In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
A raw, powerful story of two young men, a Wyoming ranch hand and a rodeo cowboy, who meet in the summer of 1963 sheepherding in the harsh, high grasslands of contemporary Wyoming and form an unorthodox yet life-long bond--by turns ecstatic, bitter and conflicted. Written by
Larry McMurtry and Diana Ossana
The original short story by Annie Proulx was published in the 13 October 1997 issue of The New Yorker, without the italicized prologue which was included in the later version published in "Close Range", her collection of short stories. Diana Ossana, co-screenwriter and a producer on the film, read it, then asked her colleague Larry McMurtry to read the story. He refused, stating he doesn't read short fiction, because he can't write it. She persisted, however, and he ultimately agreed. McMurtry handled the marital dramas and the Western elements, while Ossana concentrated on the male relationship, McMurtry feeling that he was not up to the task of conveying that realistically. Some reports have it that director Ang Lee barred screenwriter McMurtry from the set of the movie. A spokeswoman for Focus Features, which is producing it, commented: "Larry McMurtry rarely goes on sets because he has very severe allergies." McMurtry was also in the midst of writing a novel when filming began and ended; no one barred him from the set. Ossana was on set during the entire filming. See more »
During the rather important kitchen sink conversations after the family holiday dinner, a props tag is plainly visible on a dish's underside. As the dish is conspicuously hand-washed under running water, the underside faces the camera and the large masking tape tag with marker lettering goes unacknowledged by the cast. See more »
You pair of deuces lookin' for work, I suggest you get your scrawny asses in here pronto.
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I don't remember when was the last time I felt a movie like I felt Ang Lee's extraordinary "Brokeback Mountain". I can safely say it's the greatest, original American melodrama since the times of Douglas Sirk and I'm sure that even the great Todd Haynes would agree with me. His stunning "Far From Heaven" is an exquisite reproduction, this one updates and reinvents it without betraying it. My girlfriend had tears in her eyes and so did I. Heath Ledger's character spoke to me directly. And the word sex hasn't come into the equation yet. Love takes over the whole story and Heath Leger will be the dominating star of the next decade, if he wants to. Jake Gylenhaal is also superb but his character, nags,understandably so, but we know Heath much better than him and we're on Heath side. The buttoning of the shirt is already a landmark scene in my mind. I'm sure this film is arriving at just the right time. It will teach without preaching and many will learn.
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