In 1946, the former boxers Dwight "Bucky" Bleichert and Lee Blanchard are policemen in Los Angeles. Lee has a good relationship with his chief and uses a box fight between them to promote the department and get a raise to the police force. They succeed and are promoted to homicide detectives, working together. Bucky becomes a close friend of Lee and his girlfriend Kay Lake, forming a triangle of love. When the corpse of the aspirant actress 'Elizabeth Short (I)' is found mutilated, Lee becomes obsessed to solve the case called by the press Black Dahlia. Meanwhile, Bucky's investigation leads him to a Madeleine Linscott, the daughter of a powerful and wealthy constructor that resembles the Black Dahlia. In an environment of corruption and lies, Bucky discloses hidden truths. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
During the scene in the theater screening The Man Who Laughs, we see the beam from the projection room. It is shining out of a single window. In the '40s, theaters used two projectors and changed reels (alternating projectors) every 20 minutes or so, unlike modern theaters that use only one projector per screen. The back wall should have shown two projector ports, two viewing ports for the projectionist and a large port for the spotlight. See more »
Ofcr. Dwight "Bucky" Bleichert:
Mr. Fire versus Mr. Ice. For everything people were making it out to be, you'd think it was our first fight. It wasn't. And it wouldn't be our last.
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Yes, all of it and more. The images are beautiful but what a mess. I don't need to understand what's going on if, at least, I'm entertained. Look at The Big Sleep for instance. There will never be another "Chinatown" I'm afraid, regardless of what Mr Ellroy thinks. The one element that sees you through this inconsequential mess is Josh Harnett's face. At times he looks as confused as I did and just as annoyed. Who can blame him? Hilary Swank, what was she doing? She looked like Vampyra's sister, the boring one. What a catastrophic piece of casting. And Fiona Shaw? If the film had been all like her performance the flick could have had a chance at the campiest "noire" ever put on film ever. But not such luck. All this said and done, it's a De Palma movie and that counts for something. Black Dahlia is certainly better than Snake Eyes but as a De Palma fan I felt terribly let down.
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