| Angie Cepeda | ... | Sofia | |
| Ken Marino | ... | Dr. Neil Gardner | |
| Martita Roca | ... | Monica | |
| Nora Dunn | ... | Helen Bauman | |
| Jim Piddock | ... | Frank Bauman | |
| Max Burkholder | ... | Max (as Max Wolf Burkholder) | |
| Brad Rowe | ... | Jesse | |
| Richard Speight Jr. | ... | George | |
| Hunter Johnson | ... | Zoe | |
| rest of cast listed alphabetically: | |||
| Lillian Adams | ... | Mrs. Goldfarb | |
| Rae Allen | ... | Gwen | |
| Ryan Armstrong | ... | Ken | |
| Lilli Birdsell | ... | Chaney | |
| Scott Burkholder | ... | Principal Jones | |
| Diana Castle | ... | Dr. Langdon | |
| Precious Chong | ... | Binnie | |
| Kebe Dunn | ... | Nurse | |
| Shane Edelman | ... | Dennis (Restaurant Employer) | |
| Matthew Fairchild | ... | Brad | |
| Robert Harvey | ... | INS Agent (as Bob Harvey) | |
| Jeanine Jackson | ... | Wendy | |
| Chane't Johnson | ... | Cashier | |
| Andy Milder | ... | Paramedic | |
| Meredith Morton | ... | Shelly | |
| David Shackelford | ... | Tony | |
| Josh Stamberg | ... | Paul | |
| Jack Wallace | ... | Uncle Todd | |
| Mitch Ryan | ... | Doctor (uncredited) | |
| Tony Sagastizado I | ... | Paramedic (uncredited) | |
| Jeanne Trepanier | ... | Nurse Reynolds (uncredited) | |
Directed by | |||
| Shane Edelman | |||
Writing credits(in alphabetical order) | ||
| Andrew Miles | written by | |
| Brian D. Young | story | |
Produced by | |||
| Alvaro Albarracin | .... | executive producer | |
| Jimmy Holcomb | .... | line producer | |
| Terence Michael | .... | producer | |
| Jose Santos | .... | co-executive producer | |
| Dave Schulz | .... | co-producer | |
Original Music by | |||
| Jeff Cardoni | |||
Cinematography by | |||
| David Rush Morrison | (as David Morrison) | ||
Film Editing by | |||
| Gabriel Wrye | |||
Casting by | |||
| Abra Edelman | |||
| Meredith Morton | |||
Production Design by | |||
| David Huang | |||
Art Direction by | |||
| Stephen Noriega | |||
| Amy Lee Wheeler | (as Amy Wheeler) | ||
Costume Design by | |||
| Heather Goodwin | |||
Makeup Department | |||
| Corinna Liebel | .... | key makeup artist | |
| Francie Paull | .... | key makeup artist | |
| Wendy Southard | .... | additional makeup (as Wendy Boscon) | |
| Wendy Southard | .... | hair stylist (as Wendy Boscon) | |
| Ally Williams | .... | additional makeup (as Alison Williams) | |
Production Management | |||
| Jimmy Holcomb | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Steven Hacker | .... | first assistant director | |
| David Harari | .... | additional second assistant director | |
| Brandon Rafferty | .... | second assistant director | |
| Christopher Ruiz | .... | additional second assistant director | |
| Vance A. Zanin | .... | second second assistant director | |
Art Department | |||
| Anne Addelsbergh | .... | art department intern | |
| Ashley Baggins | .... | art department intern (as Ashley Boggins) | |
| Roger Beer | .... | property master (as Roger Baer) | |
| Thaddeus Hallinan | .... | assistant property master | |
| Asako Ogiwara | .... | art department intern | |
| Asako Ogiwara | .... | set dresser | |
| Janine Pesce | .... | art department assistant | |
| Dave Preston | .... | lead man | |
| Janine Reyes | .... | set dresser | |
| Billy Sale | .... | art department intern | |
| Billy Sale | .... | set dresser | |
| Georgia Schwab | .... | set dresser | |
Sound Department | |||
| Willy Allen | .... | supervising adr & dialogue editor | |
| Monette Bechtold | .... | foley artist (as Monitte Becktold) | |
| Lawrence Becktold | .... | foley mixer (as Larry Becktold) | |
| Christopher Briles | .... | adr mixer | |
| Christopher Briles | .... | foley mixer | |
| Christopher Briles | .... | sound re-recording mixer | |
| Christopher Briles | .... | supervising sound editor | |
| Preston Connor | .... | boom operator | |
| Patrick Giraudi | .... | sound re-recording mixer | |
| Patrick Giraudi | .... | supervising sound editor | |
| Paul Graff | .... | boom operator | |
| Monett Holderer | .... | foley artist (as Monette Becktold) | |
| Vicki Lemar | .... | assistant sound editor (as Vickie Lemar) | |
| Benjamin Patrick | .... | sound mixer (as Ben Patrick) | |
| Sean Skinner | .... | sound mixer | |
Visual Effects by | |||
| Melissa Elliott | .... | title designer | |
| David Emerson | .... | optical lineup (as Dave Emerson) | |
| Allan Levine | .... | visual effects supervisor | |
| David McCue | .... | optical supervisor (as Dave McCue) | |
| Randall Weatherington | .... | optical: and animation cameras | |
Stunts | |||
| Chuck Borden | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Michael Baio | .... | grip | |
| Eric S. Boland | .... | gaffer | |
| Brandi Borden | .... | film loader | |
| Leonard Chapman | .... | camera equipment provider | |
| Don Chong | .... | key grip | |
| John Doherty | .... | second assistant camera | |
| Eric Forand | .... | electrician | |
| Owen Foye | .... | electrician | |
| Erik Gonzales | .... | best boy electric (as Erik Gonzalas) | |
| Hilario Gonzalez | .... | electrician | |
| William Hall | .... | grip | |
| Hans Haveron | .... | grip | |
| Chip Ingram | .... | dolly grip | |
| Dan Kanes | .... | electrician | |
| Daron Keet | .... | first assistant camera | |
| Rigopolles Kosta | .... | grip | |
| James Mann | .... | electrician | |
| Mike Marnasee | .... | grip (as Mike Manasee) | |
| Seth Orozco | .... | film loader | |
| Joe Pier | .... | still photographer | |
| Kosta Rigopoulos | .... | dolly grip (as Costa Rigopulos) | |
| Paul Storino | .... | grip | |
| Nicole Turegano | .... | film loader (as Nicole Tuergano) | |
| Isabella Vosmikova | .... | still photographer | |
| Dennis Wong | .... | best boy grip | |
| Jamie Young | .... | grip | |
Casting Department | |||
| Chad Darnell | .... | extras casting | |
Costume and Wardrobe Department | |||
| Sarah Fleming | .... | assistant costume designer | |
| Chelsey Hemstreet | .... | costumer | |
| Karen Levine | .... | key set costumer | |
| Cynthia Quiroga | .... | costumer | |
Editorial Department | |||
| James Carter | .... | color timer (as Jim Carter) | |
| Steve Lemley | .... | color timer | |
| Brian J. Cavanaugh | .... | assistant editor (uncredited) | |
Music Department | |||
| Alvaro Albarracin | .... | executive music consultant | |
| Danny Bracht | .... | music supervisor | |
Transportation Department | |||
| Luis Arroyo | .... | honeywagon driver | |
| Brad Biedenbach | .... | driver: wardrobe trailer | |
| Tracey V. Black | .... | production van driver | |
| Lance Cherniet | .... | additional driver | |
| Darrell Dubovsky | .... | additional driver | |
| Derew Frutos | .... | grip truck driver | |
| John Alan Greene | .... | additional driver | |
| Brian Hall | .... | additional driver | |
| Virgie Haltman | .... | production van driver (as Virgie Halteman) | |
| Kelly Harkness | .... | stakebed driver | |
| Ken Kaplan | .... | additional driver | |
| Jason Lems | .... | shotmaker driver | |
| Eric Moon | .... | transportation captain | |
| Richard Palacios | .... | driver | |
| Michael Perrotti | .... | transportation coordinator | |
| Juan Ramirez | .... | camara truck driver | |
| Isidoro Vasquez | .... | production van driver | |
Thanks | |||
| Ben Sherman | .... | special thanks | |
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| Bread and Roses | Saving Face | I'm with Lucy | Thirteen Conversations About One Thing | Feast of Love |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section |
Its strange because much about this movie is kind of cliché and at times it had a strange awkwardness or amateurish feeling.
And yet, Angie Cepada is so strikingly beautiful, and at the same time so natural in her acting, that the film is a continual pleasure to watch. When she smiles it has all the warmth of someone you know. you just can't help falling in love with her.
Also, the film is interspersed with scenes that are very well done and outside the usual genre of romantic comedy, incorporating an off-beat humor that is at once silly and quite smart, because it captures the awkwardness of social interaction so well.
Even though at times it has an intelligent indie quality to it, it is still ultimately a predictable sappy romantic comedy about motherhood and family. If you expect nothing more it may surprise you though...I couldn't tear myself away.