In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century."
Jean François Heckel,
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
Filmmaker Davis Guggenheim follows Al Gore on the lecture circuit, as the former presidential candidate campaigns to raise public awareness of the dangers of global warming and calls for immediate action to curb its destructive effects on the environment.
In a remote area of Northern Kenya, activist Tessa Quayle is found brutally murdered. Tessa's companion, a doctor, appears to have fled the scene, and the evidence points to a crime of passion. Members of the British High Commission in Nairobi assume that Tessa's widower, their mild-mannered and unambitious colleague Justin Quayle, will leave the matter to them. They could not be more wrong. Haunted by remorse and jarred by rumors of his late wife's infidelities, Quayle surprises everyone by embarking on a personal odyssey that will take him across three continents. Using his privileged access to diplomatic secrets, he will risk his own life, stopping at nothing to uncover and expose the truth - a conspiracy more far-reaching and deadly than Quayle could ever have imagined. Written by
Producer Simon Channing Williams welcomed the new light that director Fernando Meirelles cast on the film's subject matter. Channing Williams noted: "I feared we might get stuck in a 'middle-class British male' box. When Fernando signed on, suddenly all those middle-class prejudices were thrown out the window. Instead, we were getting an entirely new vision of the world that [John] le Carré wrote about, visualized from a deeply intelligent foreign national's point of view. Fernando's perception is all to do with character as opposed to class. Our British class structure is not important to him; it was great that we could get away from that, and tell the story as seen by 95% of the rest of the world." See more »
Tessa's laptop was clearly a Apple Power Book running Mac OSX, however, during the montage where she was viewing video clips from the web, one set of movies had Windows XP graphics. See more »
Oh, thank you Arnold. I... I can manage that. But I still don't see why you couldn't wait a couple of weeks. Why go all the way up to Loki?
Well, we want to hear Grace Makanga speak, and she won't be coming to Nairobi.
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END CREDITS DISCLAIMER: Nobody in this story, and no outfit or corporation, thank God, is based upon an actual person or outfit in the real world. But I can tell you this; as my journey through the pharmaceutical jungle progressed, I came to realize that, by comparison with the reality, my story was as tame as a holiday postcard. --John Le Carré See more »
So Sei Viver No Samba
Written by Ari Moraes
Performed by Cibelle
Published by Les Editions De La Bascule / Strictly Confidential (BMI)
Under license from Ziriguiboom / Crammed Discs
Courtesy of Six Degrees Records
By Arrangement with Ocean Park Music Group See more »
Political thriller viewed through the lens of a romance
Films that are written as thrillers, suspense stories and romances all feature certain story elements that define the genre. How the elements are combined to tell a specific story is the measure of a story's success at convincing an audience of its worth. "The Constant Gardener" is a well-crafted story with many fine performances, starting with Ralph Fiennes and Rachel Weisz, and including the many character actors who make this film feel viscerally real and true. In the tradition of films like "Silkwood", "Z" and" The Insider", the director of "City of God" takes the audience on a tense, suspenseful ride with characters who dare tell truth to power. The film viewing experience feels dangerous and worth-while.
No doubt, "The Constant Gardener", like "City of God" will fuel discussion about the politics which is the basis of this film, and will also send more people to read John Le Carre's book, which is the basis of the film.
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