Winter, 1944. Lucía at 21 returns to her small village in the mountains. She again meets Manuel, a young iron-smith who helps "those in the mountain", the "maquis", the anti-Franco ... See full summary »
Juan Diego Botto,
In a swimming pool accident, Juan and Belinda somehow exchange bodies. Juan is coaching a football team for an important match and Belinda is getting married. They agree to co-operate and continue in their new bodies.
Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.
Cundo returns home after ten years' absence. The reason is the death of his best friend, Suso. Cundo's plans consist of having a binge to Suso's health with his old friends, pretending that... See full summary »
Gonzalo de Castro,
Ourense, Spain, 1940. Every time that Elena locks the door, she locks her secrets. Her husband Ricardo spend years hidden in his house with his children (Elenita and Lorenzo), trying to ... See full summary »
Spanish sit-com where David awakes after being 18 years in a comma only to find his world completely changed. He'll have to struggle not only in his search for identity, but also with his ... See full summary »
Gonzalo de Castro,
Almost a Shakespearean, with play within play, the writers start from the opinion of Lorca's position during the War of 1936 to express a strong disagreement on Aznar's politics, and particularly on his decision to fight the Irak's War with the Americans. Clearly, political opinions are very personal, and one can approve the writers' opinion, or not. However it can't be denied that the construction of this self-made movie is quite good, as it is the use of cameras, fragmented when anguished feelings are present, smooth when in the script everything goes as it should (not very often, though).The actors are also very good, as most of Spanish less famous actors are. They have an excellent use of facial expressions and body language, not to speak of the voice, which is always deep and clearly well trained.
I must confess that, being a Lefty myself and an opponent of Berlusconi's government, I purchased this movie mainly because of its content, and I truly appreciated a certain dream in which Bush and Aznar were the only character. I laughed, because Berlusconi could easily take Aznar's place. I only wish that somebody did something like that in Italy too. We need this kind of culture.
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