A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
Mike Church is a Los Angeles private detective who specializes in finding missing persons. He takes on the case of a mystery woman who he calls Grace. She is suffering from amnesia and has ... See full summary »
In a remote area of Northern Kenya, activist Tessa Quayle is found brutally murdered. Tessa's companion, a doctor, appears to have fled the scene, and the evidence points to a crime of passion. Members of the British High Commission in Nairobi assume that Tessa's widower, their mild-mannered and unambitious colleague Justin Quayle, will leave the matter to them. They could not be more wrong. Haunted by remorse and jarred by rumors of his late wife's infidelities, Quayle surprises everyone by embarking on a personal odyssey that will take him across three continents. Using his privileged access to diplomatic secrets, he will risk his own life, stopping at nothing to uncover and expose the truth - a conspiracy more far-reaching and deadly than Quayle could ever have imagined. Written by
Director Fernando Meirelles lobbied to have the movie shot in Kenya (where the story is supposed to take place) instead of in South Africa (where most of the film industry is located). See more »
When Birgit is leaving on her bike past a "red herring" black sedan, she is shown passing the car, but when the camera cuts back to Justin, she is shown as not having passed the black sedan yet. See more »
Oh, thank you Arnold. I... I can manage that. But I still don't see why you couldn't wait a couple of weeks. Why go all the way up to Loki?
Well, we want to hear Grace Makanga speak, and she won't be coming to Nairobi.
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END CREDITS DISCLAIMER: Nobody in this story, and no outfit or corporation, thank God, is based upon an actual person or outfit in the real world. But I can tell you this; as my journey through the pharmaceutical jungle progressed, I came to realize that, by comparison with the reality, my story was as tame as a holiday postcard. --John Le Carré See more »
Written and Performed by Ayub Ogada
Mixed by Ben Findlay
Published by Womad Music Ltd.
(p) 2005 Real World Records Ltd. / Virgin Records Ltd.
Ayub Ogada appears courtesy of Real World Records Ltd. See more »
Thought Provoking and Beautifully Stirring Political Potboiler
Ralph Fiennes stars as a British diplomat whose complacency is challenged when he is forced into a soul searching quest for the reasons behind the tragic death of his activist wife (Rachel Weisz) that uncovers a sinister pharmaceutical company in cahoots with British and Kenyan governments testing a new TB drug on expendable HIV+ Africans.
Fiennes gives his most humanistic and endearing performance ever, perhaps even topping his Oscar nominated turns in "Schindler's List" and "The English Patient." Rachel Weisz is an illuminating revelation, turning in the performance of her career. Her character develops and becomes even more compelling after she dies and we learn her secrets through expertly paced flashbacks. Director Fernando Meirelles takes the amazing style he honed with "City of God" and adds a heart with "The Constant Gardener," a big heart that bleeds a beautiful cinematic poeticism onto the screen.
This film truly rewards its audience as it works on so many levels. Like this year's earlier word-of-mouth and hot-button issue sleeper, "Crash," you won't be able to stop talking about it after you leave the theater. The politics here are engaging and bound to stir up even the most complacent viewer. What's even more amazing is that all of the timely political discourse and subsequent thriller aspects of the film (courtesy of the source material, John Le Carre's novel) are wrapped up in a timeless romance. We the audience join Fiennes on his journey, and we rediscover the love story between he and his wife that anchors the film in a poetic realism usually reserved for movies with much less on their minds.
To top it off, it's all delivered in the maddeningly genius Meirelles style that took critics and audiences by storm in his debut "City of God". We have the shaky hand-held camera darting through vibrant and colorful third-world locales juxtaposed with jaw-droppingly gorgeous aerial photography of Africa in all its blazing glory. Meirelles again shows us he is a true artist willing to show both the shocking beauty and abject horror of the people and places that populate his films. Again he delivers a message that people are doing horrible things to other people the world over (be it in the form of wishy-washy governments turning a blind eye, greedy corporations putting a price tag on a human life, local thugs preying on the misfortune of their neighbors, or friends betraying friends). With "City of God" he seemed to be saying the only hope is to document it. With "The Constant Gardener" he makes that argument again and takes it one brilliant step forward. We may not be able to stop a war or a huge global injustice, but we do have the power to help one person at a time. It takes a courageous film to make such a statement, and a brilliant film-maker to deliver it, and that's just what "The Constant Gardener" does.
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