A yakuza enforcer is ordered to secretly drive his beloved colleague to be assassinated. But when the colleague unceremoniously disappears en route, the trip that follows is a twisted, surreal and horrifying experience.
In order to settle a business dispute, a mob leader murders one of his own teenage sons. The surviving son vows to avenge his brother's death, and organizes his own gang of teenage killers to destroy his father's organization.
Troubled high school student Makoto arrives in Tokyo to exact revenge from a past incident. He then falls in love at first sight with Ai, a daughter raised in a wholesome family. Around ... See full summary »
Being a failure as a teacher and a family man, Shinichi tries to escape everyday life by dressing up as "Zebraman", the superhero. Although the TV series was canceled after only 6 episodes, this cannot stop him from acting out his escape fantasy in a self made zebra-suit. He gets more then he could ever wish for when his black-and-white dressed alter-ego seems to be the only thing to stand between absolute (green) evil and a happy ending. Written by
During the introductory section of the film, Shinichi Ichikawa/Zebraman, is watching a parody of Super Sentai/Power Rangers where the hero fights Sadako Yamamura from "The Ring". Ironically, this seems to predict the plot of the 2007 film, "Kamen Rider: The Next", which features a Sadako-like antagonist and a plot similar to "The Ring". See more »
At the end of the movie, the Colonel (the military officer in charge of the task force that is investigating the alien invasion through out the movie) refers to President Bush in his phone call when the movie takes place in 2010 (two years after Bush's last term in office). See more »
I saw Zebraman for the first, but surely NOT the last time today. I had read that it was a "spoof of the super hero genre", but I strongly disagree; Zebraman IS a true superhero, and this film is not a spoof of any kind. Sure, there is very mild slapstick, but it works perfectly well. The heart of the film is tender and hopeful, and at the end I was left in that rare state in which I could deny no possibilities. I was laughing and crying at once, knowing no boundary between the two. I love this film. The message is a simple one, but given the age in which we live, vitally important: BELIEVE IN YOURSELF. I will offer no details regarding the plot or the technical innovation of the work; I only hope that this wonderful film will be seen by all, with a truly open heart. Thank you Takashi Miike...
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