Camille arrives at the island Ouessant where she was born, to sell the house of her parents. She finds a book of a certain Antoine and starts reading. A story of a stranger is told who came... See full summary »
Unable to forget her first love, Félicité, a simple and kind maid, devotes herself completely to her new master, Mathilde Aubain. As the passing of time doesn't heal her wounds, she gives ... See full summary »
The fifty years old Jean-Claude has a boring life, working in a notary office of his own and as court official evicting tenants or seizing properties, or spending the Sundays afternoons in ... See full summary »
Back from a holiday in Spain, Lili, 19, finds that Loïc, her twin brother, has left the house following a row with their father. She disapproves of her parents' apparently light attitude ... See full summary »
Moved by the plight of the mother of her daughter's school friend, a young judge facing an incurable disease teams up with an older colleague in order to fight against financial companies that exploit the poor.
Moscow, 1952. Anna is taken to the Kremlin where she has to cure Stanlin himself. She needs to keep the secret at all costs and as her relationship with the URSS leader grows, her couple with Vassilli tumbles.
Camille arrives at the island Ouessant where she was born, to sell the house of her parents. She finds a book of a certain Antoine and starts reading. A story of a stranger is told who came 1963 to the island. He wasn't well received and left again after 2 month. Written by
(flopped shot) Throughout the film, the main character has a mutilated left hand, which he wears in a leather strap. But in the long scene where he walks alongside Sandrine Bonnaire on her bicycle, and both meet the local priest also on bicycle, it's his right hand that is mutilated! One wonders how the actor being prepared for that scene could possibly have overlooked the switch. Next day, he enters the fish factory with his familiar left hand mutilated. See more »
The picture, the story, the intensity of feelings ; perfect combination
About the injured hand change in the middle of the film : it was filmed with the good one but the director decided afterward, for aesthetic reasons, to flip the image in the computer so the characters and everything else in that scene appear as though it was filmed conversely. He said it in an interview.
The dramatic tension builds up with the emotions of each character. We feel exactly as they feel. The rejection of the stranger by many of them is especially strong, and their angriness towards him all collapse magnificently when he reveals, in a Coup-De-theater scene near the end, why precisely he lost the use of his hand. Another fascinating psychological evolution : the complete rejection of him by his lighthouse partner that slowly but surely becomes esteem and friendship.
A story that looks typical at the start but that nevertheless brings an extraordinary personal view of people, not to mention the sea views that are just breathtaking.
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