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Two brothers both of which can neither read nor write making their way across Germany in order to claim to their inheritance. On their way they meet Viktor, a deserted soldier of the sowjet... See full summary »
An aging chief's last stand, lessons for the new, and the education of a young chief-to-be played against harsh Nature in Nepal's Dolpo. When his son dies returning from Tibet's salt lakes,... See full summary »
Fritz Haarmann, who has killed at least 27 boys, is questioned by a psychology professor in order to find out whether he is sane and can be held responsible for his crimes. During this ... See full summary »
A satire about showbiz: Peter Schlönzke was raised in the large mid-German industrial area "Ruhrgebiet" and is an adoring fan of the show "Fun Unlimited" and its host Heinz Wäscher. Peter ... See full summary »
Schultze is a retired lignite miner living in an East German village and a passionate Polka musician on his accordion. One night he listens to a Zydeco tune in the radio, which changes his taste of music radically. Notwithstanding his complete ignorance of the English language he starts a trip into the heart of the Zydeco; to Louisana. Written by
Moritz Muehlenhoff <firstname.lastname@example.org>
This movie takes its time to develop. In more than one respect it reminded me of a Kaurismäki film. The landscape is depressing, the colors are not very bright, the shots are long and there is not much dialogue. And people seem only to come alive (whether it's in Germany or the US) when they're making music. There are moments of comedy but not many. Instead, you get to watch "everyday life" for a long time before something happens. And when it happens, it's not a dramatic turn or twist . . . It does not incite the characters to change completely . . . There is just a small change.
When you put all of this together, you get a very touching tale of humanity. A tale of friendship and loneliness. I think the characters are portrayed in a very life-like fashion (for example, when the loner Schultze travels to the US he is no more capable of socially connecting with people than he was in his hometown). You have to be patient with the story because there is no classic structure (exposition, story development, climax) . . . but I got really attached to the characters. There is a lot of loneliness in this film. But this is what makes it so attractive.
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