After reuniting with his mother in Ho Chi Minh City, a family tragedy causes Binh to flee from Viet Nam to America. Landing in New York, Binh begins a road trip to Texas, where his American father is said to live.
Hans Petter Moland
Dang Quoc Thinh Tran
Jean-Pierre is a hit man in Paris. He wants to stop; an incentive is reconnecting to Michelle, a childhood friend. He's ready to commit himself to her, but she has her own secrets: she ... See full summary »
Dostoevsky-inspired drama set in 1900s Prague about a bored arrogant playboy who spends time seducing other men's wives and dueling. He begins an affair with his friend's wife, but falls in love with her. She becomes pregnant. Is it his?
In 1671, with war brewing with Holland, a penniless prince invites Louis XIV to three days of festivities at a chateau in Chantilly. The prince wants a commission as a general, so the ... See full summary »
Howard Spence (Sam Shepard) has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs and young women. If he were to... See full summary »
While in prison, Jack had two momentous experiences: he got religion, and met the woman who would become his wife. He and Alison are devoted to the idea of staying in God's good graces, so ... See full summary »
Prejudice, perfidy, love, and bravery in Québec. In 1779, a priest on his deathbed receives a young woman. Flash back 20 years: Marie-Loup, an herb-dispensing peasant, falls for François, a man of property. The priest's perfidy and the treachery of a soldier separate the lovers and set in motion a chain of events leading to a death, a trial, and an execution. The action unfolds against a backdrop of England's take-over of French-Canada, the Church's manipulations to maintain spiritual hegemony, and the limited rights of woman and indigenous peoples. Watching it all is Marie-Loup's daughter, named France, who, when grown, is the dying priest's visitor in prelude and coda. Written by
To all those who lashed out at the film here: yes, the film gives sometimes the impression of being a bit pretentious, but whoever comes with such harsh criticism should also provide his own scale of values. So what is yours? What do you consider to be a really good film? OK, I understand, their should be 10 lines of text, and some egos need a place to show off, but frankly, who cares? The further one goes into details, scrutinizing it, the more looses the good impression that the film leaves
In these times, when the world is invaded by Avatars, even this sentimental film is an achievement.
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