Following Jigsaw's grisly demise, Mark Hoffman is commended as a hero, but Agent Strahm is suspicious, and delves into Hoffman's past. Meanwhile, another group of strangers are put through a series of gruesome tests.
As a deadly battle rages over Jigsaw's brutal legacy, a group of Jigsaw survivors gathers to seek the support of self-help guru and fellow survivor Bobby Dagen, a man whose own dark secrets unleash a new wave of terror.
Two men wake up at opposite sides of a dirty, disused bathroom, chained by their ankles to pipes. Between them lies a dead man loosely clutching a hand-held tape player and a handgun. Each finds a tape for the player in their back pocket. They play the tapes. One is threatened, the other isn't. But they have a task: One must kill the other by 6:00, or his wife and daughter will die. They find hacksaws in a toilet, and try to cut the chains, but it doesn't work. They are the two newest victims of the Jigsaw Killer. In a flashback, we learn of Amanda, a girl who falls victim to the Jigsaw Killer. On her head is a mask, which is hooked into her lower jaw. There is a timer on it. Only one key will unlock it, and that key is in the digestive tract of her cell mate who lies paralyzed on the opposite side of the room. If she doesn't unlock the mask in time, her lower jaw will be ripped wide open. She survives, but her cell mate doesn't. Through a series of flashbacks, we learn of more ... Written by
Aurabesh corrected by Paul P
The car chase was filmed in the garage of the warehouse by turning off the lights, adding some fog, and shaking the cars while filming from the front. See more »
When Adam first remembers what happened before he was kidnapped, we see him making his way back to his apartment after snapping photos of Dr. Gordon. The camera Adam has slung over his shoulder changes from scene to scene. In the hallway outside the apartment, Adam has a black camera with a long lens and a mounted flash unit. As he enters the apartment, he's got a silver camera that appears to have a very short lens and no mounted flash. Once inside, he's got the black camera with long lens and mounted flash again. See more »
Help! Someone help me! Is someone there? Hey! Oh shit, I'm probably dead.
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The opening title ripples like it was underwater. See more »
Two strangers mysteriously wake up to find themselves in a derelict basement. Together, they find out how to escape, and if they are really strangers...
I have utmost respect for Wan. To my knowledge, he and his buddies were right out of film school. Instead of slowly building status by making mediocre films, he showed the world right from the get-go that he had something to prove.
Along with Silence Of The Lambs, Saw is the only horror movie that truly chills me. You see, I am not easily frightened by gratuitous bloodshed and screams that you might see in films like The Texas Chainsaw Massacre. The plot has to be coherent, and there can't be anything ridiculous like a monster. Saw evokes strong emotions of terror and fear, all the while remaining plausible. Well, the story is actually unlikely, but everything in the film is physically possible.
The scenes that are meant to be frightening don't require things that jump out at you every two seconds, or cheesy orchestral flailings. The situation is what frightens you, not the presentation. Saw does have some second-rate acting, but then again it is a low-budget film and I suppose they couldn't exactly afford Robert De Niro. The script is not fantastic, but one true redeeming quality of the whole film is the story. It is dense, complex, but so captivating. I can only think of a few mystery plot lines that can even compare to this one. The Usual Suspects is probably up there, but Saw stands alone.
I strongly recommend this film who appreciate good stories, and aren't easily scared by the garbage you see in theaters like House Of Wax. For people who get squeamish, steer clear of this film. It is very nice graphic, and very sadistic at times. A brilliant debut, and a terrifying ride. 9/10.
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