Nikolai, a mortician, and Osip, an actor playing Christ in a play, are brothers in love with the same woman. Anna, a state scientist and said woman, is in love with both brothers and ... See full summary »
During the rehearsals for the production of the tragedy Andromaque, the leading actress and her director, a couple behind the scenes, can't find a way to leave their personal problems at ... See full summary »
André S. Labarthe
A woman recently released from prison and a strange young female street urchin keep running into each other on the streets of Paris and finally become companions in a very strange and very ... See full summary »
During the Algerian war for independence from France, a young Frenchman living in Geneva who belongs to a right-wing terrorist group and a young woman who belongs to a left-wing terrorist ... See full summary »
Commissioned by the heads of the 2000 Cannes Film Festival to make an opening-night short commemorating cinema as it enters its second full century, Godard instead offers up a 17-minute ... See full summary »
In his usual (and frankly, now very tiring, confusing and unappealing) presentation of things and events Godard makes us question why a talented artist (I won't bother saying who he is) isn't more mentioned in art history. In the meantime, intertwining with clips from his films and showing the artists' paintings, two narrators try to reach a consensus about who tells best the biography of the man in question. He probably didn't succeed all that much not because of a tragical event in his life but merely because (from the perspective we gather here) his paintings were simplistic and lifeless. OK, that wasn't fair since I saw the portraits through camera lens rather than in front of me but whatever. And there's pointless discussions about history, art and life. I say pointless because the lack of coherence in this film is shocking to the point of mix things that make sense with things that are half explained. Watchable, relatively good but passable. 6/10
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