7.5/10
118,538
570 user 228 critic

The Constant Gardener (2005)

A widower is determined to get to the bottom of a potentially explosive secret involving his wife's murder, big business, and corporate corruption.

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(screenplay), (based on the novel by)
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4,133 ( 330)

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Won 1 Oscar. Another 35 wins & 68 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Dr. Arnold Bluhm (as Hubert Kounde)
...
Daniele Harford ...
Miriam
Packson Ngugi ...
Officer in Morgue
Damaris Itenyo Agweyu ...
Jomo's Wife
Bernard Otieno Oduor ...
Jomo
...
Keith Pearson ...
Porter Coleridge
John Sibi-Okumu ...
Dr. Joshua Ngaba
...
...
Ghita Pearson
Nick Reding ...
Crick
...
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Storyline

In a remote area of Northern Kenya, activist Tessa Quayle is found brutally murdered. Tessa's companion, a doctor, appears to have fled the scene, and the evidence points to a crime of passion. Members of the British High Commission in Nairobi assume that Tessa's widower, their mild-mannered and unambitious colleague Justin Quayle, will leave the matter to them. They could not be more wrong. Haunted by remorse and jarred by rumors of his late wife's infidelities, Quayle surprises everyone by embarking on a personal odyssey that will take him across three continents. Using his privileged access to diplomatic secrets, he will risk his own life, stopping at nothing to uncover and expose the truth - a conspiracy more far-reaching and deadly than Quayle could ever have imagined. Written by focus features

Plot Summary | Plot Synopsis

Taglines:

Love. At any cost. See more »


Motion Picture Rating (MPAA)

Rated R for language, some violent images and sexual content/nudity | See all certifications »

Parents Guide:

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Details

Country:

| | |

Language:

| | |

Release Date:

31 August 2005 (USA)  »

Also Known As:

El jardinero fiel  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(as dts)|

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The first scenes to be filmed in Nairobi in Kenya were at the suburban Lord Errol Restaurant, used as the venue for the British High Commission cocktail party that crystallizes Tessa Quayle's and Dr. Arnold Bluhm's drive to expose the hypocrisy and greed of those in power. The Lord Errol is named for the notorious womanizing aristocrat, whose story was the subject of another film shot in Kenya, White Mischief (1987)". See more »

Goofs

After Crick beats Justin Quayle, Quayle is left with wound on his left cheek and the right side of his lower lip. In subsequent scenes in the same time frame, the wounds disappear, then re-appear. See more »

Quotes

[first lines]
Justin Quayle: Oh, thank you Arnold. I... I can manage that. But I still don't see why you couldn't wait a couple of weeks. Why go all the way up to Loki?
Tessa Quayle: Well, we want to hear Grace Makanga speak, and she won't be coming to Nairobi.
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Crazy Credits

END CREDITS DEDICATION: This film is dedicated to Yvette Pierpaoli and all other aid workers who lived and died giving a damn. See more »

Connections

Referenced in Se eida...: O epimonos kipouros (2008) See more »

Soundtracks

Happy Birthday to You
(1893)
Written by Patty S. Hill and Mildred J. Hill
Performed by Rachel Weisz
Published by EMI Music Publishing Ltd.
See more »

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User Reviews

 
Thought Provoking and Beautifully Stirring Political Potboiler
6 September 2005 | by See all my reviews

Ralph Fiennes stars as a British diplomat whose complacency is challenged when he is forced into a soul searching quest for the reasons behind the tragic death of his activist wife (Rachel Weisz) that uncovers a sinister pharmaceutical company in cahoots with British and Kenyan governments testing a new TB drug on expendable HIV+ Africans.

Fiennes gives his most humanistic and endearing performance ever, perhaps even topping his Oscar nominated turns in "Schindler's List" and "The English Patient." Rachel Weisz is an illuminating revelation, turning in the performance of her career. Her character develops and becomes even more compelling after she dies and we learn her secrets through expertly paced flashbacks. Director Fernando Meirelles takes the amazing style he honed with "City of God" and adds a heart with "The Constant Gardener," a big heart that bleeds a beautiful cinematic poeticism onto the screen.

This film truly rewards its audience as it works on so many levels. Like this year's earlier word-of-mouth and hot-button issue sleeper, "Crash," you won't be able to stop talking about it after you leave the theater. The politics here are engaging and bound to stir up even the most complacent viewer. What's even more amazing is that all of the timely political discourse and subsequent thriller aspects of the film (courtesy of the source material, John Le Carre's novel) are wrapped up in a timeless romance. We the audience join Fiennes on his journey, and we rediscover the love story between he and his wife that anchors the film in a poetic realism usually reserved for movies with much less on their minds.

To top it off, it's all delivered in the maddeningly genius Meirelles style that took critics and audiences by storm in his debut "City of God". We have the shaky hand-held camera darting through vibrant and colorful third-world locales juxtaposed with jaw-droppingly gorgeous aerial photography of Africa in all its blazing glory. Meirelles again shows us he is a true artist willing to show both the shocking beauty and abject horror of the people and places that populate his films. Again he delivers a message that people are doing horrible things to other people the world over (be it in the form of wishy-washy governments turning a blind eye, greedy corporations putting a price tag on a human life, local thugs preying on the misfortune of their neighbors, or friends betraying friends). With "City of God" he seemed to be saying the only hope is to document it. With "The Constant Gardener" he makes that argument again and takes it one brilliant step forward. We may not be able to stop a war or a huge global injustice, but we do have the power to help one person at a time. It takes a courageous film to make such a statement, and a brilliant film-maker to deliver it, and that's just what "The Constant Gardener" does.


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