In the not-distant-future, the market has taken over everything, thanks to the marketers. The consumer is king, and those who see value outside of the marketplace are "enemies of the consumer", terrorists, and "partisan" enemies that the state must dispose of. Protagonist Jack seems to be at one with the media corporations (after all, his marketing ideas led to the institutionalization of the exchange of sex for enhanced buying power), but is he somehow involved with the feeble and pathetic resistance movement? Does he love Cecile, his colleague, or is she a pawn in his game? And what of the mysterious girl from Monday? Are immigrants from the star system "Monday" really assisting the partisans? Written by
Martin Lewison <email@example.com>
While Cecelia is listening back to test scores, one student's name mentioned is "Warren Cuccurullo", the name of a guitarist who's played with Frank Zappa, Missing Persons, and Duran Duran. See more »
It's such a long way down, it's strange. The word becomes - flesh? The body remains... what? She had traveled light years to get here. And in the vaporous fields of her home star no one had bodies, or names, or identity. A living thought or feeling, stretching out in all directions. Not measured but desired, elegant. But here, in the flesh, the revolution had come.
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Is this Hartley following Godard's footsteps and becoming "political"? Political commentary is never interesting, unless it is executed in an interesting way. Luckily, this is one of those cases.
I'm amazed at the quality of the shots considering they used a DCR-VX2000 for this movie. How many cameras did they use? One I suspect.
Hartley's World is that of an intelligent essayist, specially since he quit making movies like "Surviving Desire" and "Trust". "Theory of Achievement" was heavily influenced by "La Chinoise", as much as the form of a "short" could take it. Here we have the same intent, but turned into a fictional narrative. It works, but only if you understand the reasoning behind it.
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