A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
Mike Church is a Los Angeles private detective who specializes in finding missing persons. He takes on the case of a mystery woman who he calls Grace. She is suffering from amnesia and has ... See full summary »
In a remote area of Northern Kenya, activist Tessa Quayle is found brutally murdered. Tessa's companion, a doctor, appears to have fled the scene, and the evidence points to a crime of passion. Members of the British High Commission in Nairobi assume that Tessa's widower, their mild-mannered and unambitious colleague Justin Quayle, will leave the matter to them. They could not be more wrong. Haunted by remorse and jarred by rumors of his late wife's infidelities, Quayle surprises everyone by embarking on a personal odyssey that will take him across three continents. Using his privileged access to diplomatic secrets, he will risk his own life, stopping at nothing to uncover and expose the truth - a conspiracy more far-reaching and deadly than Quayle could ever have imagined. Written by
Producer Simon Channing Williams bought the rights of the book in advance before its release in 2001 with the intention of bringing it to screen. In order to get John le Carré's permission to do so, he wrote a letter to Le Carre's attorney Michael Rudell informing him of the intention and flew to New York on the same day. This is the second time that Le Carre has worked on the screenplay of a film; the first was The Tailor of Panama (2001). To ensure total accuracy, Nairobi-based molecular biologist Bonnie Dunbar was brought in as the film's consultant. See more »
Berlin Main Station opened in June 2006, the building took more than 10 years. Before this. Trains only passed through the station, but did not stop there. So, Justin Quayle cannot have arrived at Berlin Main Station in 2004, when the movie is set, as it is implied. Also, long distance trains only stop underground. The tracks above ground are reserved only for regional trains. See more »
Oh, thank you Arnold. I... I can manage that. But I still don't see why you couldn't wait a couple of weeks. Why go all the way up to Loki?
Well, we want to hear Grace Makanga speak, and she won't be coming to Nairobi.
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END CREDITS DISCLAIMER: Nobody in this story, and no outfit or corporation, thank God, is based upon an actual person or outfit in the real world. But I can tell you this; as my journey through the pharmaceutical jungle progressed, I came to realize that, by comparison with the reality, my story was as tame as a holiday postcard. --John Le Carré See more »
So Sei Viver No Samba
Written by Ari Moraes
Performed by Cibelle
Published by Les Editions De La Bascule / Strictly Confidential (BMI)
Under license from Ziriguiboom / Crammed Discs
Courtesy of Six Degrees Records
By Arrangement with Ocean Park Music Group See more »
Great romantic thrill ride that is made even more special by the performances of Rachel Weisz and Ralph Fiennes, who both give this adaptation of the John Le Carre book a real sense of beauty, dignity and grace with their on target performances. Weisz is perfection as Tessa Qualye, a civil rights activist who is murdered for trying to bring awareness of their illegal practices on the poor natives of an African village. Weisz gives her character a self-righteous drive that is made poignant by her determination and sheer will and she also makes her character human, not a stereotype, which makes her performance the more real. Ralph Finnes plays her grieving husband Justin, who takes up her cause and begins to lean of how wonderful his wife really was and what he missed during the time she was alive. His haunted performance is in my opinion his best ever and is the driving point of this haunting odyssey of justice, lost and self sacrifice. Rachel Weisz and Ralph Fiennes both deserve Oscar nominations for their superb performances and Fernando Meirelles deserves one as well for his superb direction that puts you smack in the middle of the story that is unfolding right in front of you.
Hands down, the best film of the year so far.
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