An amusement park reopens after a deadly accident fourteen years prior. But although the park is back in business, that doesn't mean it's safe, and when a young boy goes missing, a group of his friends set out to find him.
In this prequel to Mou gaan dou (2002), Chan Wing Yan has just become an undercover cop in the triads while Lau Kin Ming joins the police force. Both the triads and the police find an enemy in a rival crime boss.
Anthony Chau-Sang Wong
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This film is about a hyper-vigilant employee of the department of public safety who, while training his young female replacement, has to track down a missing girl who he is convinced is connected to a paroled sex offender he is investigating.
Yen's brother Alan has been missing for six days.Somehow, it is connected to an amusement park where a girl died 14 years ago in a ferris wheel accident. Their mother, who has the power to capture ghosts with a camera, believes he is dead, but Yen decides to go to the park to look for him. Along with friends Yen is chased out by a watchman. But they ignore his warnings and, one by one, they die. Written by
Whoops I forgot my 3D glasses to experience those mind-popping images (where we are informed when to put them on or take them off), but I doubt that gimmick would have saved this already below-average, if bizarre supernatural/slasher tale from Hong Kong. It looks like it had a bit money behind it, but it feels second-rate when compared to others of its field and that ending is a complete wimp out.
At least it has going for it some stylish visual brushes by Wai-keung Lau's frenetic direction and an imposingly eerie setting (an abandoned theme park, which has some freaky looking clown dolls on a hanging tree) with some sensational art direction (like the opening entrance of the clown face). Too bad that it's senselessly penned with an messy same-old, same old structure (even though the concept showed more promise than your copy-and-paste 'Ringu' clone) of cheap jolts, typical thrills (that steals its thunder from other films) and lazily constructed characters. Even throughout it demonstrates some unwelcoming camp qualities, where the witless script and self-knowing humour just don't come off. It irritated, but not as much as the performances do. Bobo Chan in the lead role never convinces and her screaming/crying gave me a splitting headache.
Yen along with her friends are looking for her missing brother, despite the warning from her medium mother that he's dead. It leads them to an amusement park, which closed down over a decade ago after a horrible accident involving the death of a young girl. Instead of finding her brother they come across restless spirits who pick them off one by one.
The computer effects are well-done and never distracting, as there's one memorable decapitation sequence that's brilliantly executed and there's a little bit of blood 'n'gore in the traditional style. Sound effects hold an atmospheric grip, but those constant whooshing noises and whispering voices could've been toned down. The music score wasn't all that effective, even with some jaded cues.
Pretty much like a foreseeable, underwhelming haunted house theme park ride.
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