Upon moving into the run-down Spiderwick Estate with their mother, twin brothers Jared and Simon Grace, along with their sister Mallory, find themselves pulled into an alternate world full of faeries and other creatures.
A young girl discovers her father has an amazing talent to bring characters out of their books and must try to stop a freed villain from destroying them all, with the help of her father, her aunt, and a storybook's hero.
Lucy and Edmund Pevensie return to Narnia with their cousin Eustace where they meet up with Prince Caspian for a trip across the sea aboard the royal ship The Dawn Treader. Along the way they encounter dragons, dwarves, merfolk, and a band of lost warriors before reaching the edge of the world.
In his homeland of Alagaesia, a farm boy happens upon a dragon's egg -- a discovery that leads him on a predestined journey where he realizes he's the one person who can defend his home against an evil king.
It was no ordinary life for a young girl: living among scholars in the hallowed halls of Jordan College and tearing unsupervised through Oxford's motley streets on mad quests for adventure. But Lyra's greatest adventure would begin closer to home, the day she heard hushed talk of an extraordinary particle. Microscopic in size, the magical dust--discovered in the vast Arctic expanse of the North--was rumored to possess profound properties that could unite whole universes. But there were those who feared the particle and would stop at nothing to destroy it. Catapulted into the heart of a terrible struggle, Lyra was forced to seek aid from clans, 'gyptians, and formidable armored bears. And as she journeyed into unbelievable danger, she had not the faintest clue that she alone was destined to win, or to lose, this more-than-mortal battle... Written by
In December 2004, Chris Weitz resigned from directing the film, claiming he was daunted by the technical challenges of the story. In August 2005 Anand Tucker was hired to replace Weitz, with the 24-carat approval of Philip Pullman himself. Tucker felt that the film would have as its central theme "Lyra's search for self-discovery and for a family." In May 2006, however, he resigned, citing creative disagreements with New Line Cinema, and Weitz returned to direct. See more »
When Lord Asriel is walking through the snow, before he gets captured, he reaches with his right hand to pull down his goggles at 40:58. In a closer shot also at 40:58, it shows him pulling them off with his left hand. See more »
There are many universes and many Earths parallel to each other. Worlds like yours, where people's souls live inside their bodies, and worlds like mine, where they walk beside us, as animal spirits we call daemons.
Are we going to see the child?
I should think so.
So many worlds. But connecting them all is Dust. Dust was here before the witches of the air, the Gyptians of the water, and the bears of the ice. In my world, scholars invented an alethiometer - a golden compass - and it...
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The FBI anti-piracy warning, typically on US-distributed DVD's, is displayed with the Magisterium's logo above the warning and the Magisterium building behind the warning as a water mark -- it plays after the feature ends. See more »
Having seen the Golden Compass I can honestly say Im hoping they don't make a follow up.
The story was truncated beyond the necessity involved in translating a book to film, the intricacies of the characters (especially Lyra) were swept over with a series of single scene expositions, that despite the talents of all the actors involved failed to accurately portray their persona's or motivations.
Whether or not you agree with Pullmans subtext in the book or not, the film failed miserably to deliver any semblance of the authors story.
On the plus side the Daemons and other effects were expertly achieved, fantastically voiced. The actors did their best with what came across as a disjointed, amateurish script. Key plot hocks were evaded, key sub text elements were missing and the directors clear priority of not offending any member of a dogmatic organised religion shone through the entire production.
In a few words: Great actors and effects in an unworthy script that was neither a faithful production of Pullmans work nor anything other than a flawed attempt to achieve box office takings.
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