A documentary crew followed Metallica for the better part of 2001-2003, a time of tension and release for the rock band, as they recorded their album St. Anger, fought bitterly, and sought the counsel of their on-call shrink.
From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
A live Metallica concert backed by a 80 piece symphony orchestra, conducted by Michael Kamen. Two songs are debuted, "- Human" and "No Leaf Clover". A documentary is included. It also was released on audio CD.
Cliff 'Em All, Metallica's first video, is a tribute to late original bassist Cliff Burton. James Hetfield describes it as "a compilation of bootleg footage shot by sneaky Metallifux, stuff... See full summary »
In 2010, for the first time ever, four giants of metal shared one stage for seven European shows. "Big Four," Metallica, Slayer, Megadeth and Anthrax, the final night, at the Sonisphere ... See full summary »
This DVD contains many never-seen-before interviews of Metal icons METALLICA, exploring the true lives of these larger-than-life heroes. The footage reveals how the biggest phenomena in the... See full summary »
Since 1978, Anvil has become one of heavy metal's most influential yet commercially unsuccessful acts. In 2006, after a fledging European tour Anvil sets out to record their thirteenth album and continue to follow their dreams.
Steve 'Lips' Kudlow,
Some Kind of Monster is a music documentary about Metallica's making of their album St. Anger and the difficulties they had to go through in the process. The directors shot over 1200 hours and followed the band around night and day for over a year to create this documentary. Written by
Due to the departure of full time bassist Jason Newsted, producer Bob Rock was asked to play bass on 'St. Anger'. Despite his acceptance of the temporary role Rock did not make any creative contributions to the album, and therefore didn't receive any writing credits. See more »
Unable to speak from a non-fan's viewpoint, I want to say how moving and inspiring I found this film to be.
With almost too many highlights to mention, the crew skip from one uncomfortable situation to another on a gradual path to equilibrium. The claims of unintentional laughability are ridiculous, I read a couple of review that compared this to Spinal Tap, which I found very annoying. Anyone who laughs at this film is doing so because that's the way that some people deal with being uncomfortable. It is a funny film but only when it's intentional. A very skillfull piece of comic direction comes to mind, Hetfield talking about his crazily painted car, interspersed with clips of him driving along at a million miles an hour, "I like speed", he says and then in the next cut we see him pulled over by a policeman. One of a few comic highlights.
The documentary follows Hetfield's trip into rehab, the preceding argument with Ulrich contains one of two Ulrich highlights, "you're just acting like a dick today". Hetfield's re-emergence from re-hab is when the film really gets into gear. He becomes almost like a rock star version of Jesus, totally unaffected when confronted with a stream of abuse from Ulrich, "when I went running today, I thought about seeing you and just thought "fuck"", he sits there motionless. He talks about his emotions and goes to his daughter's ballet recital. The band seems fractured at this point but then along comes, in my opinion, the highlight of the film. Asked to record a soundbite for some radio stations they find themselves unable to do it because it is so tacky and they begin to joke around, "Enter now and we'll shove $50,000 dollars up your ass," Ulrich jokes, "One bill at a time," Hetfield retorts. In this scene, we once again feel the combined unit of Metallica against the world like the way it used to be and this is the turning point of the movie. Along the way we meet a number of interested characters, Ulrich's father with his snowy white beard for one. And we meet Dave Mustaine, who is not exactly the epitome of rock 'n roll either. The film spirals towards a denouement in a packed arena, what the band has been waiting for, the band arriving, a new unit, embracing each other like brother, waiting to go onstage, The Ecstasy Of Gold blaring in the background and then Hetfield racing on stage and shredding the first chords of Frantic. It seems that only real life produces the kind of chills that any Oscar contender could only dream of. What a film. A profoundly moving experience.
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