A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
Lewis is a brilliant inventor who meets mysterious stranger named Wilbur Robinson, whisking Lewis away in a time machine and together they team up to track down Bowler Hat Guy in a showdown that ends with an unexpected twist of fate.
Stephen J. Anderson
Boog, a domesticated 900lb. Grizzly bear finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.
A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
Simon J. Smith
The teenage DJ is observing his neighbor Nebbercracker on the other side of their street in the suburb that destroys tricycles of children that trespass his lawn. When DJ's parents travel on the eve of Halloween and the abusive nanny Zee stays with him, he calls his clumsy best friend Chowder to play basketball. But when the ball falls in Nebbercracker's lawn, the old man has a siege, and soon they find that the house is a monster. Later the boys rescue the smart Jenny from the house and the trio unsuccessfully tries to convince the babysitter, her boyfriend Bones and two police officers that the haunted house is a monster, but nobody believes them. The teenagers ask their video-game addicted acquaintance Skull how to destroy the house, and they disclose its secret on the Halloween night. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Homages to various Stephen King stories abound. The idea of a house that comes alive and eats people can be found in the third installment of King's "Dark Tower" series, "The Wastelands." And while in the house's basement, Chowder shines his flashlight on a mechanical monkey much like the one found in King's short story "The Monkey," collected in "Skeleton Crew." See more »
Before DJ, Chowder and Jenny went to Nebbercracker's house to try out their dummy plan, the scene focuses on a picture DJ took, which is of the tree outside the house. When the scene changes and becomes real, it showed the three of them walking towards the house, which was on the right side of the screen. If DJ had taken the photo from his house, they should have been moving towards the other side where the house should have been. See more »
A trio of preteens must work together to conquer the frightening house across the street when they discover that it is alive.
Let's be clear - Monster House is not your typical 'feel-good' children's movie. That isn't to say, however, that there are never any points where the viewer is allowed to feel good. In fact, I discovered, despite my initial resistance to a movie that I thought would simply impress me graphically, copious moments of warmth and humor within the unembellished and utterly human actions of the characters. This is the movie's paramount success. Not the plot, the myriad celebrity voices, or even the decisively unique and dazzling computer animation. Where Monster House really shines is within the dialogue and behavior of its perfectly believable personalities. From the girl-musings and growing pains of the pubescent DJ and Chowder to the cantankerous rantings of their crotchety old neighbor Nebbercracker, the cast is so natural that one would expect to run across such people within day-to-day life. It is this element that helps Monster House transcend an entirely surreal plot to make an idea so bizarre and twisted seem entirely real.
It is true that Monster House does contain a predominantly dark theme, with a considerable amount of eerie scenes to support it. I don't believe, however, that this should keep it from being shared with children, especially those preadolescences that will soon enough be able to relate to the emotions and actions of its protagonists. As long as younger children have the guidance of a parent or other compassionate adult, this film has the potential be viewed and adored by all ages.
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