Up-and-coming sports reporter rescues a homeless man ("Champ") only to discover that he is, in fact, a boxing legend believed to have passed away. What begins as an opportunity to resurrect Champ's story and escape the shadow of his father's success becomes a personal journey as the ambitious reporter reexamines his own life and his relationship with his family.
Samuel L. Jackson,
An aimless young man who is scalping tickets, gambling and drinking, agrees to coach a Little League team from the Cabrini Green housing project in Chicago as a condition of getting a loan from a friend.
When young Jay Moriarity discovers that the mythic Mavericks surf break, one of the biggest waves on Earth, exists just miles from his Santa Cruz home, he enlists the help of local legend Frosty Hesson to train him to survive it.
40 years ago, Don Haskins went on the recruiting trail to find the best talent in the land, black or white. 7 blacks and 5 whites made up the legendary 1965-66 Texas Western Miners. They were mocked and ridiculed for their showboating and flaunting of black players on the court. Yet, in the face of seemingly insurmountable odds, Haskins and his Miners came together as a team united to reach the National Championship game against powerhouse Kentucky. Written by
The technical adviser for the basketball scenes was USC head coach Tim Floyd, who was chosen because of his closeness to the film's subject, Don Haskins. During the 1980s, Floyd was Haskins' top assistant coach at UTEP (formerly Texas Western). His father, Lee Floyd, was a longtime coach and also a former Texas Western basketball player. See more »
During the game against Kansas, the announcer states that the winner of the game will advance to the national championship, when in fact the winner advanced to play Utah in the national semifinal. See more »
Coach Don Haskins:
Hey, hey, Winnaker, Winnaker, do you want me to get you a skirt? I'll get you a skirt if you keep playing like a girl!
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During the credits, an inset shows several of the actual people involved (Don Haskins, David Lattin, Pat Riley, Orsten Artis, Willie Worsley, Harry Flournoy, and Nevil Shed) commenting about the championship game and its implications. Video of that game is also shown. See more »
Glory Road is directed by James Gartner and written by Chris Cleveland & Bettina Gilois. It stars Josh Lucas, Derek Luke, Austin Nichols, Jon Voight, Evan Jones, Schin A.S. Kerr & Emily Deschanel. Based on a true story, the film follows how basketball coach Dan Haskins broke down racial barriers during the 1966 NCAA national basketball championship season.
You got to hand it to Disney, after the success of Remember the Titans in 2000, they must have trawled long and hard to find another sports based underdog story involving racial concerns. And here it is, only this time the action has moved from the grid and out on to the court. As with Titans, Glory Road takes artistic license to ram home its point, well, to make a better movie actually. What we have is an inspiring story, with a well worthy message at its heart, but it all feels a bit late in the day. Don't get me wrong, we continue today to fight racism in all walks of life, and we all like to be uplifted by triumph over adversity, it's just that it feels like the sports based underdog story is being done to death. Playing the race card, artistically, is meant to be this particular movies saviour. But glossing over the facts does nobody any favours, whilst making things up to gain dramatic thrust is just plain wrong, and this is the House of the Mouse we are talking about.
I enjoyed the film, it's hard not to like, but it's a film that's equally as frustrating as it is watchable. The cast aren't up to much, tho to be fair to Lucas he is here playing a sports coach in a decade that is full of passion fuelled similar performances, but story wise it's a winning formula. Sountracking is great, as is the time spent on the court, tho it helps if you actually know something about basketball in the first place. The clichés are many, both in characterisations and those involving the sport, in fact it's very by the numbers, ultimately meaning it's an important story, but not an important movie.
Best viewed as entertainment only, and not, as Disney would like, as an historic snap-shot of down south 1966. 6/10
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