5.9/10
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11 user 4 critic

The Circle (2005)

Not Rated | | Drama, Mystery, Thriller | 11 August 2006 (USA)
A frantic young woman begs a stranger to help save her marked husband, not realizing that the stranger is the hit man hired to kill him. Experimental digital movie shot entirely in one take and in real time.

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Cast

Cast overview:
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Jay
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Stan
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Rick
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Dad
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Mom
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Cop
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Hilga (as Kamala Lopez-Dawson)
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Motel Owner
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Sing
Grace Cary Bickley ...
Infomercial Lady
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Storyline

Stan is a hit man hired by the mobster Dad to kill Rick, the husband of Jay. While waiting for his final instructions from Dad in a low budget hotel, Stan is visited by Jay, who begs for the life of Rick. He breaks his own rules and explains that only Dad may break his contract, and Jay decides to visit Dad in his night-club to claim for Rick's life. After meeting Dad, Jay comes back home to Rick, when secrets are disclosed. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

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One Shot Is All It Takes...


Certificate:

Not Rated | See all certifications »
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Details

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Release Date:

11 August 2006 (USA)  »

Also Known As:

Gyilkos kör  »

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1.78 : 1
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Did You Know?

Goofs

During the driving sequence, shadows of the camera and its operator are visible beside the car numerous times. See more »

Quotes

Jay: You know who I am?
Stan: That's not the problem. The problem is YOU know who I am.
See more »

Connections

References Charade (1963) See more »

Soundtracks

Charade
Lyrics by Johnny Mercer
Music by Henry Mancini
Performed by Angela Bettis
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User Reviews

 
I still can't believe they did it
27 October 2007 | by (Sydney, Australia) – See all my reviews

Don't pay any attention to one-star reviews by total idiots. This is one of the most, if not THE most amazing piece of film-making I've ever seen. And I'd like to know why the ONLY one-star review is the one featured on the main page. Who decides which review should be the leading one?

At first I thought it was done in 3 or 4 takes, which would have been impressive enough, but upon watching it again, I see it really is one continuous scene, start to finish. I don't see how anybody could pull that off. One mistake, one prop out of place, one line-fluff is all it would take, and you'd have to start all over again. This requires planning and execution beyond imagining, at least for me.

I could say that it got a bit over the top in the melodrama at times, but did it really? I'd have to say it all fitted with the surreal mood of the whole film.

I can't really say much more, else I'd risk giving away too much. If you like, or at least don't mind, something really different for a change, then please don't miss this.


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