Five maids in São Paulo are observed in this episodic, impressionistic film. The women interact with each other, ride busses, work, and have longings: Rai for a husband, Créo for her lost ... See full summary »
A city is ravaged by an epidemic of instant "white blindness". Those first afflicted are quarantined by the authorities in an abandoned mental hospital where the newly created "society of ... See full summary »
Gael García Bernal
In a remote area of Northern Kenya, activist Tessa Quayle is found brutally murdered. Tessa's companion, a doctor, appears to have fled the scene, and the evidence points to a crime of passion. Members of the British High Commission in Nairobi assume that Tessa's widower, their mild-mannered and unambitious colleague Justin Quayle, will leave the matter to them. They could not be more wrong. Haunted by remorse and jarred by rumors of his late wife's infidelities, Quayle surprises everyone by embarking on a personal odyssey that will take him across three continents. Using his privileged access to diplomatic secrets, he will risk his own life, stopping at nothing to uncover and expose the truth - a conspiracy more far-reaching and deadly than Quayle could ever have imagined. Written by
The scene where Tessa (Rachel Weisz) walks through the slum, numerous children ask her "How are you?" and she responds "I'm fine, how are you?" was unscripted. The children are actual children who live in Kibera and not extras. See more »
As Justin enters his Berlin hotel room, the shadow of the crew can be seen moving across the door. See more »
Oh, thank you Arnold. I... I can manage that. But I still don't see why you couldn't wait a couple of weeks. Why go all the way up to Loki?
Well, we want to hear Grace Makanga speak, and she won't be coming to Nairobi.
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END CREDITS DEDICATION: This film is dedicated to Yvette Pierpaoli and all other aid workers who lived and died giving a damn. See more »
This is a rare gem in today's gravel pit of features. Rachel Weisz is truly transcendent. She is just so immensely real and powerful and alive! Fienne's role as that of a somewhat distant man is the perfect complement to this.
Visually, this is one of the finest films I've seen in years; the editing is brilliant and the cinematography is beautiful; the DP gives us subtle stylistic cues and approaches which highlight the many different worlds we encounter, from the abject poverty of Africa to the interior of a private London club.
See this film...and see what a movie can really be.
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