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Tokyo Godfathers (2003)

7.8
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Ratings: 7.8/10 from 13,986 users   Metascore: 73/100
Reviews: 49 user | 71 critic | 25 from Metacritic.com

On Christmas Eve three homeless people living on the streets on Tokyo find a newborn baby among the trash and set out to find the parents.

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(screenplay), (story), 1 more credit »
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Edit

Cast

Cast overview, first billed only:
Tôru Emori ...
Gin (voice)
Aya Okamoto ...
Miyuki (voice)
Yoshiaki Umegaki ...
Hana (voice)
Shôzô Iizuka ...
Oota (voice)
Seizô Katô ...
Mother (voice)
Hiroya Ishimaru ...
Yasuo (voice)
Ryûji Saikachi ...
Aged Man (voice)
Yûsaku Yara ...
Miyuki's Father (voice)
Kyôko Terase ...
Sachiko (voice)
Mamiko Noto ...
Kiyoko, Gin's Daughter (voice)
Akio Ôtsuka ...
Doctor (voice)
Rikiya Koyama ...
Bridegroom (voice)
Satomi Koorogi ...
Kiyoko, the Gangster's Daughter (voice)
Mitsuru Ogata ...
Hidenari Ugaki (voice)
Chiyako Shibahara ...
Eriko Kawasaki (voice)
Edit

Storyline

Christmas in Tokyo, Japan. Three homeless friends: a young girl, a transvestite, and a middle-aged bum. While foraging through some trash, they find an abandoned newborn. Hana, the transvestite with delusions of being a mother, convinces the others to keep it overnight. The next day, using a key found with the baby, they start tracking down the parents, with many adventures along the way. Written by Jon Reeves <jreeves@imdb.com>

Plot Summary | Add Synopsis

Taglines:

Meet the ultimate dysfunctional family.


Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements, violent images, language and some sexual material | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

8 November 2003 (Japan)  »

Also Known As:

Héroes al rescate  »

Box Office

Opening Weekend:

$37,127 (USA) (16 January 2004)

Gross:

$128,985 (USA) (2 April 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

On the Tokyo Godfathers DVD there is a bonus "making of" featurette. ANN founder, Justin Sevakis can be spotted at the beginning of the featurette which shows the American premiere of Tokyo Godfathers at BAAF (Big Apple Anime Fest). See more »

Quotes

Hana: You really are the lowest of the low! The best thing you'll ever do is die in the gutter! Oh, poor you! You'll be dead and no one'll care! All you ever do is cause people trouble - dead or alive, you're living trash! The king of trash!
Gin: Okay, so I'm trash, but you're ugly!
See more »

Crazy Credits

End credits: The skyscrapers dance to Beethoven's 9th done with synthesizers and Japanese lyrics. See more »

Connections

References Paranoia Agent (2004) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Spectacular animation! Satoshi Kon is one of a kind!
17 May 2004 | by (Vancouver, Canada) – See all my reviews

Satoshi Kon's animation films are increasingly impressive with each new release. This movie is not only a technical masterpiece of the Japanese animation style, but can also rival a good independent live-action film in its storytelling. The film's plot also doubles as a social commentary about life on the fringe in Tokyo (not only the homeless but also cultural minority and the mentally disabled), from both the inside and the outside looking in. As a Westerner, I was astonished at how the homeless characters adapted to Japanese traditional practices for their survival.

The story of "Tokyo Godfathers" is much more compelling and heartwarming than Kon's previous films, "Perfect Blue" and "Milennium Actress", but the signature semi-realistic drawing style from his other films is still prominent. The discrepancies in movement between each character in the action sequences is particularly phenomenal. The backgrounds are intricate and perfectly painted. Note the art direction of the background buildings in some scenes to add even more connotation to the plot - sometimes they are more than what they seem!

Kon is the next Miyazaki, and I predict that he will continue to bring Japanese animation films to the international foreground years to come.


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