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A neglected daughter becomes a possessive mother in an emotional journey into the heart and mind of a woman who loved too much.

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(screenplay), (novel)
1 win. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Jeanette Rawley
...
Mark
...
Mr. Pomeroy
...
Paul's Father
...
Sybil
...
Travis Bacon ...
Lenny
...
Allen Rawley
...
Anita Biddle
...
Miss Silken
Nancy Giles ...
Principal
...
Ruth the Realtor
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Storyline

Emily tells her son Paul, now six years old, the story of his life - how she sought motherhood, to be a mom without a husband, to raise a perfect, exceptional child, whom she calls Loverboy. In flashbacks told around a pretend car trip they take - so he can practice driving - we see Paul's infancy, their fun together (sometimes with a manic edge), and his growing desire to go to school and be with other kids. We also flash back to Emily's childhood, with parents so bound up with each other that she's virtually ignored. Is Emily going to be able to let Paul be with others? Or, can she, as in the David Bowie song she sings at a school talent show, construct a life on Mars? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Some mothers aren't meant to be moms.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for sexuality | See all certifications »
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Details

Official Sites:

Country:

Language:

Release Date:

28 April 2005 (Portugal)  »

Also Known As:

A Educação de Paul  »

Filming Locations:

 »

Box Office

Opening Weekend:

$13,285 (USA) (16 June 2006)

Gross:

$29,690 (USA) (23 June 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Co-producer Kevin Bacon directs his wife Kyra Sedgwick, daughter Sosie Bacon, son Travis Bacon, brother-in-law Robert Sedgwick, and Kevin's brother Michael Bacon provides the original score. See more »

Quotes

Emily: Fitting in with the outside world, respectability, suitability, conformity, were never high on my priority list; neither was normalcy. I admit: I cultivated arrogance. The world would be our school; I wanted to learn it and teach it to you.
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Connections

Featured in Making 'Loverboy' (2006) See more »

Soundtracks

Life On Mars?
Written and Performed by David Bowie
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User Reviews

 
A Beautifully Acted, Disturbing Story About Obsessive Mothering
21 September 2006 | by (United States) – See all my reviews

Kevin Bacon directs this bizarre story adapted by Hannah Shakespeare from Victoria Redel's novel about maternal obsession providing his wife Kyra Sedgwick with a role to spotlight just how fine an actress she truly is. The story is disturbing but vitally interesting. There are problems with the film, the most annoying one being that the dialogue is practically inaudible due to the miking and, more so, due to the musical score which covers all the lines to the point of making the movie seem like a silent movie with music from the pit! Such a shame, because it SEEMS like this is a good script with a lot to say.

Emily (Kyra Sedgwick) is damaged goods, a woman neglected as a child who is determined to have a baby and raise it on her own, lavishing the child with all the affection and attention she desperately missed. After numerous attempts to get pregnant from any available man, she finally succeeds impregnation with Campbell Scott and gives birth to Paul (Dominic Scott Kay) who becomes her entire reason for living. She sequesters Paul form the world, gives him everything a child could want

  • except association with peers. Her obsession grows to the point of


mental illness and the results are devastating. Along the way Emily and Paul encounter people who seek to intervene in their lives: these people are played with great style by cameo roles of Sandra Bullock, Oliver Platt, Kevin Bacon, Marisa Tomei, Matt Dillon, Blair Brown and even some of the Bacon's own children! It is a star cast obviously committed to Kevin Bacon's vision of this star vehicle for Sedgwick.

The pacing, cinematography, and acting are all first rate. If only the ugly and senseless music hadn't submerged the dialogue (oddly enough the score was written by Michael Bacon!), this would be an Oscar contender.


30 of 33 people found this review helpful.  Was this review helpful to you?

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