After a drunken house party with his straight mates, Russell heads out to a gay club. Just before closing time he picks up Glen but what's expected to be just a one-night stand becomes something else, something special.
A raw, powerful story of two young men, a Wyoming ranch hand and a rodeo cowboy, who meet in the summer of 1963 sheepherding in the harsh, high grasslands of contemporary Wyoming and form an unorthodox yet life-long bond--by turns ecstatic, bitter and conflicted. Written by
Larry McMurtry and Diana Ossana
According to an interview that Heath Ledger gave to the Philadelphia Inquirer's Steven Rea, there was a sequence that was filmed for the movie in which Jack and Ennis help some hippies get their car out of a river. According to Ledger, the scene took three days to shoot and was disliked almost immediately by everyone involved. The scene was written by James Schamus as an attempt to show Jack and Ennis in a heroic situation, but it does not appear in Annie Proulx's original short story, the published screenplay, or the final cut of the movie. See more »
Ennis gets a postcard from Jack which reads, "Ennis, see you in a couple weeks, fish should be jumping. Jack." The postmark is Childress, Texas, July 1972. A couple of weeks later, Jack is driving a blue Ford truck with a 1976-7 grill. See more »
You pair of deuces lookin' for work, I suggest you get your scrawny asses in here pronto.
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What an extraordinary accomplishment! Ang Lee presents us with something we've known about but we've never seen. Profoundly honest, stunning to look at, superbly acted. I could go on with the superlatives because I feel lifted by the experience. You've all heard the ins and outs of the subject treated here. Well, forget it, the words used are used words and do not apply here. "Brokeback Mountain" introduce us to something utterly new, daring you and me to be indifferent. The film is about us, really. Love as an unexpected blow that makes you find and confront yourself. Jake Gylenhaal gives a performance that you'll never forget. Michelle Williams and Ann Hathaway are incredibly good but the film belongs to Heath Ledger. I'm not going to talk about revelations or Oscar buzz, I'm just going to let you know that what he does in this film is so courageously beautiful, so truthful and so transcendental that his Ennis del Mar is bound to become a point of reference not just for us but for generations to come.
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