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The Black Dahlia (2006)

Two policemen see their personal and professional lives fall apart in the wake of the "Black Dahlia" murder investigation.

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(screenplay), (novel)
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Nominated for 1 Oscar. Another 4 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Det. Russ Millard
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Dolph Bleichert
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Emmett Linscott
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Chief Ted Green
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Morrie Friedman
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Tomas Dos Santos
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Capt. John Tierney (as Angus MacInnis)
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Storyline

In 1946, the former boxers Dwight "Bucky" Bleichert and Lee Blanchard are policemen in Los Angeles. Lee has a good relationship with his chief and uses a box fight between them to promote the department and get a raise to the police force. They succeed and are promoted to homicide detectives, working together. Bucky becomes a close friend of Lee and his girlfriend Kay Lake, forming a triangle of love. When the corpse of the aspirant actress 'Elizabeth Short (I)' is found mutilated, Lee becomes obsessed to solve the case called by the press Black Dahlia. Meanwhile, Bucky's investigation leads him to a Madeleine Linscott, the daughter of a powerful and wealthy constructor that resembles the Black Dahlia. In an environment of corruption and lies, Bucky discloses hidden truths. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

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From Brian de Palma director of Scarface and The Untouchables See more »


Motion Picture Rating (MPAA)

Rated R for strong violence, some grisly images, sexual content and language | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

15 September 2006 (USA)  »

Also Known As:

La dalia negra  »

Filming Locations:

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Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

£566,874 (UK) (15 September 2006)

Gross:

$22,518,325 (USA) (20 October 2006)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Rose McGowan's character Sheryl Saddon appears to be inspired by a real person, one Sherryl Maylond, who had shared a room with Elizabeth Short and six other girls. See more »

Goofs

Modern red-background STOP signs appear throughout the movie. Red-background stop signs were not standardized in the US until 1954. For many years after that, drivers' training manuals said that STOP signs could have red or yellow backgrounds. See more »

Quotes

[first lines]
Ofcr. Dwight "Bucky" Bleichert: [voiceover] Mr. Fire versus Mr. Ice. For everything people were making it out to be, you'd think it was our first fight. It wasn't. And it wouldn't be our last.
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Connections

References Gone with the Wind (1939) See more »

Soundtracks

Love for Sale
Written by Cole Porter
Performed and Produced by k.d. lang
Published by WB Music Corp. (ASCAP)
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User Reviews

Disjointed murder in the first degree
12 September 2006 | by (United States) – See all my reviews

"For murder, though it have no tongue, will speak/With most miraculous organ." Shakespeare's Hamlet

Murders are messy on the screen and in real life; screenplays about them can be chaotic and disjointed also. Such is the case with Black Dahlia, a film noir from Brian De Palma, a past master of the macabre and the complicated (Blow Out, Body Double). It has all the trappings of a first-rate detective novel (James Ellroy) made into a 1940's thriller with appropriately moody music of the soulful trumpet (Mark Isham), lush production design (Dante Ferretti), and equally impressive costuming (Jenny Beavan), all set in a timelessly seedy Los Angeles.

There's also the conflicted, sometimes dark hero detective (Josh Hartnett) and the sexy, dangerous femme fatale (Hilary Swank), accompanied by the questionably good voluptuary sex bomb (Scarlett Johansson). As if these noir troublemakers were not enough, writer Josh Friedman seemingly adapts Ellroy's every subplot, every story thread, as if each had to be accounted for in the best CSI tradition.

The original novel was based on aspiring actress Elizabeth Short's unsolved grizzly murder in 1947. After a considerably convoluted exposition, with plot lines rarely intersecting in a unified way, the film has the nerve to offer one of the most extensive denouements in film history, could be a half hour, with lengthy explanation of how all those ends tied together. Needless to say, anti climaxes abound in this last segment, leaving not only more confusion about the plot but also a desire to get back to The Big Sleep without sleeping, a state Black Dahlia threatened several times.

Hartnett's detective says, "Nothing stays buried forever. Nothing." I say this weak noir wannabe should stay buried until a bright 22nd century scholar sees its cultural and aesthetic significance. Until then, it's a jumble of plot points resolved in the end by tedious narration. Even Scarlett Johansson's pulchritude couldn't win me, and that's murder in the first degree.


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