| Erik Holmey | ... | Frank Lowies | |
| Zlatko Buric | ... | Ivan | |
| Sofie Lassen-Kahlke | ... | Tina | |
| Sami Darr | ... | Pucha | |
| Daniell Edwards | ... | Sonny | |
| Dennis Haladyn | ... | Tosse-Uffe | |
| Mustafa Ali | ... | Shameer | |
| Mike Andersen | ... | Onkel | |
| Salah El Koussa | ... | Tuki | |
| Robert Hansen | ... | Martin | |
| Hector Vega Mauricio | ... | Ramirez | |
| Dennis Riedel | ... | Brian | |
| René Dif | ... | Luc | |
| Thomas Bo Larsen | ... | Kiosk-røver | |
| Thure Lindhardt | ... | Krelle | |
| Claire Ross-Brown | ... | Michelle | |
| Ole Drost | ... | Politimand | |
| Michael Zile | ... | Fynsk Betjent | |
| rest of cast listed alphabetically: | |||
| Kimmie Andersen | ... | Stripper | |
| Dimitri Andriotis | ... | Politimand | |
| Anna Bård | ... | Stripper | |
| Michael René Jensen | ... | Police Officer | |
| Michael Kjær | ... | Politimand | |
| Maja Muhlack | ... | Sussy | |
| David Petersen | ... | Politibetjent | |
| Christian Wenande | ... | Billy Bob | |
| Julie R. Ølgaard | ... | Camilla (as Julie Ølgaard) | |
Directed by | |||
| Shaky González | |||
Writing credits(in alphabetical order) | ||
| Shaky González | ||
Produced by | |||
| Mustafa Ali | .... | co-executive producer | |
| Jacob Ditlev | .... | producer | |
| Daniell Edwards | .... | co-executive producer | |
| Ronnie Fridthjof | .... | executive post-production producer | |
| Melanie Frydshou | .... | assistant producer | |
| Leoh Jensen | .... | executive producer | |
| Michael Kjær | .... | line producer | |
| Michael Nielsen | .... | executive producer | |
| Mette Sandvig | .... | line producer | |
Cinematography by | |||
| Thomas Korsholm | |||
Film Editing by | |||
| Shaun Rana | |||
Set Decoration by | |||
| Christina Folting | |||
Makeup Department | |||
| Lea Sonne | .... | makeup artist | |
| May Stauber | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Alexandre Archimbaud | .... | second assistant director | |
| Philip Th. Pedersen | .... | first assistant director | |
Visual Effects by | |||
| Monika Bress | .... | digital artist | |
| Sune Daugaard | .... | digital artist | |
| Alexander Kucera | .... | digital compositor | |
Camera and Electrical Department | |||
| Jacob Ditlev | .... | assistant camera | |
| Edvard Friis-Moeller | .... | Steadicam operator | |
Costume and Wardrobe Department | |||
| Michael Møller-Kristensen | .... | costumes | |
Editorial Department | |||
| Toke Rude Trangbæk | .... | post-production coordinator | |
| Martin Wehding | .... | colorist | |
| Tino Zidore | .... | on-line editor | |
Other crew | |||
| Jacob Ditlev | .... | script consultant | |
| Lars B. Frahm | .... | runner | |
| Mads Peter Post | .... | production assistant | |
| Martin Riello | .... | chief light | |
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| Knockaround Guys | Dabangg | The Treasure of the Sierra Madre | It's a Mad Mad Mad Mad World | 800 Bullets |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Denmark section |
I saw this last month at the Palm Springs International Film Festival. Director/writer Shaky González was born in Chile raised in Denmark and in this comedy-adventure spoof of spaghetti westerns of Sergio Leon and Mexican bandit films of Robert Rodriguez, González spins a modern yarn about Danish gangsters. Or maybe just a tale about a dysfunctional urban family that has grown out of proportion. A couple of filmmakers are intrigued by the story of a multi-million dollar heist by a gang of thieves led by Frank Lories (Erik Holmey), a master criminal and the strongest and most feared man in Copenhagen. Also in the gang are Frank's two sons Sonny (Daniell Edwards) and Brian (Dennis Dean) and his niece Tina (Sophie Lossen-Kahlke). The other thugs-turned adversaries include Ramirez (Hector Vega Mauricio), Pucha (Sami Darr), Shameer (Mustafa Ali), Ivan (Zlatko Buric) and Tuki (Salah el Koussa). Seven years after the heist there are many different stories on how much was stolen, what happened to the gang members and what became of the stolen loot. In each telling the story looms larger. Those who leave the theater before the credits roll will miss the big picture as much will become evident as the epilogue continues behind the closing credits. There is a lot of comedy here and it comes across as a really good bad movie. I would give this a 7.0 out of 10.