Commissioned by the heads of the 2000 Cannes Film Festival to make an opening-night short commemorating cinema as it enters its second full century, Godard instead offers up a 17-minute ... See full summary »
On a movie set, in a factory, and at a hotel, Godard explores the nature of work, love and film making. While Solidarity takes on the Polish government, a Polish film director, Jerzy, is ... See full summary »
A symphony in three movements. Things such as a Mediterranean cruise, numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday... Our Europe.... See full summary »
Everything returns to normal after Chernobyl. That is, everything but art. Most of the great works are lost, and it is up to people like William Shakespear Junior the Fifth to restore the ... See full summary »
Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract ... See full summary »
In this modern retelling of the Virgin birth, Mary is a student who plays basketball and works at her father's petrol station; Joseph is an earnest dropout who drives a cab. The angel ... See full summary »
13 European directors explore the theme of Sarajevo and what this city represents in European history over the past hundred years, and what Sarajevo incarnates today in Europe. From ... See full summary »
In his usual (and frankly, now very tiring, confusing and unappealing) presentation of things and events Godard makes us question why a talented artist (I won't bother saying who he is) isn't more mentioned in art history. In the meantime, intertwining with clips from his films and showing the artists' paintings, two narrators try to reach a consensus about who tells best the biography of the man in question. He probably didn't succeed all that much not because of a tragical event in his life but merely because (from the perspective we gather here) his paintings were simplistic and lifeless. OK, that wasn't fair since I saw the portraits through camera lens rather than in front of me but whatever. And there's pointless discussions about history, art and life. I say pointless because the lack of coherence in this film is shocking to the point of mix things that make sense with things that are half explained. Watchable, relatively good but passable. 6/10
0 of 1 people found this review helpful.
Was this review helpful to you?