A documentary on the once-promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols, and the friendship/rivalry between their respective founders, Anton Newcombe and Courtney Taylor.
In 2007 the legendary American duo White Stripes toured Canada. Besides playing the usual venues they challenged themselves and played in buses, cafés and for Indian tribal elders. Music ... See full summary »
A documentary crew followed Metallica for the better part of 2001-2003, a time of tension and release for the rock band, as they recorded their album St. Anger, fought bitterly, and sought the counsel of their on-call shrink.
In the summer of 2006, Sigur Rós returned home to play a series of free, unannounced concerts for the people of Iceland. This film documents their already legendary tour with intimate ... See full summary »
Jon Thor Birgisson,
Orri P. Dyrason,
Follow punk-cabaret icon Amanda Palmer as she hits the stage at Red Rocks Amphitheater. Since her record-breaking $1.2 million crowd-funded Kickstarter campaign, Palmer (formerly of the ... See full summary »
Tracks the tumultuous rise of two talented musicians, Anton Newcombe, leader of the Brian Jonestown Massacre; and Courtney Taylor, leader of the Dandy Warhols; dissecting their star-crossed friendship and bitter rivalry. Both are hell-bent on staging a self-proclaimed revolution of the music industry. Through their loves and obsessions, gigs and recordings, arrests and death threats, uppers and downers--and ultimately to their chance at a piece of the profit-driven music business--how each handles his stab at success is where the relationship frays and burns. Written by
Sujit R. Varma
The fuckers. The bean-counters, the lawyers, all of these assholes at every label. Those are people that wreck the music business. Not Napster, not some college kid downloading shit. The people without vision.
See more »
I couldn't find anyone to watch DiG! with me because no one I knew was a fan of either of the bands. Naturally everyone assumed you can only enjoy this film if you like the music of either The Dandy Warhols or the Brian Jonestown Massacre, but this is so far from the truth. The only requirement is that you have an interest in music and/or pop culture in general. The way in which the careers of the two groups are paralleled is a perfect representation of the paths a band can take, and watching the public eat up and spit out the Dandy Warhols is fascinating. I agree with other reviews that mention it would be nice to get a final word from Anton himself, since he's clearly depicted as his own worst enemy and the bulwark to the band's ability to just remain.
Most interesting to me is the Dandys' respect for the BJM (despite their lack or reciprocation) and for Anton (despite his erratic behavior). The Dandy Warhols respect the art the group produces even if the group hates everything the Dandy Warhols now stand for (although that's disputable). The best line is when the drummer for the Dandy's says "I won't have them anywhere new me again" and the guitarist unconsciously blurts out "I'll still buy their records though." To me, this just shows how powerful good music can be.
Definitely see this movie, even if you know nothing of either band. It's more about the themes of rock music and how they develop that makes this film so interesting. It's rare to follow a group so closely for so long.
21 of 28 people found this review helpful.
Was this review helpful to you?