A young Jewish American man endeavors to find the woman who saved his grandfather during World War II in a Ukrainian village, that was ultimately razed by the Nazis, with the help of an eccentric local.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
A fresh-out-of-the-mental institution father and his emancipated teenage daughter venture together on a quest for an ancient Spanish treasure buried beneath their local Costco in this take on the modern family and the American dream. Written by
The screenplay written by Michael Cahill was entered into the 2004 American Zoetrope Screenwriting contest and though didn't win, was a finalist. See more »
When they turn on the lights in the dark Costco, it instantly becomes brightly lit. In reality, HID lamps are very dim when first switched on and require several minutes to warm up and reach full brightness. See more »
They searched all night, but they never did find Charlie's body. One of the cops asked me why Charlie jumped back into the hole. I told them it was where Charlie wanted to go. It was where he wanted to go all along. The cop looked at me like I was crazy, and stopped asking questions. What I didn't tell them was that if Charlie hadn't of tied me up, I probably would have followed him.
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A Tired Script but a Platform for the Skillful Acting of Douglas and Wood
KING OF California may not break any records for innovation of thought or script but it is a tightly made little film that allows veteran actor Michael Douglas a lollipop of a wacky role to remind us that he does have comedic talent! It also gives 20-year old Evan Rachel Wood the opportunity to compete with a Pro and come out an equal - quite a feat for such a young actress. Written and directed by Mike Cahill the story does have appeal, especially since it is set in Santa Clarita, California, a rapidly developing 'hinterland' that is suffering from the effects of too rapid industrialization, changing from a picturesque remnant of California raw beauty into yet another perky little town.
Charlie (Michael Douglas) has been in and out of mental institutions for his wacky behavior. His life as a jazz bassist and entrepreneur has always veered off the map, leaving him alone with his only daughter Miranda who has survived her father's irresponsible life by keeping the old family home (in the midst of a huge housing development) with the money she makes double shifting at the local MacDonalds. When Charlie is released his focus is on discovering the gold left behind by Catholic priests in the mid 1600s, a fact he has researched while hospitalized, on the Internet, and from the journal of one of the priests. Miranda slowly buys into Charlie's madcap scheme and adventure as a gold hunter and the caper results in a bonding between father and daughter that has been teetering on the brink of disaster for years. The manner in which Charlie, Miranda, and an old ex-con friend Pepper (Willis Burks II) go after the treasure provides most of the energy of the film.
Yes, there are bits and pieces of this project that have been done many times before (and often better), but the pleasure of KING OF California lies in the bravura and touching performances by Douglas and Wood. This is a pleasant excursion of a movie, worth an evening's gander. Grady Harp
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