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Researching a book that takes her to Bali and the black magic cult of Leák, Cathy meets an evil witch which promises to train her in the dark arts. Tricked, Cathy is turned into a ... See full summary »
H. Tjut Djalil
Ilona Agathe Bastian,
Director George Barry's inspiration for Death Bed came in a dream, which the film's bizarre surreal nature is attributed to. See more »
After Sharon's brother has his hands dissolved by the Death bed, only the skeleton remains. The hands are clearly a plastic skeleton as evidenced by the metal pins connecting the pieces to each other. See more »
words cannot convey just how bizarre this movie is...
The premise- a demon falls in love with a maiden and assumes human form in order to make love to her. She dies as a result of this preternatural union, and the mournful demon cries tears of blood upon their carnal bed. The blood is absorbed, bestowing the bed with a predatory animate existence. Nestled within a ramshackle guesthouse, it lies in wait through the ages...a bloodthirsty canopy bed which consumes anyone unfortunate enough to rest upon it. A strange concept for a horror film, indeed, but the presentation is far, far stranger...
This no-budget oddity was composed with a very peculiar artistic finesse...not so much pretentious as self-consciously esoteric, it merges trash cinema sleaze with flourishes of oneiric surrealism(it's largely narrated by the spirit of 19th-century nouveau illustrator Aubrey Beardsley, helplessly imprisoned within a painting on a wall opposite the killer bed). This eccentric admixture doesn't really gel perfectly, but that is certainly not to imply that DEATH BED is a bad film, just that it's very bizarre and obvious of its restrictive budget...I personally consider it one of the most original and inventive amateur horror projects I have ever seen.
Opinions about this one will be all over the board, but there's no denying that DEATH BED is unique. I recommend it strongly to all fans of outré cinema. 7/10
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