| Photos (See all 18 | slideshow) | Videos (see all 7) |
| Jason Statham | ... | Frank Martin | |
| Alessandro Gassman | ... | Gianni Chellini | |
| Amber Valletta | ... | Audrey Billings | |
| Kate Nauta | ... | Lola | |
| Matthew Modine | ... | Jefferson Billings | |
| Jason Flemyng | ... | Dimitri | |
| Keith David | ... | Stappleton | |
| Hunter Clary | ... | Jack Billings | |
| Shannon Briggs | ... | Max | |
| François Berléand | ... | Inspector Tarconi | |
| Raymond Tong | ... | Rastaman | |
| George Kapetan | ... | Dr. Sonovitch | |
| Jeff Chase | ... | Vasily | |
| Gregg Weiner | ... | Tipov | |
| Gregg Davis | ... | Techie at Billings | |
| Marty Wright | ... | Commander | |
| AnnaLynne McCord | ... | Car Jacking Girl | |
| Reggie Pierre | ... | Car Jacker | |
| Elie Thompson | ... | Car Jacker | |
| Adam Faldetta | ... | Car Jacker | |
| Michael House | ... | Car Jacker | |
| Tim Ware | ... | Hoffman | |
| Liv Davalos Maier | ... | TV News Announcer | |
| Damaris Justamante | ... | Receptionist | |
| Andy Horne | ... | Dr. Koblin | |
| Doug MacKinnon | ... | U.S. Marshal Smith | |
| Marc Macaulay | ... | U.S. Marshal Brown | |
| Bill Wilson | ... | Agent at Billings House | |
| Robert Small | ... | Government Doctor | |
| Jim R. Coleman | ... | Robot Tech (as Jim Coleman) | |
| Heath Kelts | ... | Security Agent | |
| Chris Campbell | ... | Security Agent | |
| Paul Tei | ... | Tech in Van | |
| Ernest Harden Jr. | ... | Billings Aide | |
| Tim Powell | ... | U.S. Marshal at Robot Site | |
| Shelah Marie | ... | Nurse | |
| Shelah Rhoulhac | ... | Nurse | |
| Tom Derek | ... | U.S. Marshal at Stakeout | |
| Serafin Falcon | ... | Sniper | |
| Max Osterweis | ... | The Phone's Man | |
| Laurence Gormezano | ... | TV News Announcer Helicopter | |
| rest of cast listed alphabetically: | |||
| Jay Amor | ... | Gianni Thug (uncredited) | |
| Scott Dale | ... | Gianni Thug (uncredited) | |
| Vincent De Paul | ... | Head of Billings' Security (uncredited) | |
| Bobby Dodge | ... | U.S. Marshal (uncredited) | |
| Roberto Escobar | ... | Jet Pilot (uncredited) | |
| Jesse Holland | ... | U.S. Marshal (uncredited) | |
| Erik Joseph | ... | U.S. Marshal (uncredited) | |
| Elissa Kapneck | ... | Tourist (uncredited) | |
| Dave Knight | ... | Rickenbacker Tollbooth Worker (uncredited) | |
| Bruce Perkins | ... | U.S. Marshal (uncredited) | |
| Erik Townsend | ... | U.S. Marshal (uncredited) | |
Directed by | |||
| Louis Leterrier | |||
Writing credits(WGA) | ||
| Luc Besson | (characters) & | |
| Robert Mark Kamen | (characters) | |
| Luc Besson | (written by) & | |
| Robert Mark Kamen | (written by) | |
Produced by | |||
| Luc Besson | .... | producer | |
| Steve Chasman | .... | producer (as Steven Chasman) | |
| Elayne Keratsis | .... | associate producer | |
| David Lai | .... | associate producer | |
| Terry Miller | .... | executive producer | |
| Mehdi Sayah | .... | assistant producer | |
| Michael Waxman | .... | associate producer | |
Original Music by | |||
| Alexandre Azaria | |||
Cinematography by | |||
| Mitchell Amundsen | (director of photography) | ||
Film Editing by | |||
| Christine Lucas Navarro | (as Christine Lucas-Navarro) | ||
| Vincent Tabaillon | |||
Casting by | |||
| Ed Arenas | |||
| Melissa Hirschenson | |||
Production Design by | |||
| J. Mark Harrington | (as John Mark Harrington) | ||
Art Direction by | |||
| Rosa Palomo | |||
Set Decoration by | |||
| Barbara Peterson-Malesci | (as Barbara Peterson) | ||
Costume Design by | |||
| Bobbie Read | |||
Makeup Department | |||
| Florence Batteault | .... | key makeup artist: France (as Florence Bateau) | |
| Jeni Lee Dinkel | .... | key makeup artist | |
| Lee Grimes | .... | makeup artist | |
| Jane Hassinger | .... | hair department head: second unit | |
| Diane Maurno | .... | key makeup artist | |
| Rod Ortega | .... | key hair stylist | |
| Kristin Ryals | .... | key makeup artist: second unit (as Kirstin Ryals) | |
| Gianna Sparacino | .... | hair stylist | |
Production Management | |||
| Marie-Odile Bertot | .... | executive in charge of production: EuropaCorp (as Marie Odile Bertot) | |
| Elayne Keratsis | .... | production supervisor | |
| Andrés Lugo | .... | unit production manager | |
| Terry Miller | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Ty Arnold | .... | key second assistant director | |
| Ty Arnold | .... | second assistant director: second unit | |
| Diane Calhoun | .... | second second assistant director | |
| Diane Calhoun | .... | second second assistant director: second unit | |
| Vincent Champagniac | .... | first assistant director: France (as Vincent Champagnac) | |
| Bac DeLorme | .... | key second assistant director (as Bac Delorme) | |
| Melanie Grefe | .... | first assistant director: daily unit (as Melanie Greffe) | |
| Kellie JoTackett | .... | second second assistant director (as Kellie Jotackett) | |
| Artie Malesci | .... | second unit director | |
| Jonathan McGarry | .... | first assistant director | |
| Michael Waxman | .... | first assistant director | |
| Michael Waxman | .... | first assistant director: second unit | |
| Corey Yuen | .... | second unit director (as Cory Yuen) | |
| Geoffroy Koeberle | .... | dga trainee (uncredited) | |
| Pierre Saint Blanquat | .... | trainee assistant director (uncredited) | |
Sound Department | |||
| Thomas Bernard | .... | recorder: Digital Factory | |
| Scott Blynder | .... | sound mixer: second unit (as M. Scott Blynder) | |
| Nicolas Bourgeois | .... | sound editor assistant (as Nicolas Bonsoir) | |
| Christophe Bourreau | .... | foley artist | |
| Kevin Cerchiai | .... | boom operator | |
| Scott Clements | .... | sound mixer: daily unit | |
| Samuel Cohen | .... | adr boom operator | |
| Aymeric Devoldère | .... | sound editor | |
| Jon Goc | .... | sound editor assistant (as Jonathan Goc) | |
| Loïc Gourbe | .... | recorder: Digital Factory | |
| Cyril Holtz | .... | re-recording mixer (as Cyril Holz) | |
| François-Joseph Hors | .... | adr sound operator | |
| François-Joseph Hors | .... | re-recording mixer | |
| Jean-Pierre Houël | .... | adr boom operator | |
| Tristan Jaoul | .... | sound editor assistant | |
| Sébastien Jeannot | .... | sound editor assistant | |
| Dominique Lacour | .... | sound mixer: France | |
| Dominique Lacour | .... | sound | |
| Christophe Leroy | .... | adr editor | |
| Christophe Leroy | .... | dialogue editor | |
| Didier Lesage | .... | adr sound operator | |
| Didier Lesage | .... | foley sound operator | |
| Fred Mays | .... | adr | |
| Vincent Milner | .... | foley artist assistant | |
| Nicolas Ouvrard | .... | dialogue editor | |
| Alexis Place | .... | foley artist assistant | |
| Mike Schmidt | .... | boom operator: daily unit | |
| Régis Viogeat | .... | sound trainee | |
| Mike Walker | .... | boom operator: daily unit | |
| Frédéric Warnotte | .... | technical manager: Digital Factory | |
| Alexandre Widmer | .... | sound editor | |
| Michael Pisano | .... | sound utility (uncredited) | |
| John Soukup | .... | sound transfer (uncredited) | |
Special Effects by | |||
| Robert Caban | .... | special effects: first unit | |
| Peter Damien | .... | special effects: first unit | |
| Grégoire Delage | .... | special effects location manager: France | |
| Georges Demétrau | .... | special effects coordinator: France (as George Demetrau) | |
| Mike Doyle | .... | special effects foreman | |
| Colleen Harris | .... | special effects assistant | |
| Kevin Harris | .... | special effects coordinator | |
| Harry Hurst | .... | special effects: first unit (as Harry Hurst III) | |
| Harry Hurst | .... | special effects: second unit (as Harry King Hurst III) | |
| Thomas Kittle | .... | special effects: first unit | |
| Jack Lynch | .... | special effects: first unit | |
| Richard E. Perry | .... | special effects: second unit (as Richard Perry) | |
| James L. Roberts | .... | special effects: second unit (as James Roberts) | |
| Tim Tonkin | .... | special effects: first unit | |
| Durk Tyndall | .... | special effects: first unit | |
Visual Effects by | |||
| Lech Anita | .... | digital effects artist | |
| Catherine Athon | .... | post-production supervisor: Eclair Numerique | |
| Joseph Bailey | .... | visual effects | |
| Miguel Bautista | .... | digital effects artist | |
| Jeremy Bloch | .... | digital effects artist | |
| Christopher Bonnstetter | .... | 3D lead: Big Red Pixel (as Pink) | |
| Christophe Boutigny | .... | visual effects assistant: Eclair Numerique | |
| Stephanie Boutinaud | .... | visual effects coordinator: Eclair Numerique | |
| John Butiu | .... | senior character modeler | |
| Serena Chang | .... | visual effects | |
| Olivier Chiavassa | .... | head of production: Eclair Numerique | |
| Andrew Cochrane | .... | digital artist | |
| Nicolas Criqui | .... | visual effects assistant: Eclair Numerique | |
| Arnaud Damez | .... | digital artist | |
| Andy Davis | .... | compositor | |
| Antoine Douadi | .... | Flame artist | |
| Émilie Feret | .... | visual effects assistant: Eclair Numerique | |
| Emilie Ferret | .... | visual effects assistant: Eclair Numerique | |
| Tarn Fox | .... | visual effects coordinator: Big Red Pixel | |
| Beatrice Fraschini | .... | visual effects coordinator: Eclair Numerique (as Beatrice Fraschini Rey) | |
| Luc Guénard | .... | visual effects assistant: Eclair Numerique | |
| John G. Kirby | .... | visual effects | |
| Anita Lech | .... | digital artist (as Anita Lech Bedez) | |
| Dave Lo | .... | modeler | |
| Jonah Loop | .... | visual effects executive producer: Big Red Pixel | |
| Justin Marshall | .... | digital modeler | |
| Joyce Menger | .... | digital effects producer: Eclair Numerique (as Joyce Menger Weil) | |
| Stéphane Morali | .... | flame artist | |
| Raphael Mosley | .... | Flame artist | |
| David B. Moulder | .... | visual effects producer: Big Red Pixel | |
| Pete O'Connell | .... | compositor | |
| Ugo Pierantoni | .... | digital artist | |
| Jay Randall | .... | visual effects supervisor: BarXseven | |
| Philippe Reinaudo | .... | technical supervisor: Eclair Numerique | |
| Robert Rossello | .... | visual effects supervisor: Big Red Pixel | |
| Jeff Schanz | .... | character animator | |
| Jason Schugardt | .... | 3D lead: Big Red Pixel | |
| Den Serras | .... | digital compositor: big red pixel | |
| David Ziek | .... | visual effects coordinator: Big Red Pixel | |
| Clement Zveguintzoff | .... | visual effects assistant: Eclair Numerique | |
| Robert Rossello | .... | main title designer (uncredited) | |
Casting Department | |||
| Adam Reign | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Hilary Bartels | .... | costume assistant: first unit | |
| Lynette Bernay | .... | costumer: second unit | |
| Valerie Fusaro | .... | costume supervisor: second unit (as Valarie Fusaro) | |
| Nadine Johnson | .... | costume assistant: first unit | |
| Nadine Johnson | .... | costume assistant: second unit | |
| Sherrie LeMaire | .... | shopper: first unit | |
| Susan Salzano | .... | costumer: first unit (as Sue Salzano) | |
| Julie S. Siegmund | .... | costumer: first unit (as Julia S. Siegmund) | |
| Emae Villalobos | .... | costume supervisor: first unit | |
Editorial Department | |||
| Basile Belkhiri | .... | avid technician: Digital Factory | |
| Fabrice Blin | .... | color grader | |
| Laureen Clarke | .... | assistant editor: Miami | |
| Nicolas Criqui | .... | digital conformation | |
| Mickael Dumontier | .... | digital conformation | |
| Philippe Reinaudo | .... | digital intermediate technical director | |
| Sidonie Waserman | .... | post-production assistant | |
Music Department | |||
| Lohengrin Braconnier | .... | assistant music mixer | |
| Thierry Burtin | .... | music consultant | |
| Michael "MD" Dunston | .... | composer: additional score | |
| Jean Gobinet | .... | orchestrator | |
| Gisèle Gérard-Tolini | .... | conductor | |
| Gisèle Gérard-Tolini | .... | orchestrator | |
| Jérôme Lateur | .... | music supervisor | |
| Vincent Lebegue | .... | music legal coordinator | |
| Elise Luguern | .... | music production supervisor | |
| Philippe Nadal | .... | orchestra booking agent | |
| Samuel Potin | .... | music editor (as Sam Potin) | |
| Samuel Potin | .... | score mixer (as Sam Potin) | |
| Mehdi Sayah | .... | assistant music supervisor | |
Thanks | |||
| Michael Stone | .... | this film is dedicated to the memory of | |
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| Live Free or Die Hard | The Professional: Golgo 13 | The Transporter | The Dark Knight | Bad Boys II |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb France section |
The Transporter franchise suffers from some serious engine failure in this slickly produced sequel and only just makes it over the finishing line. The original had a thin premise and an anorexic plot but delivered brilliantly choreographed fight scenes and down-played gun violence.
For number 2 the action is relocated from the French Riviera to Miami, a city often featured in bad sequel movies (2 Fast 2 Furious, Bad Boys II, Police Academy 5). Frank Martin (a skin-headed, forever grimacing Jason Statham) no longer takes dodgy package from A to B, instead he's temping as a chauffeur for a wealthy family. But when the kid is snatched by stereotyped Columbian villain he springs back into action, kicking ass in his own special way.
It turns out that the kid has been injected with a deadly virus. And everyone he breathes on will catch it. And so on and so on. An interesting plot device that soon crumbles into a massive pile of plot holes.
The action doesn't have the same edge as it did before. I can appreciate far-fetched action films as long as they stay within relative distance of reality. Transporter 2 goes way beyond reality in well into stupidity, turning Frank Martin from delivery man into indestructible super-hero. After a while you'll realize this man can do anything and will always walk out of the worst scenario alive. It totally kills the excitement.
And as if the plot wasn't flimsy enough, the narrative just completely shatters and will leave you disorientated and lost among the brawling and battling. Characters come and go with no explanation, sub-plots are abandoned and the film is totally void of a denouement or climax. There's no satisfaction in the silly story being wrapped up.
All Transporter 2 really does is showcase a bunch of totally far-fetched fight scenes, while failing at everything else that could have made the film a contender. Even the relentlessly silly Danny the Dog did better than this.
Even though it's made by a European director and producer and funded with European money, something that gave the first such a unique feel, this feels an awful lot like a Hollywood trash flick. It's a shame the series had to stumble so soon. Since the end hints a third, one can only hope that Leterrier and Besson get their act together. What began as a series made in the style of Taxi, Ronin and Kiss of the Dragon has ended up tumbling into world where movies like Stealth and SWAT live. And that ain't good.
Oh, and I'm tired of hearing about the movie's so-called homo-eroticism. Like I just said, this film is made by Europeans who are not as homophobic as the rest of the world and see nothing wrong with a man visiting another man for a holiday. Frank Martin is not gay.