In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
Filmmaker Davis Guggenheim follows Al Gore on the lecture circuit, as the former presidential candidate campaigns to raise public awareness of the dangers of global warming and calls for immediate action to curb its destructive effects on the environment.
In a remote area of Northern Kenya, activist Tessa Quayle is found brutally murdered. Tessa's companion, a doctor, appears to have fled the scene, and the evidence points to a crime of passion. Members of the British High Commission in Nairobi assume that Tessa's widower, their mild-mannered and unambitious colleague Justin Quayle, will leave the matter to them. They could not be more wrong. Haunted by remorse and jarred by rumors of his late wife's infidelities, Quayle surprises everyone by embarking on a personal odyssey that will take him across three continents. Using his privileged access to diplomatic secrets, he will risk his own life, stopping at nothing to uncover and expose the truth - a conspiracy more far-reaching and deadly than Quayle could ever have imagined. Written by
Emily Mabonga, Kenyan extras casting coordinator, clarified about the film shoot in Kenya: "It's not that we don't have an infrastructure for filming in Kenya; it's more that it had been forgotten." Mbonga found the majority of the white extras through open casting calls among local amateur theater groups. Other extras and background artists were recruited from the professions being portrayed; for example, the members of the press intruding in the funeral sequence were all journalists and photographers working in Kenya. See more »
When Quayle shows the fake ID to the German police officer in Berlin, it is a Dutch passport. However, when he pockets the document again, it is shown to have a blue cover. Dutch passports have a red cover. See more »
Oh, thank you Arnold. I... I can manage that. But I still don't see why you couldn't wait a couple of weeks. Why go all the way up to Loki?
Well, we want to hear Grace Makanga speak, and she won't be coming to Nairobi.
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END CREDITS DISCLAIMER: Nobody in this story, and no outfit or corporation, thank God, is based upon an actual person or outfit in the real world. But I can tell you this; as my journey through the pharmaceutical jungle progressed, I came to realize that, by comparison with the reality, my story was as tame as a holiday postcard. --John Le Carré See more »
Meirelles, Weisz and Fiennes make a modern political masterpiece.
Intelligent and moving political thriller that should be held right up there with "All The Presidents Men" and "The Killing Fields " as one of the best political thrillers ever made. Fernando Meirelles tops his last directional effort with a thriller that is moving, scary and down right forthright in it's views of big companies gone wrong and the horrors that they are willing to inflect on others for the sake of profit. Rachel Weisz and Ralph Fiennes give career best performances in this film and that's a huge compliment considering the fact that they are good in almost everything they do, even in bad movies. Weisz is strong willed and obsessive and Fiennes is determine and endearing and both of them compliment each other with there destine to be award winning chemistry and acting chops. The director compliments both of them with a view of Africa that is rarely seen in film and a sense of reality that is only found in real life.
Rachel Weisz, Ralph Fiennes and Fernando Meirelles all should be honored at award season for their amazing efforts in this film because as of right now, this is with out a doubt the film to beat come Oscar time.
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