effects crew | |
Animation Department | |||
| Patricia Quintero | .... | animator | |
Other crew | |||
| Ron Blair | .... | production consultant | |
Thanks | |||
| Larry Alton | .... | special thanks | |
| Marta Aquino | .... | special thanks | |
| Yolanda Brugueno | .... | special thanks | |
| Barbara Cohen | .... | special thanks | |
| Mario Coyula | .... | special thanks | |
| Dorota Dejkanovic | .... | special thanks | |
| Dragan Dejkanovic | .... | special thanks | |
| Stephen Dembitzer | .... | special thanks | |
| Luciana Fernandes | .... | special thanks | |
| Maish Freedman | .... | special thanks | |
| Leopoldine Gorret | .... | special thanks | |
| Jill Hamberg | .... | special thanks | |
| Pablo Hernandez | .... | special thanks | |
| Aldon James | .... | special thanks | |
| Sasa Jokic | .... | special thanks | |
| Horacio Kaufman | .... | special thanks | |
| Lex Lalli | .... | special thanks | |
| David W. Leitner | .... | special thanks | |
| Sandra Levinson | .... | special thanks | |
| Christian A. Lopez | .... | special thanks | |
| Adi Lubeski | .... | special thanks | |
| Bob Mayers | .... | special thanks | |
| Pedro G. Millo | .... | special thanks | |
| Alexander Nedelkovic | .... | special thanks | |
| Luis Novo | .... | special thanks | |
| Trey Parker | .... | special thanks | |
| Batia Plotch | .... | special thanks | |
| Bob Rhodes | .... | special thanks | |
| Irma Sandrey | .... | special thanks | |
| Mohammed D. Sharaf | .... | special thanks | |
| Greg Spotts | .... | special thanks | |
| Anna Strasberg | .... | special thanks | |
| Bette Wanderman | .... | special thanks | |
| Ted Zurkowski | .... | special thanks | |
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| My Own Private Idaho | Freeway | Interstate 60: Episodes of the Road | Nowhere | Bloody Mama |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
I still can't get over the fact that this film's budget was $2000. The director- cinematographer- editor, (Cuban-born Miguel Coyula) has put together a very intense film that doesn't reveal its minimal resources. Here we have a very dark story with very twisted characters. I felt that there was a couple of loose ends in the subplots, but that's just a personal observation. The film grabs you to the seat for it's hour and a half min, and stays with you afterward. That's, i think , the best way to describe it without spoiling it. I doubt that Red Cockroaches will reach broad audience because of its perhaps overly artistic nature, but those looking into something really unusual will appreciate it.