| Photos (See all 23 | slideshow) | Videos (see all 7) |
| Daniel Auteuil | ... | Georges Laurent | |
| Juliette Binoche | ... | Anne Laurent | |
| Maurice Bénichou | ... | Majid | |
| Annie Girardot | ... | Georges's Mom | |
| Bernard Le Coq | ... | Georges's Editor-In-Chief | |
| Walid Afkir | ... | Majid's Son | |
| Lester Makedonsky | ... | Pierrot Laurent | |
| Daniel Duval | ... | Pierre | |
| Nathalie Richard | ... | Mathilde | |
| Denis Podalydès | ... | Yvon | |
| Aïssa Maïga | ... | Chantal | |
| Caroline Baehr | ... | Nurse | |
| Christian Benedetti | ... | Georges's Father | |
| Philippe Besson | ... | TV Guest | |
| Loic Brabant | ... | Police Officer No. 2 (as Loïc Brabant) | |
| Jean-Jacques Brochier | ... | TV Guest | |
| Paule Daré | ... | The Orphanage Attendant | |
| Louis-Do de Lencquesaing | ... | Bookstore Owner | |
| Annette Faure | ... | Georges's Mother, Young | |
| Hugo Flamigni | ... | Georges as a Child | |
| Peter Stephan Jungk | ... | Writer | |
| Dioucounda Koma | ... | Cyclist (as Diouc Koma) | |
| Marie Kremer | ... | Jeannette | |
| Nicky Marbot | ... | The Orphanage Driver | |
| Malik Nait Djoudi | ... | Majid as a Child | |
| Marie-Christine Orry | ... | Housekeeper | |
| Mazarine Pingeot | ... | TV Guest | |
| Julie Recoing | ... | Georges's Assistant | |
| Karla Suarez | ... | Novelist | |
| Laurent Suire | ... | Police Officer No. 1 | |
| Jean Teulé | ... | TV Guest | |
| rest of cast listed alphabetically: | |||
| Carlo Azeglio Ciampi | ... | Himself (archive footage) | |
| Barbara Contini | ... | Herself (archive footage) | |
| François Négret | ... | Man in elevator (uncredited) | |
Directed by | |||
| Michael Haneke | |||
Writing credits(in alphabetical order) | ||
| Michael Haneke | screenplay | |
Cinematography by | |||
| Christian Berger | |||
Film Editing by | |||
| Michael Hudecek | |||
| Nadine Muse | |||
Casting by | |||
| Colomba Falcucci | |||
| Kris Portier de Bellair | |||
Production Design by | |||
| Emmanuel de Chauvigny | |||
| Christoph Kanter | |||
Costume Design by | |||
| Lisy Christl | |||
Makeup Department | |||
| Laurent Bozzi | .... | hair stylist | |
Production Management | |||
| Gregory Bruneau | .... | assistant unit manager | |
| David Crenn | .... | assistant unit manager | |
| Sébastien Delepine | .... | unit manager trainee | |
| Brigitte Faure | .... | production manager | |
| Emmanuelle Jacobson-Roques | .... | unit manager trainee | |
| Grégory Valais | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Alain Olivieri | .... | first assistant director | |
Art Department | |||
| Carine Demongueres | .... | assistant art director | |
| Jérémy Duchier | .... | set dresser | |
| Peter Ecker | .... | property master: Austria | |
| Yannick Heuveline | .... | assistant decorator | |
| Katrin Huber | .... | props: Austria | |
| Christoph Kanter | .... | production designer: Austria | |
| Thomas Pitre | .... | property master | |
| Teresa Prothmann | .... | art department assistant | |
| Arnaud Roth | .... | first assistant decorator | |
| Hans Wagner | .... | set decorator: Austria | |
| Wouter Zoon | .... | property master | |
Sound Department | |||
| Frank Ceven | .... | assistant foley artist (as Franck Ceven) | |
| Pascal Chauvin | .... | foley artist | |
| Jean-Pierre Laforce | .... | sound editor | |
| Mathias Maydl | .... | sound re-recordist | |
| Antoine Mercier | .... | daily boom operator | |
| Jean-Paul Mugel | .... | production sound mixer | |
| Jean-Paul Mugel | .... | sound | |
| Yves-Marie Omnes | .... | boom operator | |
Special Effects by | |||
| Philippe Hubin | .... | special effects supervisor | |
Camera and Electrical Department | |||
| Emmanuel Aubry | .... | lighting grip | |
| Gabriele Buti | .... | assistant camera: HDTV camera | |
| Xavier Embry | .... | best boy grip | |
| Gerald Helf | .... | first assistant camera | |
| Natascha Neulinger | .... | lighting technician | |
| Marion Stalens | .... | still photographer | |
Costume and Wardrobe Department | |||
| Tess Hammami | .... | assistant costume designer | |
Editorial Department | |||
| Alarich Lenz | .... | assistant editor | |
| Soazic Veillon | .... | assistant editor | |
| Willi Willinger | .... | colorist | |
Other crew | |||
| Richard Lormand | .... | publicist: international | |
| Lina Martins | .... | assistant: Juliette Binoche | |
| Tosé Riesser | .... | production assistant | |
| Kristy Ryan | .... | promotions manager: Australia | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Out of France comes one of the most satisfying films in a while. "Cache" is a film that will, if nothing else, make the viewer think about what he is watching on the screen. Is it real, or is it Georges' conscience coming to grips with the injustice he played on Majid, the poor Algerian orphan whose parents were killed tragically a few years before?
Michael Haneke's direction has a way to make us accomplices in watching what is happening to Georges and his family. Mr. Haneke shows us images that are disturbing, but in the context of the film work well with the mystery he has created. After all, we are being shown videos taken of Anne and Georges' house by a hidden camera that is nowhere in sight? How are these tapes are being filmed? They all point out to the guilt that is consuming this successful Georges, whose actions have caused a lot of pain to an innocent boy that needed compassion. There are also political implications in the film as it points out to the conflict with Algeria of the sixties. The French are not exempt from the racism and injustice they caused in the past.
The key to understanding this movie is to pay attention carefully to all the clues one is given in the film. The ending scenes reveal a lot of what one keeps suspecting throughout the movie. It also points out how Georges, after many years of living with a terrible burden, comes to be reminded of the harm he caused.
Daniel Auteuil makes the film more enjoyable. This actor goes from being a television celebrity into a man whose confidence begins to betray him. Mr. Auteuil is probably the main reason for seeing the film because he is registering everything that is going on and reacting in the way Georges would without conveying to us he is that man in turmoil on the screen. This is one of his best achievements in the cinema.
Juliette Binoche, on the other hand, doesn't have as much to do in the movie. Yes, her Anne is compassionate and loyal, but is she all we think she is, or is she having an affair with another man? Let the viewer arrive at his own conclusion, which by the way, Mr. Haneke seems to be doing the same to us, the viewers.
Maurice Benichou and Walid Afkir play Majid and his son. Lester Makedonsky is seen as Pierrot, the young boy who seems to play a larger role in the mystery that is happening at home. The great Annie Girardot appears briefly as Georges' mother, who is confined to her home. Ms. Girardot is equally evasive when her son tells her about his dreams about Majid, the boy she would have adopted, had not Georges' tricks entered the picture.
All in all, "Cache", will stay in our imagination for some time to come. The brilliant cinematography of Christian Berger contributes to our enjoyment. Michael Haneke directed with tremendous panache this thoroughly compelling movie.