| Ashley Barnett | ... | Herself (segment "Praise You") | |
| Beastie Boys | ... | Themselves (segments "Sabotage" and "Sure Shot") | |
| Brian Bell | ... | Himself (segment "Buddy Holly") (as Weezer) | |
| Björk | ... | Herself (segment "It's Oh So Quiet") | |
| The Breeders | ... | Themselves (segment "Cannonball") | |
| Sofia Coppola | ... | Janet (segment "Elektrobank") | |
| Rivers Cuomo | ... | Himself (segment "Buddy Holly") (as Weezer) | |
| Mike D | ... | Himself (segments "Sabotage" and "Sure Shot") (as Beastie Boys) | |
| Kelley Deal | ... | Herself (segment "Cannonball") | |
| Kim Deal | ... | Herself (segment "Cannonball") | |
| Fatlip | ... | Himself (segments "Drop" and "What's Up, Fatlip?") | |
| Michael Gier | ... | Himself (segment "Praise You") | |
| Mark Gonzales | ... | Himself (segment "Mark Paints") | |
| Tré Hardson | ... | Himself (segment "Drop") (as The Pharcyde) | |
| Adam Horovitz | ... | Himself (segments "Sabotage", "Sure Shot" and "Drop") | |
| DJ Hurricane | ... | Himself (segments "Sabotage" and "Sure Shot") | |
| MC 900 Ft. Jesus | ... | Himself (segment "If I Only Had a Brain") | |
| Spike Jonze | ... | Richard Coufey (segment "Praise You") | |
| Catherine Kellner | ... | Beatrice (segment "Da Funk") | |
| Tony Maxwell | ... | Himself (segment "Praise You") / Dog Boy (segment "Da Funk") | |
| Al Molinaro | ... | Al (segment "Buddy Holly") | |
| Kristine Petrucione | ... | Herself (segment "Praise You") | |
| Romye Robinson | ... | Himself (segment "Drop") (as The Pharcyde) | |
| Michael Roney | ... | Himself (segment "Praise You") | |
| Fatboy Slim | ... | Himself (segment "Praise You") | |
| Tim Szczepanski | ... | Himself (segment "Praise You") | |
| Christopher Walken | ... | Himself (segment "Weapon of Choice") | |
| Michelle Weber | ... | Herself (segment "Praise You") | |
| Imani Wilcox | ... | Himself (segment "Drop") (as The Pharcyde) | |
| Adam Yauch | ... | Himself (segments "Sabotage" and "Sure Shot") (as Beastie Boys) |
Directed by | |||
| Spike Jonze | |||
| Lance Bangs | (segment "The Interviews") | ||
| Roman Coppola | (segment "Praise You") | ||
| Kim Gordon | (segment "Cannonball") | ||
Produced by | |||
| Lance Bangs | .... | producer | |
| Richard Brown | .... | producer | |
| Paul DeGooyer | .... | executive producer | |
Original Music by | |||
| Sam Spiegel | |||
Cinematography by | |||
| Lance Bangs | |||
Film Editing by | |||
| Jeff Buchanan | |||
Art Direction by | |||
| James David Goldmark | |||
| Val Wilt | (segment "Weapon of Choice") | ||
Set Decoration by | |||
| Dea Jensen | (segments "It's Oh So Quiet" and "Buddy Holly") | ||
Art Department | |||
| Tim Hays | .... | carpenter | |
Sound Department | |||
| Jon Spira | .... | sound recordist | |
Music Department | |||
| Fatlip | .... | composer: song "What's Up Fatlip" | |
| Recent Posts (updated daily) | User |
|---|---|
| No 'Wonderboy?' | thedigitalfacade |
| Why isn't | tomjoe |
| Sabotage - No Flying Car! | profpain11 |
| DVD Music Menu | ewanstipe |
| Work of director Spike Jonze DVD trailer music? | chorizo1 |
| in Canada? | paniro |
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| Pavement: Slow Century | The Best of R.E.M.: In View 1988-2003 | Tell Them Anything You Want: A Portrait of Maurice Sendak | The Black Keys Live at the Crystal Ballroom | NotNa |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
Man, the preview for this series looked fantastic, but sorting through the 333 minutes of the dual-sided DVD gave me (and my remote) pause.
If you were considering watching this, I'd go in the reverse order of what I did. I went mostly sequentially through it which meant first the videos (which were alright to see again, many I had seen before...) and then the commentary for said videos, which was excruciating at times.
Then when I flipped it, the rarities just seemed like they could have been any college kid's reel (well not any, but you know...more aren't than art).
Then finally I hit the documentaries like a marathon runner hitting the wall...but those were clearly the most interesting. The awkwardness, self-deferential tone of the Fat Lip nicely set up the amazing "Praise You" mini-history. I don't want to comment too much about that for spoiling it, but suffice it to say several times during its filming I found myself wondering if art is for the artists alone, or if it requires a connection with an audience.
To me that's an interesting and intricate question. Just like what grade to do you give a B-boy who has F-minus skills and A-plus attitude?
So if you rent this, I'd definitely say watch that, and also the "Amarillo" documentary on Texas teens with rodeo driven dreams first. Then the Oasis video that never was, and then enjoy your old favorite Spike'd videos. For me those foremost were Bjork (always) and surprisingly the Breeder's "Cannonball." I wonder if the new Deal, er Deals, are up to the old...
Kind of hard to rate this, so I'll just give it a point for each *hour* (yikes...)
5.5/10