Directed by | |||
| Jean Beaudin | |||
Writing credits(in alphabetical order) | ||
| Pierre Billon | ||
Produced by | |||
| Antony Blakey | .... | executive producer | |
| Jean-Marie Comeau | .... | line producer | |
| Sam Coppola | .... | associate producer | |
| Francine Forest | .... | delegate producer | |
| David Gordian | .... | executive producer | |
| Richard Goudreau | .... | producer | |
| Samuel Hadida | .... | producer | |
| Victor Hadida | .... | executive producer | |
| Claude Léger | .... | executive producer | |
| Tobi Mathews | .... | co-executive producer | |
| Leslie Jean Porter | .... | executive producer | |
| Jonathan Rae | .... | associate producer | |
| Ashley Sidaway | .... | executive producer | |
| Robert Sidaway | .... | producer | |
| Jonathan Vanger | .... | executive producer | |
| Jean Zaloum | .... | co-executive producer | |
Original Music by | |||
| Patrick Doyle | |||
Cinematography by | |||
| Louis de Ernsted | |||
Film Editing by | |||
| Jean-François Bergeron | |||
| Yves Langlois | |||
Casting by | |||
| Dean E. Fronk | |||
| Murielle Laferrière | |||
| Françoise Menidrey | |||
| Donald Paul Pemrick | |||
Production Design by | |||
| Jean-Baptiste Tard | |||
Art Direction by | |||
| Michel Clément | |||
| Pierre-Yves Dupuis | |||
| Emmanuel Frechette | |||
Set Decoration by | |||
| Daniel Carpentier | |||
| Josée Pilon | |||
| Ginette Robitaille | |||
Costume Design by | |||
| François Barbeau | |||
Makeup Department | |||
| Marie-France Cardinal | .... | key hair stylist | |
| Kathryn Casault | .... | key makeup artist | |
| Christine Larocque | .... | wig maker | |
| Marcelo Padovani | .... | key hair stylist: extras | |
| Marie-France Thibault | .... | hair stylist | |
Production Management | |||
| Ludovic Beurton | .... | assistant unit manager | |
| Michel Chauvin | .... | production manager | |
| Ed Harper | .... | general production manager | |
| Ed Harper | .... | production manager: UK | |
| Ali James | .... | unit manager: UK | |
| George Jardon | .... | post-production supervisor | |
| Vincent Lafrance | .... | assistant unit manager | |
| Vincent Lecerf | .... | assistant unit manager | |
| Paviel Raymont | .... | assistant production manager | |
| Martin Roy | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Iain Atkinson | .... | third assistant director: UK | |
| Fabrice Barrilliet | .... | third assistant director | |
| Martin Doepner | .... | additional third assistant director | |
| Nancy Gauthier | .... | additional third assistant director | |
| Mathieu Hiltzer | .... | second assistant director | |
| Marc Larose | .... | first assistant director | |
| Tom Rye | .... | second assistant director: second unit | |
| Don Terry | .... | first assistant director: second unit | |
| Dan Winch | .... | additional assistant director (uncredited) | |
Art Department | |||
| Annie Carpentier | .... | assistant props master | |
| Simon Chamberland | .... | property master | |
| Nadine Ferenczy | .... | assistant art director | |
| Carrie Foster | .... | art department coordinator | |
| Jacky Hardouin | .... | chief carpenter | |
| Riette Hayes-Davies | .... | assistant art director: UK | |
| Brent Lambert | .... | set designer | |
| Michel R. Lambert | .... | scenic technician | |
| Raynald Langelier | .... | set designer | |
| Elissa Lewis | .... | assistant art department coordinator | |
| Julie Montplaisir | .... | art department assistant | |
| François Sénécal | .... | assistant art director | |
| André Valade | .... | assistant property master | |
| Eric Vasseur | .... | head scenic painter | |
Sound Department | |||
| Christian Bass | .... | assistant sound editor | |
| Alexander Beddow | .... | adr recordist | |
| Ricky Butt | .... | foley artist | |
| Ray Cook | .... | optical soundtrack | |
| Michael Crouch | .... | English dialogue editor | |
| Colette Dahanne | .... | adr mixer | |
| Matthew Gough | .... | sound re-recording mixer | |
| Howard Halsall | .... | French dialogue editor | |
| Philip Jenkins | .... | studio assistant | |
| Claude La Haye | .... | sound recordist | |
| Jacques Leroide | .... | adr editor | |
| Gerard Loret | .... | sound editor | |
| Colin Miller | .... | supervising sound editor | |
| Louis Piche | .... | boom operator: France & UK | |
| Francis Péloquin | .... | boom operator | |
| Adrian Rhodes | .... | sound re-recording mixer | |
| Bruno Ruffolo | .... | adr recordist | |
| James Seddon | .... | dolby consultant | |
| Sven Taits | .... | sound re-recording mixer | |
| Derek Trigg | .... | foley editor | |
| Phil Freudenfeld | .... | sound studio technician (uncredited) | |
Special Effects by | |||
| Louis Craig | .... | special effects supervisor | |
| Pierre Côté | .... | special effects foreman | |
| André Laforest | .... | special effects technician | |
Visual Effects by | |||
| Marie-Josee Auclair | .... | digital compositing artist: Hybride | |
| Patrice-Alain Barrette | .... | technical support: Hybride | |
| Michel Barrière | .... | digital compositing artist: Hybride | |
| Romain Bayle | .... | matte painter: Hybride | |
| Olivier Beaulieu | .... | production assistant: Hybride | |
| Louise Bertrand | .... | bidding producer: Hybride | |
| Benoit Blouin | .... | computer graphics artist: Hybride | |
| Cédric Bonnaffoux | .... | digital compositing artist: Hybride | |
| Marc Bourbonnais | .... | 3D lead technical director: Hybride | |
| Caroline Brien | .... | digital compositing artist: Hybride | |
| Wayne Brinton | .... | digital compositing artist: Hybride | |
| Pascal Colpron | .... | storyboard artist | |
| Thierry Delattre | .... | visuel effects supervisor: Hybride | |
| Anouk Deveault-Moreau | .... | visual effects coordinator: Hybride | |
| Mathieu Dupuis | .... | lead digital compositor: Hybride | |
| Yanick Gaudreau | .... | computer graphics artist: Hybride | |
| Francois Gendron | .... | computer graphics artist: Hybride | |
| Sigrun Hardardottir | .... | digital compositing artist: Hybride | |
| Nadine Homier | .... | digital compositing artist: Hybride | |
| Jean-Francois Houde | .... | post production assistant: Hybride | |
| Mathieu Lalonde | .... | computer graphics artist: Hybride | |
| Evelyne Leblond | .... | digital compositing artist: Hybride | |
| Martine Losier | .... | visual effects coordinator: Hybride | |
| Jocelyn Maher | .... | digital compositing artist: Hybride | |
| Richard Martin | .... | visual effects supervisor: Hybride | |
| Phillippe Montagny | .... | digital compositing artist: Hybride | |
| Robert Moodie | .... | technical director: Hybride | |
| Christian Morin | .... | digital compositing artist: Hybride | |
| Jonathan Paquin | .... | digital effects artist: animation | |
| Steve Pelchat | .... | technical support: Hybride | |
| Pierre Raymond | .... | visual effects producer: Hybride | |
| Sébastien Rioux | .... | digital compositing artist: Hybride | |
| Frederic St-Arnaud | .... | matte painter: Hybride | |
| Guillaume St-Aubin-Seers | .... | digital compositing artist: Hybride | |
| Sylvie Talbot | .... | communications: Hybride | |
| Philippe Theroux | .... | computer graphics supervisor: Hybride | |
| Gaetan Thiffault | .... | computer graphics artist: Hybride | |
| Mark Tureski | .... | digital opticals effects | |
| Jean Frédéric Veilleux | .... | digital compositing artist: Hybride | |
| Jessy Veilleux | .... | matte painter: Hybride | |
| Yanick Wilisky | .... | computer graphics supervisor: Hybride | |
Stunts | |||
| Alexandre Cadieux | .... | stunts | |
| Jason Cavalier | .... | stunts | |
| Jean Frenette | .... | stunt coordinator | |
| Kevin Kelsall | .... | stunt actor | |
| Guillermo Grispo | .... | stunt performer (uncredited) | |
Camera and Electrical Department | |||
| Jean-Claude Basselet | .... | gaffer: France | |
| Christian Caperaa | .... | assistant camera | |
| Chris Clarke | .... | clapper loader: "a" camera, France/UK | |
| Thierry Fargeau | .... | assistant camera | |
| Rob Gardner | .... | additional grip: UK | |
| Robert Gilman | .... | second grip | |
| Michel Girard | .... | focus puller: "a" camera | |
| Robert Guertin | .... | camera operator: "a" camera | |
| Brad Larner | .... | focus puller: "b" camera, France/UK | |
| David Mackie | .... | clapper loader: "b" camera, France/UK | |
| Ian Mussell | .... | key grip: France & UK | |
| Jeff Nichol | .... | key grip | |
| Richard Paré | .... | electrician | |
| Sébastien Raymond | .... | still photographer | |
| Patrick Renault | .... | electrician: France | |
| Paul Slatter | .... | gaffer: UK | |
| Bob Smith | .... | camera operator: "b" camera, France | |
| Andy Thomson | .... | crane technician: UK | |
Casting Department | |||
| Louis Elman | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Pascal Gauthier | .... | key extras dresser | |
| Valérie Levesque | .... | assistant costume designer | |
| Laurence Nicolas | .... | additional set costumer | |
Editorial Department | |||
| Karina Baccanale | .... | first assistant editor | |
| Simon Broderick | .... | telecine colorist | |
| Stéfanie Guadagnino | .... | assistant editor | |
| Arthur Montreuil | .... | color timer | |
| Etienne Patry | .... | video colorist | |
| Shaheen Sidhwa | .... | post-production coordinator: UK | |
| Mark Wright | .... | negative cutter | |
Music Department | |||
| Lawrence Ashmore | .... | orchestrator | |
| James Bellamy | .... | music editor | |
| Lucy Evans | .... | assistant music producer | |
| Maggie Rodford | .... | music producer | |
| James Shearman | .... | orchestrator | |
| Nick Wollage | .... | score recordist | |
Transportation Department | |||
| Raymond Hirsh | .... | driver: camera truck | |
| Jon Prévost | .... | driver captain | |
| Jose Uria | .... | unit transportation coordinator | |
| Jerome Wheeler | .... | driver | |
Thanks | |||
| Kate Sidaway | .... | thanks | |
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| Imperium: Augustus | The Deluge | Monsieur Vincent | Let Joy Reign Supreme | Madame Bovary |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Canada section |
Ultimately, this movie is a Brazilian soap opera. There are intrigues and billets-doux. The pop theme, recorded by an orchestra in Prague, is good but over-used. At least seven or eight crescendos cover various characters when they either grasp each other, look at each other or wistfully stare out windows while thinking of each other.
I didn't mind the historical and geographical inaccuracies. The need for financing seems to have motivated scenes of Pitt and Voltaire. (Was the inclusion of Franklin a failed attempt at American financing?) In fact, these scenes were not necessary since the movie used symbolism. The basic facts arguably fit the presentation. A case can be made that New France was abandoned by France, abused by the Catholic Church and strung up by England. Marie-Loup, get it? In the movie, she is illiterate but very articulate. Indeed, everyone spoke with modern international accents from mouths with white straight teeth. (So what! It's only a movie!)
Jean Beaudin made "J. A. Martin Photographe" which was both a beautiful and sensitive movie with Monique Mercure in the lead. She's in this one too but her presence only hearkens to the past. Despite its flaws, I enjoyed "Nouvelle France" but I'd probably enjoy any movie about the history of northern North America. If you have no interest in such history, this movie will be a convoluted Brazilian soap opera.