6.9/10
25,460
113 user 43 critic

The Football Factory (2004)

R | | Crime, Drama, Sport | 14 May 2004 (UK)
An insight on the gritty life of a bored male, Chelsea football hooligan who lives for violence, sex, drugs & alcohol.

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Writers:

(novel),
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1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
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...
...
...
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Rod
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...
Cabbie
Tony Denham ...
Harris (as Anthony Denham)
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Albert Moss
...
...
Tameka
Michele Hallak ...
Shian
Daniel Naylor ...
Terry
Alison Egan ...
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Storyline

The Football Factory is more than just a study of the English obsession with football violence; it's about men looking for armies to join, wars to fight and places to belong. A forgotten culture of Anglo-Saxon males fed up with being told they're not good enough and using their fists as a drug they describe as being more potent than sex and drugs put together. Shot in documentery style with the energy and vibrancy of handheld, The Football Factory is frighteningly real yet full of painful humour as the four characters' extreme thoughts and actions unfold before us. Written by Wahida Begum

Plot Summary | Plot Synopsis

Taglines:

Even in Britain, Crime is Crime See more »

Genres:

Crime | Drama | Sport

Motion Picture Rating (MPAA)

Rated R for pervasive strong language, brutal violence, drug use and some sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

14 May 2004 (UK)  »

Also Known As:

Football Factory  »

Filming Locations:

 »

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Box Office

Opening Weekend:

£207,683 (United Kingdom), 16 May 2004, Limited Release
See more on IMDbPro »

Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

During the encounter between Billy Bright and Millwall Fred at the junior game, Frank Harper ad-libbed most of his lines, including the "Kebab shop" racial slur. The anger shown by Tamer Hassan is genuine and Nick Love kept it in the film. See more »

Goofs

During the fight against Millwall, we see Raff on the floor with blood and bruises on his face. However, when the police arrive, we see Raff taunting them with no signs of being hurt at all. See more »

Quotes

Bill Farrell: Don't you ever get the itch?
Tommy Johnson: Yeah. I can see myself on a sun lounger in my back garden, couple of kids running about. Sipping my Pimm's quietly.
Bill Farrell: Kids, eh?
Tommy Johnson: Yeah, why not?
Bill Farrell: Well, what's their names?
Tommy Johnson: Dorian, after me mate.
Bill Farrell: Dorian? Both of them?
Tommy Johnson: Yeah, probably.
Bill Farrell: Well, what if they're girls?
Tommy Johnson: Dorian.
See more »

Connections

Followed by The Real Football Factories (2006) See more »

Soundtracks

Now Is The Time
Written by Matt Cantor (as M. Cantor) and Aston Harvey (as A. Harvey)
Performed by Freestylers
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Nick Love's First And Perhaps Last Great Film
11 November 2007 | by See all my reviews

An auteur is regarded as a director who has a running theme throughout their resume . For example Robert Aldrich is considered a " sadistic " director and whileis films may be tame compared to the video nasty era the likes of TOO LATE THE HERO and ULZANA'S RAID do still come across as compellingly blood thirsty and violent . The films of Martin Scorsese usually involve protagonists being caught in an existentialist quicksand where the more they try and find their goal in life the more they sink into a problem of their own making . Let's not get too caught up in the auteur theory however because much of it is simply down to movie studios assigning scripts to well suited directors " Hey Marty , we've got a script here featuring a deranged loner wanting to join the mob . Bob and Leonardo have already signed on the dotted line . You interested ? " . Nevertheless it's obvious that Nick Love in the years ahead will be honoured in this fashion if only because his films feature blackly comical stories of working class British males fed up with the state of the nation

In terms of style and execution THE FOOTBALL FACTORY isn't a million miles away from the likes of TRAINSPOTTING and TWO SMOKING BARALLS . It's very quirky , rather episodic , fairly violent and oh so bloody entertaining . You could say it contains all the flaws of recent British movies like an overuse of the words " FAHKIN' " and " KANT " but we are talking about the notorious Chelsea headhunters football hooligans and there are admittedly some unlikely coincidences involved such as two of the headhunters burgling a house that belongs to... but unlike Love's later OUTLAW you never feel at how contrived these plot twists are which probably says much of the film's entertainment factor . It could also be that the original source was strong in the first place since I get the feeling that Love totally fails as a screenwriter of original material , certainly the problem with OUTLAW was an underdeveloped script with very underwritten characters who lacked a recognisable motive . Here it's obvious but never overstated that the motivation of becoming a hooligan is to belong to something . And unlike in OUTLAW when something funny happens in THE FOOTBALL FACTORY you genuinely do laugh instead of scratching your head wondering if in fact it's supposed to be funny

I have to confess that I've seen the feature films of Love back to front . I saw OUTLAW when it opened in the cinema in March , I saw THE BUSINESS a couple of months after that and saw THE FOOTBALL FACTORY for the first time last week . If Nick Love had released his films in that order then I would have said that here is a film maker who is really hitting his stride as his films just get better and better . Unfortunately what this means in reality is that Love is on a downhill curve and that nothing has come close to matching THE FOOTBALL FACTORY . One can only hope that the big screen remake of THE SWEENEY , a TV show well remembered for its mixture of black comedy and violence , will see a return to form for an underrated auteur


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