A woman moves with her husband and seven-year-old daughter from Colorado to California and then her husband abandons them. While trying to rebuild her life, she finds solace while working at a horse farm and decides to enter her beloved horse in a high-stakes riding competition.
GAIA_TheSeries is a web-based work of narrative fiction that will be delivered in twelve parts. Its goal is to tell a captivating and character-driven story that relays important ... See full summary »
A First Amendment scholar is recruited by an attorney to sue a publishing company after a hit man commits a triple murder by allegedly following a how-to manual the book company published. ... See full summary »
A street kid interrupts Nero Wolfe's dinner with his eyewitness account of a kidnapping. The next day, the boy is dead and his mother comes to the detective with her son's meager savings and dying wish to hire Wolfe to solve his murder.
While visiting the graveyard of his beloved wife with his daughter Jesse, the physics professor John T. Neumeyer finds a case with a police dossier relating his death in five days. He initially believes it is a sick prank from the brilliant but deranged physics student Carl Axelrod, but when a series of events related in the documents occur, he realizes that the file has been sent from the future. With the support of Detective Irwin Sikorski, whose name is indicated in the file as in charge of the investigation of his death, and suspecting of everybody including his girlfriend Claudia Whitney that has a blurred hidden past, J.T. tries to change the future and his fate. But Carl believes that any modification in the time-line will jeopardize mankind and the future of the planet. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The events in the mini-series take place Monday, 7 June 2004 through Friday, 11 June 2004. The show premiered on the SciFi Channel (USA) on Monday, 7 June 2004 and consecutive episodes were shown each night through Friday, 11 June 2004 roughly following a real-time schedule. The fourth episode (with events ending at or slightly past 3.55am according to the script) was actually first shown at 9.00pm on Thursday, 10 June 2004, so the series did get ahead a bit. Additional date-specific product placements (for instance, a poster for The Chronicles of Riddick (2004), playing in theaters at the time, as seen on a slow pan at the university outside Neumeyer's office) and current popular culture references (for example, a reference to the popular show, CSI: Crime Scene Investigation (2000), airing at the time on network TV) in conversation help reinforce this setup. See more »
A nude stripper is suddenly shown wearing a bikini in one shot and then she is nude again. In the same scene a topless waitress is shown wearing a bikini top and then she is topless again. See more »
I'm not kidding, this really hooked me; one could almost say that this ought to come with a warning, letting people know that this may very well grip them and their attention, and not let go until the final credits roll. From the first moments, this is interesting and engaging. The concept is not completely original, of course, but this is a good take on it, and I found myself surprised by most of the twists. This follows a physics professor trying to uncover the truth behind a police file that details his own murder, with the date being five days later. The plot keeps you watching, and there are unexpected developments that make sense. There's only one brief instance of obvious exposition, and apart from that, the story-telling is rather well-done. The cinematography and editing are great, with the one exception of the occasional "sluggish" time effect, which isn't always used well. This builds atmosphere and suspense well, and can be intense. It's exciting when it tries to be. The script is well-crafted and clever. Humor tends to be appropriate in tone and amount, though one person is pushed a little excessively as comic relief. The characters are well-written and credible. Dialog can be smart. The music is cool and fitting. Production design is excellent throughout. Special effects tend to look marvelous. The acting is convincing, every single performance, including the kid. Throughout, this is fairly well-done. The climax is well-done. It does, unfortunately, not completely live up to the incredible things that the audience imagines during the course of the show, but it wraps stuff up well. The DVD comes with trailers for this and three other things, as well as four informative and well-done featurettes. While I can't speak for any other version, the one I watched did not have nudity or language, and was in five episodes of about forty minutes each, so three hours and twenty is the full running time. I recommend this mini-series to any fan of science fiction-thrillers that deal with the idea of time and how set in stone the future is. Huh. The Sci-Fi Channel doesn't always suck. Before The Lost Room and this, I wouldn't have believed that to be possible. 7/10
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