Camille arrives at the island Ouessant where she was born, to sell the house of her parents. She finds a book of a certain Antoine and starts reading. A story of a stranger is told who came... See full summary »
The fifty years old Jean-Claude has a boring life, working in a notary office of his own and as court official evicting tenants or seizing properties, or spending the Sundays afternoons in ... See full summary »
Unable to forget her first love, Félicité, a simple and kind maid, devotes herself completely to her new master, Mathilde Aubain. As the passing of time doesn't heal her wounds, she gives ... See full summary »
Back from a holiday in Spain, Lili, 19, finds that Loïc, her twin brother, has left the house following a row with their father. She disapproves of her parents' apparently light attitude ... See full summary »
Moved by the plight of the mother of her daughter's school friend, a young judge facing an incurable disease teams up with an older colleague in order to fight against financial companies that exploit the poor.
Moscow, 1952. Anna is taken to the Kremlin where she has to cure Stanlin himself. She needs to keep the secret at all costs and as her relationship with the URSS leader grows, her couple with Vassilli tumbles.
Camille arrives at the island Ouessant where she was born, to sell the house of her parents. She finds a book of a certain Antoine and starts reading. A story of a stranger is told who came 1963 to the island. He wasn't well received and left again after 2 month. Written by
(flopped shot) Throughout the film, the main character has a mutilated left hand, which he wears in a leather strap. But in the long scene where he walks alongside Sandrine Bonnaire on her bicycle, and both meet the local priest also on bicycle, it's his right hand that is mutilated! One wonders how the actor being prepared for that scene could possibly have overlooked the switch. Next day, he enters the fish factory with his familiar left hand mutilated. See more »
... but that, I'm afraid, is as close as we get to Virginia Woolf in this story of closed communities and acceptance of outsiders. Gregori Derangere, so good in Bon Voyage, is rewarded with another central role as the etranger who comes to the rugged, inhospitable (in more ways than one) Brittany community to work in the local lighthouse. Set in the sixties the story is told in flashback hung on the peg of a daughter who has returned to her roots to sell the house she lived in as a child and remembers the stranger/catalyst and the conflicts he triggered. Sandrine Bonnaire is on hand as the married woman destined to strike sparks off and with Derangere and it's refreshing that when they do, inevitably, get it on they do so out of doors in daylight - against a wall in fact - whilst the Bastille Day celebrations go on around them. Given that Bonnaire is married to Derangere's colleague, Phillippe Torreton it does tend to put the master bedroom out of bounds and the scene - the one and only time they have sex - reveals no tenderness or finer feelings, merely lust that nevertheless produced the girl through whose memories the story is filtered. Not perhaps to everyone's taste it is, nevertheless, a fine effort, made entirely on location and none the worse for it.
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