| Photos (See all 67 | slideshow) | Videos (see all 2) |
| Leigh Whannell | ... | Adam Faulkner-Stanheight | |
| Cary Elwes | ... | Dr. Lawrence Gordon | |
| Danny Glover | ... | Detective David Tapp | |
| Ken Leung | ... | Detective Steven Sing | |
| Dina Meyer | ... | Kerry | |
| Mike Butters | ... | Paul | |
| Paul Gutrecht | ... | Mark | |
| Michael Emerson | ... | Zep Hindle | |
| Benito Martinez | ... | Brett | |
| Shawnee Smith | ... | Amanda | |
| Makenzie Vega | ... | Diana Gordon | |
| Monica Potter | ... | Alison Gordon | |
| Ned Bellamy | ... | Jeff | |
| Alexandra Bokyun Chun | ... | Carla (as Alexandra Chun) | |
| Avner Garbi | ... | Father | |
| Tobin Bell | ... | Jigsaw | |
| rest of cast listed alphabetically: | |||
| Oren Koules | ... | Dead Cellmate (uncredited) | |
| Hans Raith | ... | Detective (uncredited) | |
Directed by | |||
| James Wan | |||
Writing credits | ||
| Leigh Whannell | (written by) | |
| James Wan | (story) and | |
| Leigh Whannell | (story) | |
Produced by | |||
| Lark Bernini | .... | associate producer | |
| Peter Block | .... | executive producer | |
| Mark Burg | .... | producer | |
| Jason Constantine | .... | executive producer | |
| Daniel J. Heffner | .... | co-producer (as Daniel Jason Heffner) | |
| Gregg Hoffman | .... | producer | |
| Oren Koules | .... | producer | |
| Richard H. Prince | .... | co-producer | |
| Stacey Testro | .... | executive producer | |
Original Music by | |||
| Charlie Clouser | |||
Cinematography by | |||
| David A. Armstrong | (director of photography) | ||
Film Editing by | |||
| Kevin Greutert | |||
Casting by | |||
| Amy Lippens | |||
Production Design by | |||
| Julie Berghoff | |||
Art Direction by | |||
| Nanet Harty | |||
Costume Design by | |||
| Jennifer L. Soulages | (as Jennifer Soulages) | ||
Makeup Department | |||
| Kashka Banjoko | .... | hair stylist: Mr. Glover | |
| Scott H. Eddo | .... | makeup artist: Mr. Glover (as Scott Eddo) | |
| Michelle Rene Elam | .... | key hair stylist (as Michelle Elam Torres) | |
| Rocky Faulkner | .... | prosthetics makeup | |
| Richard Redlefsen | .... | assistant prosthetics makeup artist | |
| Eleanor Sabaduquia | .... | makeup department head | |
Production Management | |||
| Richard H. Prince | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Daniel J. Heffner | .... | first assistant director (as Daniel Jason Heffner) | |
| Alexa Sheehan | .... | second assistant director (as Alexa 'Squirrel' Motley) | |
Art Department | |||
| Luis A. Arevalos | .... | swing gang (as Luis Arevalos) | |
| Jake Blecha | .... | swing gang (as Jacob Blecha) | |
| Jill Bream | .... | daily art department assistant | |
| Bill Davis | .... | property master | |
| Timothy Feimster | .... | carpenter | |
| Glenn Fields | .... | lead construction (as Glenn 'Fuzzy' Fields) | |
| Amy Frederick | .... | prop buyer | |
| Christopher Haley | .... | scenic painter | |
| Jonah Markowitz | .... | graphics designer | |
| Erin McKenna | .... | lead scenic artist | |
| Kelly Morrison | .... | art production assistant (as Kelly Kilgo) | |
| Chuck Radtke | .... | art production intern | |
| Summer Ramsey | .... | scenic artist | |
| Jeffrey Reyes | .... | assistant property master | |
| Jeffrey Reyes | .... | props | |
| Adam Saltzberg | .... | art department assistant (as Chris Saltzberg) | |
| Amy Sanders | .... | scenic artist | |
| Brook Shafer | .... | on-set dresser | |
| Christopher Skeels | .... | swing gang | |
| Joshua Towers | .... | swing gang | |
| Scott Wheately | .... | scenic artist | |
| Ronny Wormser | .... | swing gang (as Ron Wormser) | |
Sound Department | |||
| Randy Babajtis | .... | sound effects editor | |
| Jeremy Balko | .... | foley mixer | |
| Mike Brownsher | .... | editorial assistant | |
| Alan Freedman | .... | adr mixer | |
| Jerry Gilbert | .... | sound re-recording mixer | |
| Scott Hinkley | .... | post-production sound recordist | |
| Jonathan Miller | .... | sound designer | |
| Jonathan Miller | .... | supervising sound editor | |
| Andrew Patterson | .... | dialogue editor | |
| Speed Ratliff | .... | boom operator | |
| Shelley Roden | .... | foley artist | |
| Damien Seckinger | .... | assistant foley editor | |
| John Taylor | .... | sound mixer (as John C. Taylor) | |
| Jonathan Wales | .... | sound re-recording mixer | |
| Evan T. Chen | .... | additional ADR cueing (uncredited) | |
| Wendy Czajkowsky | .... | adr mixer (uncredited) | |
| Kerry Tracy | .... | additional foley artist (uncredited) | |
Special Effects by | |||
| Charles Belardinelli | .... | special effects assistant | |
| Thomas L. Bellissimo | .... | special effects supervisor (as Tom Bellissimo) | |
| Brad Hardin | .... | body fabrication supervisor: Optic Nerve Studios | |
Visual Effects by | |||
| Brian Allan | .... | optical compositor | |
| Mark Allan | .... | visual effects coordinator | |
| Martin Avitia | .... | optical compositor | |
| Robert Beebe | .... | digital artist | |
| Derek Bird | .... | digital compositor | |
| Joshua D. Comen | .... | visual effects line producer: THDX (as Josh Comen) | |
| Catherine Ferrez | .... | digital artist | |
| Brian Fortenberry | .... | optical line-up | |
| David Hayes | .... | digital lineup (as Dave Hayes) | |
| Alex Kravets | .... | optical line-up | |
| David Fred Masselink | .... | lead compositor | |
| Andrew Midgley | .... | visual effects producer | |
| Mike Ocoboc | .... | digital compositor | |
| Marlo Pabon | .... | visual effects supervisor | |
Stunts | |||
| Keith Adams | .... | stunt coordinator | |
| Mocean Melvin | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Todd Baldi | .... | second assistant camera | |
| Brandon Cunningham | .... | best boy electric | |
| Oscar Garcia | .... | key grip | |
| Greg Gayne | .... | still photographer | |
| Martin Glover | .... | video assist operator | |
| Chris Gordon | .... | grip | |
| Josh Harrison | .... | first assistant camera | |
| David Katz | .... | video playback operator | |
| Thomas Kuo | .... | electrician (as Tom Kuo) | |
| Yaron Levy | .... | gaffer (as Yron Levy) | |
| John Loveall | .... | best boy grip | |
| Jon Myers | .... | camera operator | |
| Jon Myers | .... | crane operator | |
| Bill Persaud | .... | rigging grip | |
| Jeremy Quinlan | .... | grip | |
| Aaron Schuh | .... | second assistant camera | |
| Ray Skinner | .... | electrician (as L. Ray Skinner) | |
| Michael Steffen | .... | dolly grip | |
| Andy Steinman | .... | director of photography: second unit | |
| Dean Tapia | .... | video assist operator | |
| Lisa Villaire | .... | camera loader | |
| Vinny Walsh | .... | grip | |
| James Pat Whelan | .... | electrician | |
Casting Department | |||
| Lisa S. Beasley | .... | extras casting | |
| Jennifer Levy | .... | casting associate | |
Costume and Wardrobe Department | |||
| Christina DeMasi | .... | costumer | |
| Kathleen Russo | .... | costume supervisor (as Kathy Russo) | |
Editorial Department | |||
| John Coniglio | .... | assistant editor | |
| Ian Elias | .... | post-production assistant | |
| Mark Griffith | .... | digital intermediate colorist - 2014 digital restoration | |
| Scott Hammel | .... | assistant editor | |
| Dan Muscarella | .... | color timer | |
Music Department | |||
| Cameron Allan | .... | music editor | |
| Charlie Clouser | .... | score performer | |
| Robert Cross | .... | score performer: additional sounds | |
| Peter Freeman | .... | musician: bass scrapes | |
| Eric Gorfain | .... | music arranger: strings | |
| Page Hamilton | .... | musician: guitar | |
| Joel C. High | .... | music executive | |
| Danny Lohner | .... | musician: guitar | |
| Jonathan Scott Miller | .... | music supervisor | |
| Jonathan Scott Miller | .... | soundtrack producer | |
| Jonathan Platt | .... | music supervisor | |
| Jonathan Platt | .... | soundtrack producer | |
| Chas Smith | .... | musician: exotic instruments | |
| Stew Song | .... | music supervisor | |
| Stew Song | .... | soundtrack producer | |
| Rebecca Rienks | .... | music coordinator (uncredited) | |
Other crew | |||
| Karen T. Bolt | .... | assistant: Mr. Glover (as Karen Bolt) | |
| Mary Chamberlin | .... | film scheduler | |
| Tom Chen | .... | publicist: festival | |
| Vicky Choy | .... | production coordinator | |
| Chad Cole | .... | assistant: Mr. Koules & Mr. Burg | |
| Samuel V. Franco | .... | radio programmer and spots | |
| Alex Franklin | .... | production executive | |
| Laura Gary | .... | teacher | |
| Jillian Giacomini | .... | script supervisor | |
| Sherry Kecskes | .... | assistant accountant | |
| Jonathan Leeder | .... | assistant to producer | |
| Joni Lefkowitz | .... | assistant: Mr. Hoffman | |
| Tory Mell | .... | set production assistant (as Tory Ireland Mell) | |
| Kelly Morrison | .... | production intern (as Kelly Kilgo) | |
| Monica Muehlhause-Horn | .... | production accountant | |
| Pascual Romero | .... | promotional consultant | |
| Alexis Ross | .... | production assistant | |
| Michael G. Sarno | .... | production assistant (as Mike Sarno) | |
| Kenny Selko | .... | key set production assistant | |
| Tricia Sherwood | .... | craft service | |
| Perry Suppa | .... | film scheduler | |
| Michael Toll | .... | dailies assistant | |
| Andrew J. Wilson | .... | consigliere (as Andrew Wilson) | |
| Abigail Rose Wysocki | .... | production assistant (as Abigail Kirk) | |
| Alexander J. Wysocki | .... | production assistant (as Alexander Wysocki) | |
| Maribel Zuno | .... | production intern | |
| Robert Beebe | .... | title designer (uncredited) | |
| Jack Venturo | .... | production assistant (uncredited) | |
Thanks | |||
| Austin Lander | .... | very special thanks | |
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| Saw III | Saw II | The Dark Knight | Se7en | Machete |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Not since Se7en's John Doe has there been a serial killer with such a bizarre philosophy behind his actions (not that Jigsaw actually kills anyone; more on that later). Sure, in light of the increasingly deteriorating sequels it's hard to think of Saw as little more than a franchise- starter (something the writer and director never planned), but viewed on its own, astonishing merits, it's a good, nasty thriller, filled with solid scares and (especially compared to the follow-ups) quite well written.
According to the film's notorious back-story, it took only 28 days to shoot it. Not that strange, given most of the action takes place in just two locations: one is a bathroom where Adam (Leigh Whannell) and Dr. Lawrence Gordon (Cary Elwes) fins themselves with their feet chained to the wall, with no recollection whatsoever of how the hell they got there; the other is the lair of the mysterious Jigsaw, a serial killer whom Detectives Sing (Ken Leung) and Trapp (Danny Glover) have been tracking down for weeks.
The two facts are linked in a most ingenious way: Jigsaw doesn't really kill anyone, but "plays a game" with his victims. In the case of Adam and Dr. Gordon, as the tape recorder found in a dead man's hand tells them, each of them has two hours to free himself and kill the other, or they will both die. Problem is, the only way to get rid of the chains is to saw your foot off. And so, while the two unfortunate cell-mates have to choose who gets to live (that's Jigsaw's perverse logic: he offers you a choice), the police close in on the elusive psycho, whose previous deeds and MO are shown in flashbacks.
Whereas the subsequent Saw films use the messy chronology just for the hell of it (though they do get away with some neat narrative tweaks thanks to it), the first installment takes advantage of its non-linear storytelling to increase the suspense and provide some valuable clues to how everything fits together. It is to James Wan and co-writer Whannell's eternal credit that they, like Se7en writer Andrew Kevin Walker, went beyond slasher clichés and came up with something more. Okay, so Saw's philosophical undertones aren't entirely original, but what the heck, they do manage to keep the audience interested in what's going on. In addition, adding a little more depth to the killer ensures that the movie's more gruesome parts (and there are a lot of them) don't come off as gratuitous bloodletting (for an example of the latter, look no further than the countless sequels to A Nightmare on Elm Street or Friday 13th).
Furthermore, the intelligence behind the film's structure might also have had a positive effect on the performances, given the acting is more convincing here than in most post-2000 shockers: Elwes and Whannell's desperation is conveyed with an intensity that's almost too painful to behold, Glover plays the aging cop role resisting the temptation to do a Lethal Weapon in-joke (you know, the "too old for this sh*t" gag) and when Jigsaw himself appears... well, it's the horror equivalent of Keyser Soze - chilling and impossible to forget (and, for once, not played by Kevin Spacey). Just like the movie.