| Photos (See all 84 | slideshow) | Videos (see all 3) |
| Kyra Sedgwick | ... | Emily | |
| Dominic Scott Kay | ... | Paul (6 years old) | |
| Kevin Bacon | ... | Marty | |
| Blair Brown | ... | Jeanette Rawley | |
| Matt Dillon | ... | Mark | |
| Oliver Platt | ... | Mr. Pomeroy | |
| Campbell Scott | ... | Paul's Father | |
| Marisa Tomei | ... | Sybil | |
| Sosie Bacon | ... | Emily (10 years old) | |
| Travis Bacon | ... | Lenny | |
| John Lafayette | ... | Allen Rawley | |
| Jessica Stone | ... | Anita Biddle | |
| Melissa Errico | ... | Miss Silken | |
| Nancy Giles | ... | Principal | |
| Carolyn McCormick | ... | Ruth the Realtor | |
| Naelee Rae | ... | Allison - 6 years old | |
| John Elsen | ... | UPS Delivery Man | |
| Nick Gregory | ... | Library Donor | |
| John Legend | ... | Memphis Parking Lot Donor (as John Stephens) | |
| Andrew Polk | ... | Coke Bottle Glasses Donor | |
| Nicholas Kromka | ... | Mrs. Harker's Boy #1 | |
| Michael Kromka | ... | Mrs. Harker's Boy #2 | |
| Eugenie Iseman | ... | Sonnet Reciting Girl | |
| Robert Sedgwick | ... | Emily's 3rd Grade Teacher (as Rob Sedgwick) | |
| Susan Mieras | ... | Crossing Guard | |
| Zach Savage | ... | Paul's Pal Jeff | |
| Spencer Treat Clark | ... | Paul (16 years old) | |
| Valyn Hall | ... | Allison (16 years old) | |
| Paulie | ... | Rocky | |
| Sandra Bullock | ... | Mrs. Harker | |
| rest of cast listed alphabetically: | |||
| Steven Hinkle | ... | School Kid #1 (uncredited) | |
| Eric Schneider | ... | College Kid (uncredited) | |
| Michael Tommer | ... | Boy Playing in the Rain (uncredited) | |
Directed by | |||
| Kevin Bacon | |||
Writing credits | ||
| Hannah Shakespeare | (screenplay) | |
| Victoria Redel | (novel) | |
Produced by | |||
| Kevin Bacon | .... | producer | |
| Gerald Barad | .... | executive producer | |
| Daniel Bigel | .... | producer | |
| Chris Connolly | .... | associate producer | |
| Danny Dimbort | .... | executive producer | |
| Randall Emmett | .... | co-executive producer | |
| George Furla | .... | co-executive producer | |
| Andrew Lang | .... | executive producer | |
| Avi Lerner | .... | executive producer | |
| Michael Mailer | .... | producer | |
| Kyra Sedgwick | .... | producer | |
| Trevor Short | .... | executive producer | |
| John Thompson | .... | executive producer | |
| Pamela Thur | .... | line producer (as Pamela Thur-Weir) | |
Original Music by | |||
| Michael Bacon | |||
Cinematography by | |||
| Nancy Schreiber | |||
Film Editing by | |||
| David Ray | |||
Casting by | |||
| Kelli Lerner | |||
Production Design by | |||
| Chris Shriver | |||
Set Decoration by | |||
| Niamh Byrne | |||
Costume Design by | |||
| John A. Dunn | |||
Makeup Department | |||
| Patricia Regan | .... | makeup department head | |
| Kerrie Smith | .... | hair department head | |
Production Management | |||
| Teresa Garber | .... | additional post-production supervisor | |
| Pamela Thur | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Vebe Borge | .... | first assistant director | |
Art Department | |||
| William Booth | .... | props | |
| Eric Dean | .... | property assistant | |
| Jacob Gitzis | .... | product placement | |
| Meghan Murray Collins | .... | art production assistant (as Meghan Murray) | |
| Jose Pavon | .... | set dresser | |
| Clarke Williams | .... | art production assistant | |
| Joanna M. Wright | .... | property master | |
| Derek J.W. Wybourn | .... | set dresser | |
| Giovanni Rodriguez | .... | scenic artist (uncredited) | |
Sound Department | |||
| Antonio L. Arroyo | .... | sound mixer | |
| Vincent Camuto | .... | boom operator (as Vincent P. Camuto) | |
| Matthew Haasch | .... | foley supervisor | |
| Igor Nikolic | .... | sound effects editor | |
| Jay Peck | .... | foley artist | |
| Jennifer Ralston | .... | dialogue editor | |
Stunts | |||
| Chris Barnes | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Aida Artieda | .... | additional electrician | |
| Brian Christie | .... | dolly grip | |
| Adrian Correia | .... | assistant camera | |
| Chris Dixon | .... | electrician | |
| Alec Jarnagin | .... | Steadicam operator | |
| Maddy Lederman | .... | best boy electric | |
| Deborah Lipman | .... | additional second camera | |
| Dennis A. Livesey | .... | camera assistant: second camera | |
| Scott Maher | .... | electrician | |
| Erik Messerschmidt | .... | best boy grip | |
| Erik Messerschmidt | .... | rigging key grip | |
| Nick Olson | .... | electrician | |
| Joseph Paolini | .... | grip | |
| Macall B. Polay | .... | still photographer | |
| Melvin Pukowsky | .... | key grip | |
| Malcolm A. Purnell | .... | second assistant camera | |
| Douglas W. Shannon | .... | gaffer | |
| Erik Shirai | .... | grip | |
| Tom Weston | .... | camera operator | |
| Zach Zamboni | .... | additional electrician | |
| Laurie Chakel | .... | electrician (uncredited) | |
Casting Department | |||
| Kristine Bulakowski | .... | extras casting | |
| Geoffrey Miclat | .... | casting associate | |
| Driss Tijani | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Rebecca Gregg | .... | assistant costume designer (as Rebecca Bentjen) | |
| Rebecca Hofherr | .... | wardrobe production assistant | |
| Stephanie Biear | .... | seamstress (uncredited) | |
Editorial Department | |||
| Kenny Becker | .... | color timer | |
| Amanda Pollack | .... | associate editor | |
| Catherine Rankin | .... | negative cutter | |
Music Department | |||
| James Oakar | .... | score preparation | |
Transportation Department | |||
| Charles Spillane | .... | transportation captain | |
Other crew | |||
| Diana Berry | .... | stand-in | |
| Jenn Bubka | .... | set production assistant | |
| Lauren Butler | .... | production assistant | |
| Ann Casano | .... | production assistant | |
| Melodie Courtney | .... | studio teacher | |
| Gerald Fernando | .... | craft service | |
| Melinda Garrett | .... | development assistant | |
| Gine Lui | .... | location supervisor | |
| David Ray Martin | .... | location manager | |
| Soren Miltich | .... | production assistant | |
| Maire Ni Rochain | .... | assistant production coordinator | |
| Greg Outcalt | .... | production coordinator | |
| Christine Putnam | .... | production assistant | |
| Lonnie Ramati | .... | production business affairs | |
| Dorin Razam-Grunfeld | .... | office production assistant | |
| Amy Rubin | .... | assistant: producers | |
| Kris Schackman | .... | location scout | |
| Sascha Springer | .... | location assistant | |
| Sascha Springer | .... | location scout | |
| Eugene Stamos | .... | craft service | |
| Eva Vedock | .... | key craft service | |
| Ande Yung | .... | production assistant | |
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| The Reader | My Own Private Idaho | The Squid and the Whale | The Notebook | Atonement |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Loverboy brilliantly lays parental love out on the table for all of us to observe in two of its twisted, unbalanced forms. The first is that of young Emily's parents, played sublimely by both director Kevin Bacon, and Marisa Tomei, who think that parenting consists of modeling love by bathing together with the door open and constantly cuddling in front of the child, as though she would be nurtured by having a pair of super-sexed hippie babysitters for guardians. The two are a riot, as is Sosie Bacon, playing with her real-life dad, a girl who sings a Bowie song in a school show in order to shock her parents into caring about her. These flashbacks are intricately woven together with the scenes of the adult Emily, played by Bacon's real wife, Kyra Sedgwick, as she raises her six-year-old Paul (Dominic Scott Kay) on her own, calling him Loverboy. Master Kay holds his own as the increasingly suffocated son, trying to escape his mother's web of the other kind of unbalanced love, being kept "safe" and "smart" and unsullied by society. We feel deeply for Paul, hoping that he will be allowed to stay in school as Emily descends heartbreakingly into madness, fearful that the school is poisoning her child. We pray that Matt Dillon, as a friendly fisherman, will be allowed to take Paul for a "boys only" fishing trip, but even then, the desperate Emily stands on the shore screaming at them to be safe while they're trying to have a few bonding moments together. The movie moves and looks like a dream, and like a dream, it has an explosive, cathartic ending that you have to wake up from. The Bacons in every way have put together a searing work of art, beautifully acted, shot and mounted, that should haunt anyone who can identify with its universally tragic themes.