Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Alejandro de la Vega (Banderas) -- and his wife, Elena (Zeta-Jones) -- to take action.
Robert Rath is a seasoned hitman who just wants out of the business with no back talk. But, as things go, it ain't so easy. A younger, peppier assassin named Bain is having a field day ... See full summary »
A newly arrived governor finds his province under the control of the corrupt Colonel Huerta. To avoid assassination by Huerta, he pretends to be weak and indecisive so Huerta will believe ... See full summary »
The Legendary Zorro goes off on another adventure to protect the future of California and its citizens. This time, he fights against evil-doers with the help of his beautiful wife, Elena, and their precocious young son, Joaquin. Alejandro De LaVega is torn between two worlds: his life as Zorro and his life as a family man. After Alejandro once again breaks his promise to stop wearing the mask, Elena leaves him, and soon begins seeing Armand, a haughty French Count. But a mysterious explosion in the desert leads Zorro to believe that there's more to Armand than meets the eye, and our hero is intent on finding out what that is. Little does he know, there are others working to uncover certain truths as well. Written by
The locomotive used on the train at the end of the film was not actually capable of moving under its own power. The illusion of it pulling the train was created by alternately using an out-of-vision diesel locomotive to pull or push, a blue screen set up next to the steam locomotive with passing scenery added later, or an about 1/8 scale operable model of the train. See more »
Zorro squeezes the priest's cross with his right hand; when the camera angle changes he holds it with his left hand. See more »
The Legend of Zorro - Don't Compare It To The First One
We saw "The Legend of Zorro" at our local theater tonight, long-anticipating a sequel to a wonderful film featuring Antonio Banderas and Catherine Zeta-Jones. While hoping it would follow suit with the first film, we were committed to going in with open minds.
Simply, the film does not match the robustness, passion or provocative nature of the first film. That does NOT mean it is a bad film - just different.
Strengths of the movie include admirable performing by the Alejandro and Elena stars. Clearly, their on-screen match-up was a great renewal. It was good to see them together again, though there was far less chemistry than they enjoyed in the first film.
The stunt work was fairly good, though some was a bit over-the-top and not particularly believable. All in all, though, it added a bit to the overall story.
The most disappointing aspects of the movie were select portions of the scripting and casting. For example, young Joaquin speaks in 2005 language - 150 years too early. Those creating the script should have restrained themselves, and used a bit more time to research the language of the era being portrayed in the story.
As to scripting: unless my eyes deceived me, one of the padres in the film (actually, Joaquin's teacher) appeared to be one of the Dons from the first film. I am unsure why this would have been a choice by the casting folks - and further unsure why it would be approved by the producer or the director.
Finally, the film seemed to drag out a bit - didn't need to be >2 hours long, in my estimation.
With all of this said, it is worth seeing. Just don't expect the blockbuster film that was the first "Zorro!"
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