30 out of 30 people found the following comment useful :- Simply well done, 17 May 2004
Author:
Aaron Muchelle (xntrikbrew@hotmail.com) from Toronto, Canada
I quite enjoyed watching 'Slings and Arrows' on TMN this past season,
and must say - it was a delight to finally see something strikingly
original and drop down funny on the telly. It was well received, by the
audiences who knew of its existence, but lacked any sort of
advertisement and flare that HBO shows get. It's been too long since
something like this has been tried, and it sure as hell stacks up to
the HBO shows any day. Paul Gross has finally shown he as as good an
actor as he is a looker. The characters are thoughtfully developed and
the plot line is kept alive by the fast-moving pace of this
Stratford-like festival. A perfect score all the way.
33 out of 36 people found the following comment useful :- Who says Canada can't compete with the HBO mini-series?, 29 April 2004
Author:
Jeremy from Hamilton, Ontario, Canada
I'm amazed to see no comments about Slings and Arrows. It was simply the
best thing I've seen on television in the past few years. Every now and
then something comes along that changes the way you look at television.
Maybe it's The Prisoner, or Twin Peaks. This year for me it was Slings
and
Arrows. Easily the best thing to come out of Canada since Atom Egoyan and
The Kids In The Hall, it's so well written, acted, and edited, that it
blows
shows like The Sopranos, Six Feet Under, and Carnivale out of the water.
That's asking a lot, considering there are very few well written
television
shows anymore. It's not just well written, it's hillarious from start to
finish. It's great to see Rachel McAdams getting a good role for once as
well. Perhaps destined to play the dumb blonde highschool teen, she
shines
in this role - obviously she's meant for better things. The same could be
said about every other member of the cast. This series is simply perfect,
from start to finish - dying to see how this gets received abroad or when
it'll see a DVD release.
28 out of 29 people found the following comment useful :- A lovely surprise!, 6 September 2005
Author:
shiver72876 from United States
I found this terrific series by accident on The Sundance Channel. I
watched the first few minutes, was completely sucked in and then
ecstatic when I discovered it was an actual series and there were more
episodes than the one I had just watched! For those of you out there
who loved Paul Gross in the Tales of the City mini-series you must
watch this show!! He is wonderfully lost and adorably manic as Geoffrey
Tennant returning to a world he thought he had come to hate, but in
essence loves so much he can't live without it. But he is not the only
gem on this show. All the characters, although they seem like clichés
at first, are in truth, impeccably written and wonderfully acted.
Shakespeare lovers, or just theater lovers in general will drown in
happiness when watching this look behind the curtain.
24 out of 25 people found the following comment useful :- Brilliant!, 29 March 2005
Author:
underwater-owl from Canada
I can not praise this show enough. It portrays every character and
situation with a cutting accuracy, which may seem ludicrous at first
glance, but is actually not exaggerated in the slightest. A director
who just doesn't care about the details, an actress who's the star of
the show... and knows it. A holier-than-thou leading actress who's
missing one thing- talent, a lonely understudy and a movie star trying
to prove himself; what else can you ask for?
Paul Gross's performance is stunning, and for those of us who saw his
'Hamlet' (which he actually acted in at the alternate reality setting
of the show- the Stratford Festival) laughter abounds. People who watch
Slings and Arrows will laugh. Actors or Theatre Goers who watch Slings
and Arrows will be rolling on the floor within seconds.
Two thumbs up and a standing ovation- Paul Gross, I applaud you to the
very echo.
19 out of 20 people found the following comment useful :- Advice: suffer this outrageous fortune - it's fantastic, 2 June 2004
Author:
Mike Beltzner from Toronto, Ontario
This series is not only great fun to watch, but is also extremely
poignant and insightful. The antics offered by the characters keep
things moving quickly and maintain the entertainment, but every now and
again, they slip a subversive bit of social commentary into the mix as
well.
When Irwin's corporate shark quips at one point that she's always had
an idea to do a musical about John Lennon's life, saying that it would
have everything the modern production needs to succeed (sex, drama and
familiar music) it's hard for the "Mama Mia!" marquee to not flash in
the mind's eye. When Burns' young stud pronounces that he loves
"serious theatre" while holding an inflatable doll in the shape of the
man from Munch's "The Scream", the fundamental paradox in presenting
the arts in our times hits you in the face: in order to produce, you
need to sell, but it's hard to sell without selling out.
The contrast between approaches to Shakespeare used by Gross'
reluctant, haunted (literally!) Artistic Director and McKellar's over
the top Art-Nouveaux Director (a send up of Robert LePage, I'm sure) is
fantastic, and illustrates that Shakespeare can be both artistic AND
accessible. The snippets shown of the final mounted production of
Hamlet are brilliant, and Gross' speeches about the meaning of the
various passages in the play should be cribbed by all high school
students studying it.
One hopes that Showcase, Bravo or HBO will pick this up, and even
better, that a DVD release is forthcoming. Or better yet - a second
series?
17 out of 17 people found the following comment useful :- One of the best things I've ever seen on TV., 14 September 2005
Author:
williamwolfe from Los Angeles
Intelligent, witty, insightful writing that each and every actor
clearly loves having the chance to deliver. Fully-rounded, complex
characters, examined with insight and empathy. A deep love and rich
understanding of life in the theater, with all its excitement and
pitfalls. Perfectly paced, with a pleasing balance between comedy and
drama. It's so rare to see a work that treats its subject, characters,
actors, and audience with so much respect. Very few shows have made me
care so much about how everything would turn out, or left me so
satisfied at the final fade-out. This is one I look forward to seeing
again and again.
16 out of 17 people found the following comment useful :- VOTE now for DVD release!, 13 September 2005
Author:
kmrjo from United States
Go to Amazon.com right now and register your vote for "Slings & Arrows"
on DVD! This series has been amazing to watch (it's starting a repeat
run on Sundance Channel this Sunday night, Sept.17th) and has reminded
me how much I loved Shakespeare long ago. Paul Gross is a wonder to
watch and even if you aren't "into" the Bard, you will want to see his
performance. All of the performances are top notch and the writing is
very real. You can recognize these characters as people you know. The
script doesn't allow for easy answers to the questions raised, but
gives the characters complexities that I have not seen in a mini-series
before. It is smart, well observed and funny as hell! Amazon is looking
for "votes" to gage interest in production of a DVD of the first
series. I urge you to go there now! You will definitely want to watch
this show over and over again.
12 out of 12 people found the following comment useful :- Smart, funny and charming, 2 June 2005
Author:
mightyfastpig from Vancouver BC
"Slings and Arrows" is a Canadian comedy in the vein of those great six
or eight episode miniseries that British TV does so well. Take all the
good bits of a thirteen or twenty-two episode season and condense them
into six or eight hours, perfect for a couple of DVDs.
Maverick theatre director Geoffrey Tennant learns that his alienated
mentor has died, and he returns to his stomping grounds, the moribund
New Burbage Shakespeare Festival. There he reluctantly takes over
directing the latest in a line of bloated, limp productions of
Shakespeare plays that nobody watches.
The corporate sponsors want to turn the festival into a venue for
musicals, his Hamlet's previous experience is action movies, his
Ophelia thinks being insane is the same as being stoned, his Gertrude
is his ex-lover who hates him, and he has no money for sets or
costumes. As if that wasn't enough, there's a chameleon prowling around
the theatre and Geoffrey's mentor his haunting him.
The plot is loosely based on Hamlet, of course: a man returns home and
finds it overrun with corruption, hypocrisy and indifference, setting
off an existential crisis. This time the crisis is about the point of
doing live theatre, when both the actors and the audience are going
through the motions. As Geoffrey's rival observes, "More people listen
to the radio than go to the theatre, and nobody listens to the radio."
The biggest problem is that Jeffrey's production isn't the revelation
it's supposed to be. The non-sets, the lack of special effects and
anachronistic costumes, doing it the way the Bard did it at the Globe,
isn't terribly original. When the action star does Hamlet's soliloquy,
it's just a handsome guy saying the words.
At any rate, the backstage rivalries, romances and reconciliations are
what we're really here to see. Even the secondary players get to shine
in fine parts: a corporate bitch bent on turning the festival into
ShakespeareLand, an egomaniacal theatre director with a fake injury, a
passive-aggressive theatre journalist, a pizza delivery guy/motorcycle
racer who courts Jeffrey's ex, a wise backstage manager, a Greek chorus
of two old theatre queens, a pair of owlish undertakers, and more.
It's both funny and compelling, and I look forward to the rumored
second season.
8 out of 8 people found the following comment useful :- Simply Wonderful!, 18 September 2006
Author:
Jvbway from United States
I don't have much to say about this series other than it is one of the
best television series of all time! Anyone who has the slightest
appreciation for Shakespeare or the theatre in general will get
instantly hooked on this series, each season having one of
Shakespeare's major tragedies at it's focus. Paul Gross proves himself
to be one of the most underrated actors working to day as the brilliant
Geoffrey Tennant, and his real life wife Martha Burns is wonderful as
star actress Ellen Fanshaw. Stephen Ouimette Steals every scene he's in
as the ghost of former Artistic Director Oliver Wells, and in season
one there's excellent work from Luke Kirby and a pre-Notebook Rachel
McAdams. If you haven't seen this series yet, go buy the DVD
immediately!
6 out of 6 people found the following comment useful :- I "ditto" williamwolfe's comments., 24 March 2006
Author:
(scog@cox.net) from San Clemente, CA, USA
*** This comment may contain spoilers ***
And, if I may, supplement them with my personal joy that a second
season has now(May, 2006)begun, and I am able top enjoy this one both
as a theater-lover and as a retired tax man.
Since that is all the "spoiling" I wish to do, I will only add that the
old characters are better than ever, the new characters and their
sociopathologies are fascinating, and the current (only Chapter 3, I
believe) plot lines are more fun, more complex, and even less
pre-guessable than those of the first season.
Vive le festin de Burbage! (One year of high-school French, about 55
years ago.) And how can I get tickets for next summer's season?
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"Slings and Arrows" (2003)
30 out of 30 people found the following comment useful :-
Simply well done, 17 May 2004
Author: Aaron Muchelle (xntrikbrew@hotmail.com) from Toronto, Canada
I quite enjoyed watching 'Slings and Arrows' on TMN this past season, and must say - it was a delight to finally see something strikingly original and drop down funny on the telly. It was well received, by the audiences who knew of its existence, but lacked any sort of advertisement and flare that HBO shows get. It's been too long since something like this has been tried, and it sure as hell stacks up to the HBO shows any day. Paul Gross has finally shown he as as good an actor as he is a looker. The characters are thoughtfully developed and the plot line is kept alive by the fast-moving pace of this Stratford-like festival. A perfect score all the way.
33 out of 36 people found the following comment useful :-
Who says Canada can't compete with the HBO mini-series?, 29 April 2004
Author: Jeremy from Hamilton, Ontario, Canada
I'm amazed to see no comments about Slings and Arrows. It was simply the best thing I've seen on television in the past few years. Every now and then something comes along that changes the way you look at television. Maybe it's The Prisoner, or Twin Peaks. This year for me it was Slings and Arrows. Easily the best thing to come out of Canada since Atom Egoyan and The Kids In The Hall, it's so well written, acted, and edited, that it blows shows like The Sopranos, Six Feet Under, and Carnivale out of the water. That's asking a lot, considering there are very few well written television shows anymore. It's not just well written, it's hillarious from start to finish. It's great to see Rachel McAdams getting a good role for once as well. Perhaps destined to play the dumb blonde highschool teen, she shines in this role - obviously she's meant for better things. The same could be said about every other member of the cast. This series is simply perfect, from start to finish - dying to see how this gets received abroad or when it'll see a DVD release.
28 out of 29 people found the following comment useful :-
A lovely surprise!, 6 September 2005
Author: shiver72876 from United States
I found this terrific series by accident on The Sundance Channel. I watched the first few minutes, was completely sucked in and then ecstatic when I discovered it was an actual series and there were more episodes than the one I had just watched! For those of you out there who loved Paul Gross in the Tales of the City mini-series you must watch this show!! He is wonderfully lost and adorably manic as Geoffrey Tennant returning to a world he thought he had come to hate, but in essence loves so much he can't live without it. But he is not the only gem on this show. All the characters, although they seem like clichés at first, are in truth, impeccably written and wonderfully acted. Shakespeare lovers, or just theater lovers in general will drown in happiness when watching this look behind the curtain.
24 out of 25 people found the following comment useful :-
Brilliant!, 29 March 2005
Author: underwater-owl from Canada
I can not praise this show enough. It portrays every character and situation with a cutting accuracy, which may seem ludicrous at first glance, but is actually not exaggerated in the slightest. A director who just doesn't care about the details, an actress who's the star of the show... and knows it. A holier-than-thou leading actress who's missing one thing- talent, a lonely understudy and a movie star trying to prove himself; what else can you ask for?
Paul Gross's performance is stunning, and for those of us who saw his 'Hamlet' (which he actually acted in at the alternate reality setting of the show- the Stratford Festival) laughter abounds. People who watch Slings and Arrows will laugh. Actors or Theatre Goers who watch Slings and Arrows will be rolling on the floor within seconds.
Two thumbs up and a standing ovation- Paul Gross, I applaud you to the very echo.
19 out of 20 people found the following comment useful :-
Advice: suffer this outrageous fortune - it's fantastic, 2 June 2004
Author: Mike Beltzner from Toronto, Ontario
This series is not only great fun to watch, but is also extremely poignant and insightful. The antics offered by the characters keep things moving quickly and maintain the entertainment, but every now and again, they slip a subversive bit of social commentary into the mix as well.
When Irwin's corporate shark quips at one point that she's always had an idea to do a musical about John Lennon's life, saying that it would have everything the modern production needs to succeed (sex, drama and familiar music) it's hard for the "Mama Mia!" marquee to not flash in the mind's eye. When Burns' young stud pronounces that he loves "serious theatre" while holding an inflatable doll in the shape of the man from Munch's "The Scream", the fundamental paradox in presenting the arts in our times hits you in the face: in order to produce, you need to sell, but it's hard to sell without selling out.
The contrast between approaches to Shakespeare used by Gross' reluctant, haunted (literally!) Artistic Director and McKellar's over the top Art-Nouveaux Director (a send up of Robert LePage, I'm sure) is fantastic, and illustrates that Shakespeare can be both artistic AND accessible. The snippets shown of the final mounted production of Hamlet are brilliant, and Gross' speeches about the meaning of the various passages in the play should be cribbed by all high school students studying it.
One hopes that Showcase, Bravo or HBO will pick this up, and even better, that a DVD release is forthcoming. Or better yet - a second series?
17 out of 17 people found the following comment useful :-
One of the best things I've ever seen on TV., 14 September 2005
Author: williamwolfe from Los Angeles
Intelligent, witty, insightful writing that each and every actor clearly loves having the chance to deliver. Fully-rounded, complex characters, examined with insight and empathy. A deep love and rich understanding of life in the theater, with all its excitement and pitfalls. Perfectly paced, with a pleasing balance between comedy and drama. It's so rare to see a work that treats its subject, characters, actors, and audience with so much respect. Very few shows have made me care so much about how everything would turn out, or left me so satisfied at the final fade-out. This is one I look forward to seeing again and again.
16 out of 17 people found the following comment useful :-
VOTE now for DVD release!, 13 September 2005
Author: kmrjo from United States
Go to Amazon.com right now and register your vote for "Slings & Arrows" on DVD! This series has been amazing to watch (it's starting a repeat run on Sundance Channel this Sunday night, Sept.17th) and has reminded me how much I loved Shakespeare long ago. Paul Gross is a wonder to watch and even if you aren't "into" the Bard, you will want to see his performance. All of the performances are top notch and the writing is very real. You can recognize these characters as people you know. The script doesn't allow for easy answers to the questions raised, but gives the characters complexities that I have not seen in a mini-series before. It is smart, well observed and funny as hell! Amazon is looking for "votes" to gage interest in production of a DVD of the first series. I urge you to go there now! You will definitely want to watch this show over and over again.
12 out of 12 people found the following comment useful :-
Smart, funny and charming, 2 June 2005
Author: mightyfastpig from Vancouver BC
"Slings and Arrows" is a Canadian comedy in the vein of those great six or eight episode miniseries that British TV does so well. Take all the good bits of a thirteen or twenty-two episode season and condense them into six or eight hours, perfect for a couple of DVDs.
Maverick theatre director Geoffrey Tennant learns that his alienated mentor has died, and he returns to his stomping grounds, the moribund New Burbage Shakespeare Festival. There he reluctantly takes over directing the latest in a line of bloated, limp productions of Shakespeare plays that nobody watches.
The corporate sponsors want to turn the festival into a venue for musicals, his Hamlet's previous experience is action movies, his Ophelia thinks being insane is the same as being stoned, his Gertrude is his ex-lover who hates him, and he has no money for sets or costumes. As if that wasn't enough, there's a chameleon prowling around the theatre and Geoffrey's mentor his haunting him.
The plot is loosely based on Hamlet, of course: a man returns home and finds it overrun with corruption, hypocrisy and indifference, setting off an existential crisis. This time the crisis is about the point of doing live theatre, when both the actors and the audience are going through the motions. As Geoffrey's rival observes, "More people listen to the radio than go to the theatre, and nobody listens to the radio." The biggest problem is that Jeffrey's production isn't the revelation it's supposed to be. The non-sets, the lack of special effects and anachronistic costumes, doing it the way the Bard did it at the Globe, isn't terribly original. When the action star does Hamlet's soliloquy, it's just a handsome guy saying the words.
At any rate, the backstage rivalries, romances and reconciliations are what we're really here to see. Even the secondary players get to shine in fine parts: a corporate bitch bent on turning the festival into ShakespeareLand, an egomaniacal theatre director with a fake injury, a passive-aggressive theatre journalist, a pizza delivery guy/motorcycle racer who courts Jeffrey's ex, a wise backstage manager, a Greek chorus of two old theatre queens, a pair of owlish undertakers, and more.
It's both funny and compelling, and I look forward to the rumored second season.
8 out of 8 people found the following comment useful :-

Simply Wonderful!, 18 September 2006
Author: Jvbway from United States
I don't have much to say about this series other than it is one of the best television series of all time! Anyone who has the slightest appreciation for Shakespeare or the theatre in general will get instantly hooked on this series, each season having one of Shakespeare's major tragedies at it's focus. Paul Gross proves himself to be one of the most underrated actors working to day as the brilliant Geoffrey Tennant, and his real life wife Martha Burns is wonderful as star actress Ellen Fanshaw. Stephen Ouimette Steals every scene he's in as the ghost of former Artistic Director Oliver Wells, and in season one there's excellent work from Luke Kirby and a pre-Notebook Rachel McAdams. If you haven't seen this series yet, go buy the DVD immediately!
6 out of 6 people found the following comment useful :-
I "ditto" williamwolfe's comments., 24 March 2006
Author: (scog@cox.net) from San Clemente, CA, USA
*** This comment may contain spoilers ***
And, if I may, supplement them with my personal joy that a second season has now(May, 2006)begun, and I am able top enjoy this one both as a theater-lover and as a retired tax man.
Since that is all the "spoiling" I wish to do, I will only add that the old characters are better than ever, the new characters and their sociopathologies are fascinating, and the current (only Chapter 3, I believe) plot lines are more fun, more complex, and even less pre-guessable than those of the first season.
Vive le festin de Burbage! (One year of high-school French, about 55 years ago.) And how can I get tickets for next summer's season?
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