Two policemen see their personal and professional lives fall apart in the wake of the "Black Dahlia" murder investigation.

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Nominated for 1 Oscar. Another 4 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Det. Russ Millard
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Dolph Bleichert
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Emmett Linscott
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Chief Ted Green
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Morrie Friedman
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Tomas Dos Santos
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Capt. John Tierney (as Angus MacInnis)
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Storyline

In 1946, the former boxers Dwight "Bucky" Bleichert and Lee Blanchard are policemen in Los Angeles. Lee has a good relationship with his chief and uses a box fight between them to promote the department and get a raise to the police force. They succeed and are promoted to homicide detectives, working together. Bucky becomes a close friend of Lee and his girlfriend Kay Lake, forming a triangle of love. When the corpse of the aspirant actress 'Elizabeth Short (I)' is found mutilated, Lee becomes obsessed to solve the case called by the press Black Dahlia. Meanwhile, Bucky's investigation leads him to a Madeleine Linscott, the daughter of a powerful and wealthy constructor that resembles the Black Dahlia. In an environment of corruption and lies, Bucky discloses hidden truths. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

Inspired by the most notorious unsolved murder in California history.


Motion Picture Rating (MPAA)

Rated R for strong violence, some grisly images, sexual content and language | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

15 September 2006 (USA)  »

Also Known As:

La dalia negra  »

Filming Locations:

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Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

£566,874 (UK) (15 September 2006)

Gross:

$22,518,325 (USA) (20 October 2006)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

James Horner was previously attached, before Mark Isham was hired to score the film. See more »

Goofs

When carrying a box out of Bleichert's father's home, you can see a UPC barcode on the bottom of the box. Barcodes weren't commercially used until 1966. See more »

Quotes

[first lines]
Ofcr. Dwight "Bucky" Bleichert: [voiceover] Mr. Fire versus Mr. Ice. For everything people were making it out to be, you'd think it was our first fight. It wasn't. And it wouldn't be our last.
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Connections

References The Blue Dahlia (1946) See more »

Soundtracks

In the Mood
Written by Joe Garland (as Joseph C. Garland)
Used by Permission of Shapiro Bernstein & Co. Inc. (ASCAP)
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User Reviews

 
over-the-top mess
16 September 2006 | by (United States) – See all my reviews

Anybody expecting to get a great account of the Black Dahlia case, even fictional, will be disappointed going in to this movie. Of course, I knew that it was a fictionalization of the case, but I had no idea the movie would present its own evidence and draw its own conclusions.

But the main problem here is not the lack of factual detail, so much as the confusion of plot that surrounds and overwhelms the Black Dahlia case itself. So much plot and character and sideplots and backstory are built around the central characters that the case itself seems like a distraction. A key plot point and character motivator is the fascination of the two detectives with the murder, but this is never elaborated enough in the film, and we're left to half-heartedly guess at the character motivations.

The tone is never consistently campy, but when the camp arrives it overwhelms the story. A dinner scene between a suspect and her family had the crowd in stitches (the only scene during which the audience laughed). The problem is that the scene is valuable to the plot and should never have been played for laughs. Hitchcock or even Lynch could have shot the same scene, with the same events and dialogue, and made it menacing and creepy, which it needed to be to function in the mystery.

Other problems: De Palma uses the lesbian angle of the movie (never a part of the case) to full exploitative advantage, and the actresses seem unable to master to the expressive 1940s style acting that would have come naturally to even a marginal 40s star.

Although the film brings a clearcut finale rather than a vague puzzle, too many loose threads come together too neatly and rather than bringing the film to a satisfactory conclusion, it leaves you scratching your head, is this what I spent the last 2 hours waiting to hear? Overall, there is too much plot, too little character development and a wildly uneven tone. The movie has its moments but it's a blinding mess all together.


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