Everything returns to normal after Chernobyl. That is, everything but art. Most of the great works are lost, and it is up to people like William Shakespear Junior the Fifth to restore the ... See full summary »
Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract ... See full summary »
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a ... See full summary »
In this film, 'Her' refers to both Paris, the character of Juliette Janson and the actress playing her, Marina Vlady. The film is a kind of dramatised documentary, illustrating and ... See full summary »
A semi-autobiographical account of Makmahlbaf's experience as a teenager when, as a 17-year-old, he stabbed a policeman at a protest rally. Two decades later, he tracks down the policeman he injured in an attempt to make amends.
Commissioned by the heads of the 2000 Cannes Film Festival to make an opening-night short commemorating cinema as it enters its second full century, Godard instead offers up a 17-minute ... See full summary »
In his usual (and frankly, now very tiring, confusing and unappealing) presentation of things and events Godard makes us question why a talented artist (I won't bother saying who he is) isn't more mentioned in art history. In the meantime, intertwining with clips from his films and showing the artists' paintings, two narrators try to reach a consensus about who tells best the biography of the man in question. He probably didn't succeed all that much not because of a tragical event in his life but merely because (from the perspective we gather here) his paintings were simplistic and lifeless. OK, that wasn't fair since I saw the portraits through camera lens rather than in front of me but whatever. And there's pointless discussions about history, art and life. I say pointless because the lack of coherence in this film is shocking to the point of mix things that make sense with things that are half explained. Watchable, relatively good but passable. 6/10
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