Mercenary Frank Martin, who specializes moving goods of all kinds, surfaces again this time in Miami, Florida when he's implicated in the kidnapping of the young son of a powerful USA official.
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A young man receives an emergency phone call on his cell phone from an older woman. The catch? The woman claims to have been kidnapped; and the kidnappers have targeted her husband and child next.
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
Director:
Tony Scott
Stars:
Denzel Washington,
John Travolta,
Luis Guzmán
John McClane, officer of the NYPD and hero of the Nakatomi Hostage Crisis, attempts to avert disaster as rogue military officials seize control of Dulles International Airport in Washington, D.C.
Director:
Renny Harlin
Stars:
Bruce Willis,
Bonnie Bedelia,
William Atherton
An imprisoned drug kingpin offers a huge cash reward to anyone that can break him out of police custody and only the LAPD's Special Weapons and Tactics team can prevent it.
Director:
Clark Johnson
Stars:
Samuel L. Jackson,
Colin Farrell,
Michelle Rodriguez
John McClane and a Harlem store owner are targeted by German terrorist Simon Gruber in New York City, where he plans to rob the Federal Reserve Building.
Director:
John McTiernan
Stars:
Bruce Willis,
Jeremy Irons,
Samuel L. Jackson
Former cop, Brian O'Conner is finally arrested after letting his leader escape the law. To avoid the consequences, he must now work with an old college friend and help the police arrest a local drug exporter.
Frank Martin is the best in the business. The ex-Special Forces operative hires himself out as a mercenary "transporter" who moves goods--human or otherwise. Very simple, he delivers, no questions asked. Frank has relocated from the French Mediterranean to Miami, Florida, where as a favor to a friend, Frank is driving for the wealthy Billings family. There's very little that can surprise The Transporter, but young Jack Billings has done just that; Frank has unexpectedly bonded with Jack, age 6, who he drives to and from school. But when Jack is kidnapped, Frank must use his battle-tested combat skills to retrieve the boy and thwart the kidnappers' master plan to release a virus that will kill anyone with whom it comes in contact. Written by
Anthony Pereyra {hypersonic91@yahoo.com}
All of the assault weapons featured are Heckler and Koch, with the exception of the M4 wielded by one of the swat operatives at Franks's house. See more »
Goofs
Immediately after takeoff the pilot says that he needs to return and land because the landing gear of the Gulfstream fails to retract (stuck in the down position) after the car explodes beneath. However during the ensuing fight scene between Frank and Gianni each time you see the outside of the Gulfstream (as it spins out of control) the landing gear is clearly up. See more »
Quotes
Lola:
My problem isn't physical... it's psychological.
See more »
Crazy Credits
In the opening credits, the actors names appear to be hanging from the ceiling of the parking garage. See more »
The Transporter franchise suffers from some serious engine failure in this slickly produced sequel and only just makes it over the finishing line. The original had a thin premise and an anorexic plot but delivered brilliantly choreographed fight scenes and down-played gun violence.
For number 2 the action is relocated from the French Riviera to Miami, a city often featured in bad sequel movies (2 Fast 2 Furious, Bad Boys II, Police Academy 5). Frank Martin (a skin-headed, forever grimacing Jason Statham) no longer takes dodgy package from A to B, instead he's temping as a chauffeur for a wealthy family. But when the kid is snatched by stereotyped Columbian villain he springs back into action, kicking ass in his own special way.
It turns out that the kid has been injected with a deadly virus. And everyone he breathes on will catch it. And so on and so on. An interesting plot device that soon crumbles into a massive pile of plot holes.
The action doesn't have the same edge as it did before. I can appreciate far-fetched action films as long as they stay within relative distance of reality. Transporter 2 goes way beyond reality in well into stupidity, turning Frank Martin from delivery man into indestructible super-hero. After a while you'll realize this man can do anything and will always walk out of the worst scenario alive. It totally kills the excitement.
And as if the plot wasn't flimsy enough, the narrative just completely shatters and will leave you disorientated and lost among the brawling and battling. Characters come and go with no explanation, sub-plots are abandoned and the film is totally void of a denouement or climax. There's no satisfaction in the silly story being wrapped up.
All Transporter 2 really does is showcase a bunch of totally far-fetched fight scenes, while failing at everything else that could have made the film a contender. Even the relentlessly silly Danny the Dog did better than this.
Even though it's made by a European director and producer and funded with European money, something that gave the first such a unique feel, this feels an awful lot like a Hollywood trash flick. It's a shame the series had to stumble so soon. Since the end hints a third, one can only hope that Leterrier and Besson get their act together. What began as a series made in the style of Taxi, Ronin and Kiss of the Dragon has ended up tumbling into world where movies like Stealth and SWAT live. And that ain't good.
Oh, and I'm tired of hearing about the movie's so-called homo-eroticism. Like I just said, this film is made by Europeans who are not as homophobic as the rest of the world and see nothing wrong with a man visiting another man for a holiday. Frank Martin is not gay.
54 of 95 people found this review helpful.
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The Transporter franchise suffers from some serious engine failure in this slickly produced sequel and only just makes it over the finishing line. The original had a thin premise and an anorexic plot but delivered brilliantly choreographed fight scenes and down-played gun violence.
For number 2 the action is relocated from the French Riviera to Miami, a city often featured in bad sequel movies (2 Fast 2 Furious, Bad Boys II, Police Academy 5). Frank Martin (a skin-headed, forever grimacing Jason Statham) no longer takes dodgy package from A to B, instead he's temping as a chauffeur for a wealthy family. But when the kid is snatched by stereotyped Columbian villain he springs back into action, kicking ass in his own special way.
It turns out that the kid has been injected with a deadly virus. And everyone he breathes on will catch it. And so on and so on. An interesting plot device that soon crumbles into a massive pile of plot holes.
The action doesn't have the same edge as it did before. I can appreciate far-fetched action films as long as they stay within relative distance of reality. Transporter 2 goes way beyond reality in well into stupidity, turning Frank Martin from delivery man into indestructible super-hero. After a while you'll realize this man can do anything and will always walk out of the worst scenario alive. It totally kills the excitement.
And as if the plot wasn't flimsy enough, the narrative just completely shatters and will leave you disorientated and lost among the brawling and battling. Characters come and go with no explanation, sub-plots are abandoned and the film is totally void of a denouement or climax. There's no satisfaction in the silly story being wrapped up.
All Transporter 2 really does is showcase a bunch of totally far-fetched fight scenes, while failing at everything else that could have made the film a contender. Even the relentlessly silly Danny the Dog did better than this.
Even though it's made by a European director and producer and funded with European money, something that gave the first such a unique feel, this feels an awful lot like a Hollywood trash flick. It's a shame the series had to stumble so soon. Since the end hints a third, one can only hope that Leterrier and Besson get their act together. What began as a series made in the style of Taxi, Ronin and Kiss of the Dragon has ended up tumbling into world where movies like Stealth and SWAT live. And that ain't good.
Oh, and I'm tired of hearing about the movie's so-called homo-eroticism. Like I just said, this film is made by Europeans who are not as homophobic as the rest of the world and see nothing wrong with a man visiting another man for a holiday. Frank Martin is not gay.