Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
By tying thousands of balloons to his home, 78-year-old Carl sets out to fulfill his lifelong dream to see the wilds of South America. Russell, a wilderness explorer 70 years younger, inadvertently becomes a stowaway.
The teenage DJ is observing his neighbor Nebbercracker on the other side of their street in the suburb that destroys tricycles of children that trespass his lawn. When DJ's parents travel on the eve of Halloween and the abusive nanny Zee stays with him, he calls his clumsy best friend Chowder to play basketball. But when the ball falls in Nebbercracker's lawn, the old man has a siege, and soon they find that the house is a monster. Later the boys rescue the smart Jenny from the house and the trio unsuccessfully tries to convince the babysitter, her boyfriend Bones and two police officers that the haunted house is a monster, but nobody believes them. The teenagers ask their video-game addicted acquaintance Skull how to destroy the house, and they disclose its secret on the Halloween night. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Well, I think if I saw this movie when I was ten years old, I would have been totally scared and could not sleep for weeks. Now it seems time has changed: ten-year-old children are playing horror-video games so probably what was too scary for them in the eighties is just right and fun now. Actually this is just what you could expect from a movie about a monster house: funny, spectacular, sometimes frightening. Quite a well-developed story - even if it is full of clichés, or should I say homage? - with the usual "two boys, one girl" trio as seen in Star Wars or Harry Potter. The animation is strange at first: they seem like rubber dummies, but thanks to the motion capture, their movement and expressions are first rate. While they look like having plastic hair, there is a great development since Polar Express in one field: their eyes are constantly moving - full of life. And the whole movie is just a typical and fun Spielberg-Zemeckis production with elements of Hitchcock. Besides the extraordinarily dark scenes it just feels like those very entertaining Spielberg productions of the eighties.
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