Abel Grey is sent to investigate the death of a boy from an exclusive local school, who is found floating in the river. Fearing scandal, the school insists it was suicide. But after ... See full summary »
A high school baseball coach (Krumholtz) and a down-on-his-luck private investigator (Burns) form a bond as they scour New York City for the coach's wife, who's run away with a second-rate ... See full summary »
Tommy Linklater is an eighteen-year old magician. The magic he performs is often minor - re-directing croquet balls, making cards appear in closed purses - it is always genuine; he actually... See full summary »
Claudia has lived all her life in a small, seaside, blue-collar town, hanging out with the same group of friends since grade school. Now she's waiting tables in a greasy spoon to help ... See full summary »
Abel Grey is sent to investigate the death of a boy from an exclusive local school, who is found floating in the river. Fearing scandal, the school insists it was suicide. But after discovering from the boy's girlfriend, Carlin, that he was being badly bullied, Abel suspects that a dangerous schoolboy initiation has gone horribly wrong and he secretly solicits the help of a sympathetic teacher, Betsy. He is warned off the investigation by his boss, as the school is a generous benefactor to the Police benevolent fund. Abel, however, cannot let the case go, not only because his own brother committed suicide years before, but also it seems that the spirit of the dead boy is leaving them clues as to what really happened that night. Written by
At the end of the film, Abel's father, Ernest, recalls how Abel's brother had hugged him the day that he committed suicide. Ernest then remarks that he found it strange because it wasn't Frank's way. This dialogue is taken directly from a scene where Abel is talking to his mother rather than his father. See more »
The scene where Abel and Joey are driving in town and Joey honks the police car horn at Doreen Barker has numerous continuity errors. There are four camera angles: one angle is from the hood of the police car looking down the street, the second angle is from the hood of the police car and shows Abel and Joey up close, and the third and fourth angles are wide angles showing the police car and the entire street. The most noticeable errors are as follows: The number of cars following the police car and the distance between them and the police car changes from angle to angle; The make and model cars shown driving in the opposite direction before and after passing the police car change from angle to angle; Just before Joey honks the horn at Doreen you see two women walking down the street. The first woman, presumably Doreen, is walking on the sidewalk towards the police car and is wearing a blue hat without a purse over her shoulder. As Joey honks the horn he turns his head as if to look back at Doreen yet the very next camera angle shows Doreen wearing a white hat, red scarf, and different color blue jeans with a purse on her shoulder. She is also now walking in the opposite direction of the police car which has not yet passed her. As the police car passes Doreen you can clearly see that Joey is no longer riding in the police car. See more »
It was a very good movie, with a wonderful mood and fairly strong story, although it wasn't telling the story you thought it was. The characters were very strongly drawn, I thought, and the pacing was terrific.
Nothing blew up, no CGi effects, and it's not based on a comic book, but I liked it anyway. And the two women leads were well worth watching, and Edward Burns is worth watching anytime. The musical score was well chosen to pace the movie.
I recommend it for a contemplative mood, when you're in the mood to "curl up with a good movie."
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