| Trish Coren | ... | Jessie Holden | |
| Rachel Harland | ... | Cindy | |
| Jilon Ghai | ... | Kevin | |
| Happy Mahaney | ... | Emmett | |
| Shirlene Quigley | ... | Honey | |
| Algie Hamilton | ... | Count Pimpula | |
| Dig Wayne | ... | Arlo Ray Baines / Dynamite Jones | |
| Rosamaria Juarez | ... | Louise | |
| Nicole Rayburn | ... | Marie | |
| Josh Holt | ... | Freddy | |
| M. Steven Felty | ... | Jacob | |
| Michael Samluk | ... | Allan | |
| Taylor Hurley | ... | Ghost Girl | |
| Rachel Melvin | ... | Meg | |
| Terri Novak | ... | Jessie's Mom | |
| J.D. Decker | ... | Caitlin | |
| Voldi Way | ... | Joseph Carmichael | |
| Edward Perry Smith | ... | Orderly #1 | |
| Dee Wallace | ... | Nurse Russell (as Dee Wallace-Stone) | |
| Ellen Irwin | ... | Nurse Carpenter | |
| Dutchess Botti-Smith | ... | Dutchess | |
| Allysson Campbell | ... | Trick-or-Treater | |
| Blake Campbell | ... | Trick-or-Treater | |
| Juliana Ferrante | ... | Trick-or-Treater | |
| Brandon Harland | ... | Trick-or-Treater | |
| Kyle Hellenbrand | ... | Trick-or-Treater | |
| Mitchell Sugasawara | ... | Trick-or-Treater | |
| Alexi Tanczel | ... | Trick-or-Treater | |
| Lisa Campbell | ... | Parent of Trick-or-Treater | |
| Pamela Ferrante | ... | Parent of Trick-or-Treater | |
| Jeff Fuller | ... | Doctor X (as Jeff 'Bones' Fuller) | |
| Hillary Kaye | ... | Nurse | |
| Dennis P. Klein | ... | Doctor Tazbury | |
| H. Charles Parrish | ... | Orderly #2 (as Charlie Parrish) | |
| Patrick Murphy | ... | Orderly #3 | |
| Richard M. DeVore | ... | Mental Patient | |
| Sybille Herwig | ... | Mental Patient | |
| Alex Klein | ... | Mental Patient | |
| Daniel Schweiger | ... | Mental Patient | |
| Ralf Sicamore | ... | Mental Patient | |
| Carla Way | ... | Mental Patient | |
| Marco Ramirez | ... | Dynamite Jones Dub (voice) | |
| Phyllis Botti | ... | Dispatcher Voice (voice) |
Directed by | |||
| Anthony C. Ferrante | |||
Writing credits(in alphabetical order) | ||
| Anthony C. Ferrante | writer | |
Produced by | |||
| David E. Allen | .... | producer | |
| Sheri Bryant | .... | co-producer | |
| Harmon Kaslow | .... | executive producer | |
| Brian Patrick O'Toole | .... | co-producer | |
| Dennis Sugasawara | .... | line producer | |
Original Music by | |||
| Alan Howarth | |||
| Carey James | |||
Cinematography by | |||
| Carl Bartels | |||
| Nick Franco | (director of photography) | ||
Film Editing by | |||
| Chris Conlee | |||
Casting by | |||
| Lisa Essary | |||
Production Design by | |||
| Sam Greenmun | |||
Art Direction by | |||
| John Stewart | |||
Costume Design by | |||
| Jeannette M. Fuller | |||
Makeup Department | |||
| Misa Aikawa | .... | key makeup artist | |
| David Brooke | .... | special makeup effects artist | |
| Jayne Marie | .... | assistant makeup artist | |
| Lorraine Martin | .... | makeup department head | |
| Jane Moore | .... | assistant makeup artist | |
| Kevin Wasner | .... | special makeup effects artist | |
| Tracy Wilcox | .... | additional key makeup artist | |
Second Unit Director or Assistant Director | |||
| J.J. Dalton | .... | additional second second assistant director | |
| Jeff Fuller | .... | first assistant director | |
| Mike Greene | .... | first assistant director | |
| Shelly Heyward | .... | second second assistant director | |
| Keith Jones | .... | first assistant director | |
| Eli Olson | .... | second assistant director | |
| Ben Waller | .... | second second assistant director | |
| Danny Wayne | .... | second unit director (as Danny W. Stallcup) | |
Art Department | |||
| David Brooke | .... | additional art department | |
| Charlotte Christensen | .... | additional art department | |
| Kate Costello | .... | additional art department | |
| D.H. Covey | .... | storyboard artist | |
| Scott Gerard | .... | carpenter | |
| Barbara Greenmun | .... | additional art department | |
| Damon Anthony Guilfoyle | .... | carpenter | |
| Jacob Hair | .... | storyboard artist | |
| Mike Horn | .... | carpenter | |
| Todd Knowlton | .... | assistant production designer | |
| Todd Knowlton | .... | property master | |
| Bart Marymee | .... | utility | |
| Andre D. Munoz | .... | carpenter | |
| Louis Pantelakos Jr. | .... | set dresser | |
| Lori Rozzi | .... | art department assistant | |
| Mary Sampaio | .... | art swing | |
| Craig Wadlin | .... | carpenter | |
| Daniel Wheeler | .... | carpenter | |
| Jeff Williams | .... | art swing | |
Sound Department | |||
| Marcus Andexler | .... | sound recordist | |
| Steve Bartlett | .... | post-production sound | |
| Ben Cooper | .... | assistant sound editor | |
| Ben Cooper | .... | sound designer | |
| Joel Jaffe | .... | foley editor | |
| Shawn Keating | .... | sound designer | |
| J.M. Logan | .... | sound designer | |
| Josh Logan | .... | sound | |
| Michael McDonald | .... | sound re-recording mixer | |
| Michael McDonald | .... | supervising sound editor | |
| John Sanacore | .... | foley recordist | |
| John Sanacore | .... | sound recordist | |
| Alex Ullrich | .... | foley artist | |
| Alex Ullrich | .... | sound designer | |
| Benjamin Vallery | .... | boom operator | |
| Eric Vesbit | .... | sound effects editor | |
| Brad Whitcanack | .... | sound effects editor | |
Special Effects by | |||
| John Bordeaux | .... | special effects coordinator | |
Visual Effects by | |||
| Mitzi Hansen | .... | assistant to visual effects supervisor | |
| Chris Hopkins | .... | digital compositor | |
| Drew Redford | .... | digital compositor | |
| Michael Shelton | .... | visual effects supervisor | |
| John Stewart | .... | compositor | |
| Dominik Wojtarowicz | .... | additional visual effects | |
Stunts | |||
| Chris Lawrence | .... | stunt performer | |
| H. Charles Parrish | .... | stunt coordinator | |
| Darrell Lee Stallcup | .... | stunt rigger | |
| Danny Wayne | .... | stunt coordinator (as Danny W. Stallcup) | |
Costume and Wardrobe Department | |||
| Erin Fish | .... | key on-set costumer | |
| Ka Leng Taing | .... | set costumer assistant | |
Editorial Department | |||
| Vinny Ciminera | .... | colorist | |
Thanks | |||
| Steve Baron | .... | special thanks | |
| Abbie Bernstein | .... | special thanks | |
| Steve Buck | .... | special thanks | |
| Christopher Roth | .... | special thanks | |
| Brian Yuzna | .... | special thanks | |
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| Halloween | Visiting Hours | The Living and the Dead | City of Shoulders and Noses | Chello hongmijoo ilga salinsagan |
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I was happy to rent "Boo" after reading that it was from the same producer as "Dog Soldiers," which I found wonderfully relentless. While "Dog Soldiers" is on my list of films to buy, I soon found "Boo" to be tedious. It is the sort of movie I began to watch in bits for it was becoming too aggravating to sit through in one stretch. While I appreciate horror films made on a small budget (and therefore, it can be assumed, made out of a passion for the genre and not a mere eye on box office returns), recent films, such as "Boo," rely on SUDDEN LOUD NOISES to elicit their scare moments. (It's the new 'screeching cat leaping out' gimmick.) This film made me jump once. However, when a film uses a LOUD NOISE or sudden ghost/killer reveal a second time, the impact is usually lessened, and when this happens a THIRD time, and then again, the 'scares' become predictable for the audience now knows the rhythm of the film, that whenever there's a quiet moment, there will be a JOLT, or whenever a character is about to move out of frame, the ghost/killer will be standing there. And really, what suspense can be given to a film when there is an overuse of a creepy little girl suddenly, without actually moving, advancing toward another character, accompanied by A LOUD SOUND. The squeaking, slowly moving wheelchair was much more effective for then a sense of dread was built, a 'What's going to happen?' apprehension. JOLTS just become numbing, and then boring.
I can forgive bad acting but there are certain true reactions to which we can all relate and when a character does not REACT the way that we would, that is when the amateurish performance becomes distracting. If my girlfriend/boyfriend or best friend is murdered, my reaction is horror and anger; in this film, there is shock (and one character gets very upset and weepy) but then everyone just seems to gloss over this and resumes looking for a way to escape the hospital. The murder then becomes a mere plot device, another 'reanimated dead' complication for our remaining cast to soon deal with.
Great use of a particular costume however, and it's always wonderful to see Dee Wallace Stone on screen.