| Photos (See all 13 | slideshow) | Videos (see all 3) |
| Horst Krause | ... | Schultze | |
| Harald Warmbrunn | ... | Jürgen | |
| Karl-Fred Müller | ... | Manfred | |
| Ursula Schucht | ... | Jürgen's Wife | |
| Hannelore Schubert | ... | Manfred's Wife | |
| Erwin Meinicke | ... | Skatspieler | |
| Hans Hohmann | ... | Skatspieler | |
| Siegfried Zimmermann | ... | Skatspieler | |
| Maik Gustävel | ... | Automaten-Monteur | |
| Annegret Fritz | ... | Wirtin | |
| Wolfgang Boos | ... | Gatekeeper | |
| Werner Boche | ... | Rasenpfleger | |
| Dora Solter | ... | Dame | |
| Anna Spengler | ... | Dame | |
| Erika Kirchhof | ... | Dame | |
| Leo Fischer | ... | Head of Music Club | |
| Günter Dziewicki | ... | Vereins-Musiker | |
| Hans-Dieter Dziewicki | ... | Vereins-Musiker | |
| Karl Jürgen | ... | Vereins-Musiker (as Karl Jürg) | |
| Karl Nachsel | ... | Vereins-Musiker | |
| Fritz Fladung | ... | Vereins-Musiker | |
| Paul Geppart | ... | Vereins-Musiker | |
| Loni Frank | ... | Schultze's Mother | |
| Elke Rümmler | ... | Nurse | |
| Rosemarie Deibel | ... | Frau Lorant | |
| Marylu Poolman | ... | Seniorinne #1 | |
| Ilse Holtmann | ... | Seniorinne #2 | |
| Eva Bodnar | ... | Seniorinne #3 | |
| Tatjana Jakob | ... | Radiosprecherin (voice) | |
| Ansgar Frerich | ... | Moderator | |
| Hans-Peter Rößiger | ... | Physician | |
| Gunnar Schlafmann | ... | Cooking Show Host | |
| Wilhelmine Horschig | ... | Lisa | |
| Volker Rößiger | ... | Priest | |
| Ralph-Peter Borchert | ... | Reisebürochef | |
| Volker Nowak | ... | Autohändler | |
| Happy Broussard | ... | Motelstimme (voice) | |
| Vernie Miller | ... | Motelstimme (voice) | |
| Alozia St. Julien | ... | Josephine | |
| Kerry Christensen | ... | Yodeler | |
| Raimond Darilek | ... | Domino Player #1 | |
| Freddie Hirsch | ... | Domino Player #2 | |
| Chris Pilat | ... | Domino Player #3 | |
| Richard Gaerkner | ... | Domino Player #4 | |
| Frances Pilat | ... | Barmaid | |
| Charles Pilat | ... | Barkeeper | |
| Bobby Jones | ... | Czech Band | |
| Bob Suttie | ... | Czech Band | |
| Harvey Fajkus | ... | Czech Band | |
| Gregory Windel | ... | Czech Band | |
| Joe Zetka Jr. | ... | Czech Band | |
| Jeanne de Valcourt | ... | Jäger | |
| Mike de Valcourt | ... | Jäger | |
| John Flannagan | ... | Jäger | |
| Judy Flannagan | ... | Jäger | |
| Tony Roy | ... | Jäger | |
| Elton 'Bee' Cormier | ... | Fiddler | |
| Marie Bourque | ... | Dancing Partner | |
| Jackie Caillier | ... | Cajun Band (as Jackie Caillier & the Cajun Cousins) | |
| Francis 'Robe' Roberie | ... | Sheriff | |
| Kirk Guidry | ... | Captain Kirk | |
| Paul Olivier | ... | Polizist | |
| James Thibodeaux | ... | Polizist | |
| Fred Lalonde | ... | Polizist | |
| Donald Poirier | ... | Polizist | |
| Pedro Alexandra | ... | Polizist | |
| Carroll Knott | ... | Polizist | |
| Donald Harvey | ... | Polizist | |
| Anne V. Angelle | ... | Aretha | |
| Danielle Krause | ... | Shareen | |
| Carl | ... | Cockatoo | |
| rest of cast listed alphabetically: | |||
| Carl Mueller | ... | (uncredited) | |
Directed by | |||
| Michael Schorr | |||
Writing credits(in alphabetical order) | ||
| Michael Schorr | writer | |
Produced by | |||
| Jens Körner | .... | producer | |
| Oliver Niemeier | .... | producer | |
| Thomas Riedel | .... | producer | |
| Claudia Tronnier | .... | producer: ZDF | |
Original Music by | |||
| Dirk Niemeier | |||
| Thomas Wittenbecher | |||
Cinematography by | |||
| Axel Schneppat | |||
Film Editing by | |||
| Tina Hillmann | |||
Casting by | |||
| Michael Schorr | |||
| Karen Wendland | |||
Production Design by | |||
| Natascha Tagwerk | |||
Art Direction by | |||
| Natascha Tagwerk | |||
Set Decoration by | |||
| Sabine Enste | |||
Costume Design by | |||
| Constanze Hagedorn | |||
Makeup Department | |||
| Lara Feldmann | .... | makeup artist | |
Production Management | |||
| Daniela Barsch | .... | unit manager | |
| Jens Körner | .... | production manager | |
| Oliver Niemeier | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Chris Armisen | .... | trainee assistant director | |
| Christian Stollwerk | .... | assistant director | |
Art Department | |||
| Sabin Enste | .... | property master | |
Sound Department | |||
| Ansgar Frerich | .... | boom operator | |
| Sebastian Kleinloh | .... | boom operator | |
| Jörg Klinkenberg | .... | foley artist | |
| Christian Lerch | .... | sound re-recording mixer | |
| Dirk Niemeier | .... | sound designer | |
| Dirk Niemeier | .... | sound editor | |
| Dirk Niemeier | .... | sound | |
Camera and Electrical Department | |||
| Philipp Gerhardt | .... | lighting technician | |
| Ralf Peter Hahmann | .... | assistant camera (as Ralf Hahmann) | |
| Daniel Klaucke | .... | gaffer | |
| Billy MacTavish | .... | grip (as William MacTavish) | |
| Grit Schwerdtfeger | .... | still photographer | |
Costume and Wardrobe Department | |||
| Sonja Hesse | .... | assistant costume designer | |
Editorial Department | |||
| Charlie Huser | .... | color timer | |
| Milenka Nawka | .... | assistant editor | |
Other crew | |||
| Gerard Martin | .... | production assistant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Germany section |
This movie takes its time to develop. In more than one respect it reminded me of a Kaurismäki film. The landscape is depressing, the colors are not very bright, the shots are long and there is not much dialogue. And people seem only to come alive (whether it's in Germany or the US) when they're making music. There are moments of comedy but not many. Instead, you get to watch "everyday life" for a long time before something happens. And when it happens, it's not a dramatic turn or twist . . . It does not incite the characters to change completely . . . There is just a small change.
When you put all of this together, you get a very touching tale of humanity. A tale of friendship and loneliness. I think the characters are portrayed in a very life-like fashion (for example, when the loner Schultze travels to the US he is no more capable of socially connecting with people than he was in his hometown). You have to be patient with the story because there is no classic structure (exposition, story development, climax) . . . but I got really attached to the characters. There is a lot of loneliness in this film. But this is what makes it so attractive.