A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
Mike Church is a Los Angeles private detective who specializes in finding missing persons. He takes on the case of a mystery woman who he calls Grace. She is suffering from amnesia and has ... See full summary »
In a remote area of Northern Kenya, activist Tessa Quayle is found brutally murdered. Tessa's companion, a doctor, appears to have fled the scene, and the evidence points to a crime of passion. Members of the British High Commission in Nairobi assume that Tessa's widower, their mild-mannered and unambitious colleague Justin Quayle, will leave the matter to them. They could not be more wrong. Haunted by remorse and jarred by rumors of his late wife's infidelities, Quayle surprises everyone by embarking on a personal odyssey that will take him across three continents. Using his privileged access to diplomatic secrets, he will risk his own life, stopping at nothing to uncover and expose the truth - a conspiracy more far-reaching and deadly than Quayle could ever have imagined. Written by
At the pedestrian crossing in Germany, Justin and Birgit are menaced by two people on a motorcycle. It passes closely by, but then turns sharply 180 degrees to the left, in order to take a second pass at the pedestrians. The camera cuts to a reflection in a car window of the motorcycle turning, but in the mirror image the bike is still turning to the left. The camera pans to the real motorcycle, which is now turning sharply to the right. See more »
Oh, thank you Arnold. I... I can manage that. But I still don't see why you couldn't wait a couple of weeks. Why go all the way up to Loki?
Well, we want to hear Grace Makanga speak, and she won't be coming to Nairobi.
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END CREDITS DEDICATION: This film is dedicated to Yvette Pierpaoli and all other aid workers who lived and died giving a damn. See more »
Better than the book adaptation of the John Le Carre novel has a great director like Fernando Meirelles at the helm and two amazing actors like Rachel Weisz and Ralph Fiennes at the wheel to steer this movie into Oscar heaven with two brilliant performance that will not be match for sometime to come. Ralph Fiennes is just great as a grieving man out to find out the circumstances of his wife's murder and the reasons behind it. His performance is a texture of desperation and self-discovery and he begins to show faith in not only his wife's memory but in the world itself in his way to find justice. While Fiennes gives a great performance, it's truly Rachel Weisz who shines the most with a complex, powerful and tricky performance. We only get to know her from flashbacks and dialog from people who have met her character and from Justin himself. Some of those flashbacks are deceiving but all of them make up a total character who is structured enough towards the end to get a real picture of who she was. It's a tightrope of a performance and Rachel Weisz not only serves it up with class and strong will but with grace as well. She literally gives the performance of the year and it would be a crime towards real cinema if she were not recognizes for her efforts come Oscar time.
Fernando Meirelles gives his all in this film in terms of technical brilliance and he gets great support from Rachel Weisz and Ralph Fiennes who with his effort give this year's first great film.
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