In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century."
Jean François Heckel,
In a remote area of Northern Kenya, activist Tessa Quayle is found brutally murdered. Tessa's companion, a doctor, appears to have fled the scene, and the evidence points to a crime of passion. Members of the British High Commission in Nairobi assume that Tessa's widower, their mild-mannered and unambitious colleague Justin Quayle, will leave the matter to them. They could not be more wrong. Haunted by remorse and jarred by rumors of his late wife's infidelities, Quayle surprises everyone by embarking on a personal odyssey that will take him across three continents. Using his privileged access to diplomatic secrets, he will risk his own life, stopping at nothing to uncover and expose the truth - a conspiracy more far-reaching and deadly than Quayle could ever have imagined. Written by
When Tessa is videochatting (under Windows XP) the FFWD/REW controls are clearly visible in the interface. Above the video a text can be read "Buffering 500 mbps", a speed which is impossible to achieve on most lines, especially the consumer-grade connection that the German activist is using. See more »
Oh, thank you Arnold. I... I can manage that. But I still don't see why you couldn't wait a couple of weeks. Why go all the way up to Loki?
Well, we want to hear Grace Makanga speak, and she won't be coming to Nairobi.
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END CREDITS DISCLAIMER: Nobody in this story, and no outfit or corporation, thank God, is based upon an actual person or outfit in the real world. But I can tell you this; as my journey through the pharmaceutical jungle progressed, I came to realize that, by comparison with the reality, my story was as tame as a holiday postcard. --John Le Carré See more »
The constant gardener has it easy. It picks an emotionally charged subject matter and involves issues that are at the forefront of the political agenda. It has to be easier to make a film that has an impact on its audience from this starting point. It could have been genuinely awesome.
However i felt that the film was totally one dimensional. For those that haven't seen it (and this will in no way spoil the plot), the central theme is large biotech companies in Africa. It is undeniable that such companies do exploit the poorer nations but it is likewise undeniable that if such companies didn't exist we would not possess the range of drugs that we do today. There is no question that these companies do some good. With such a rich subject matter an exploration of shades of grey of the debate could be the basis for an excellent film. Sadly the film fell firmly on the anti-biotech side without any sort of fair trial. It is the lack of sophistication about the biotech = bad message that i objected to. Then as if the portrayal wasn't one sided enough anyone involved with either the British government or the biotech company was made a thoroughly unlikeable character in terms of personality.
I don't mean to suggest that as a stand alone piece of work the film was bad. The fact is that by choosing a subject matter that is so emotive the filmmaker must take on certain responsibilities. In the case of the constant gardener i thought the complex issues were not explored at all. We've all seen brilliant movies that balance both sides of a debate, exploring both the "hero's" and the "villain's" motivations, and justifying both to us. The constant gardener does not do this, and i believe is a worse movie for it.
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